NOTE: Screencaps in my reviews are now clickable for the full-sized versions (it’ll initially bring you to a page where you have to click on the screencap again to get the full-sized version)
Sketches are rated on a scale of 1-5 stars
COLD OPENING
Bert Lance (JOB) uses his National Express card to get recognized
— Right off the bat, I’ve noticed that Dan’s mustache is finally gone. He looks a little closer to his actual age without it (which was 25 at the time, I believe).
— When they cut to a close-up of John turning to look at the camera, I mistakenly almost thought we were ALREADY gonna get our LFNY, despite the fact that this cold opening has just started and there’s been no jokes far.
— Another American Express card parody? They used this same joke in a season 1 ad with Garrett as Rubin “Hurricane” Carter, and I remember that one went completely over my head. I get the joke more in this cold opening and it’s still fairly funny, but this isn’t exactly the most exciting way to start a season.
STARS: ***
OPENING MONTAGE
— For the first time after the original montage used since SNL’s debut, we get a brand-new montage! This is the jumbotron montage.
— I remember I used to think the transparent shots of each cast member superimposed in front of their displayed name was kinda creepy and ghostly-looking. It still kinda comes of that way to me, though not as much now. Also, those shots feel out of place in this montage.
— This montage seems really short and overly simplistic. Then again, it’s not like the montage from the first two seasons was long and complex, either.
— If I remember correctly from what I’ve seen of this season years ago, this opening montage will end up going through some modifications throughout the season, especially the shots of the cast members.
MONOLOGUE
host sings “Mack The Knife” excerpt & says he’s looking for cat handcuffs
— In addition to the opening montage, we have a new homebase stage, too. This is also the first homebase stage where the SNL band is visible.
— Those squeaky intergalactic-type synthesizer sounds in the theme music when Steve walked onstage… Oh, so I guess we’ve reached THAT point in the 70s where that type of music was popular.
— A funny start to this monologue with Steve’s non-stop random singing of the same lyrics (“Oh, the shark bites… etc.”) from a song.
— The cat handcuffs bit is hilarious.
— I’m loving how this is jumping from one random topic to another.
— Is this the first time a monologue ends with the later-tradition of mentioning the musical guest before saying a variation of “We’ll be right back”?
STARS: ****
ROYAL DELUXE II
even on a bumpy road, backseat circumcision is OK in the Royal Deluxe II
— Oh, the “circumcising a baby in the backseat of a smooth car” commercial. This is a well-known fake ad from this era, and years later, SNL would actually re-air it in a 1999 episode to commemorate the show’s 25th anniversary.
— Overall, this commercial was fantastic, with a hilarious premise and perfect execution.
STARS: *****
FESTRUNK BROTHERS
Czechs Georg (host) & Yortuk (DAA) Festrunk flirt with (JAC) & (GIR)
— Ladies and gentlemen, we have a major recurring character debut!
— Their 70s swinging outfits are a funny sight, though they’re missing the hats that would become part of their trademark look in later installments of this sketch.
— There’s the first utterance of “We are… two wild and crazy guys”, though it wasn’t exclaimed as energetically as we’re now used to.
— Love the abrupt way the brief table tennis game between the brothers ended.
— Their odd dancing is really funny.
— There’s the first mention of “big American breasts”, which always cracks me up.
— Gilda seems to be fighting to keep her composure after Steve’s stumbly delivery of a line.
— Overall, a great introduction to what would go on to be one of the more defining recurring sketches of this whole era.
STARS: ****
MUSICAL PERFORMANCE
WEEKEND UPDATE
during her trip to China, LAN bought a Mao Tse-Tung snow globe
film critic BIM reviews “The Deep” & criticizes its stars
sportscaster GAM reports on a record-breaking Japanese baseball player
JOB’s awarding of scholarship to Mexican could be mistaken for a drug buy
text crawl tests the Emergency Broadcast System for the hard of hearing
— The very first Update with Jane having a co-anchor. Dan Aykroyd gets the honors.
— Wow, right from the start, this Update feels VERY different. The Update set has completely changed, and this particular Update starts with other cast members (who I assume will be tonight’s correspondents) gathered around Jane and Dan at the Update desk ala the news team of a real news broadcast.
— And now, even the way the news story pictures are displayed is completely different, now being shown behind the anchors in a chroma-key effect instead of being shown in a news screen to the side of the anchor.
— Dan’s very first joke was pretty good, though I’m not sure about his delivery.
— The snow globe bit in Laraine’s Chairman Mao commentary was pretty funny.
— A “weather update” segment? Wow, they’re really going all out to make tonight’s Weekend Update feel like a real news broadcast.
— I’m loving Bill’s on-the-spot movie review.
— Very funny comment from Bill about Nick Nolte’s mustache making him look like a Denver cop.
— Overall, Bill’s commentary was very good, and it’s nice to see him continue to come into his own on SNL. And I loved his “now get out of here” catchphrase that he repeated throughout this. It’s such a Bill Murray thing to say.
— Garrett’s sports review segment was merely okay.
— John’s commentary has a funny reveal of why he chose one particular student to give a scholarship to: the student provided John with a gigantic bag of weed.
— What’s with the Emergency Broadcast System text crawl on the upper half of the screen right now? It’s kinda funny, but is completely distracting from the actual joke that Dan and Jane are telling during it.
— Overall, wow, this Update had a COMPLETELY different feel. They really revamped the format. This is pretty fascinating to watch after I’ve gotten so used to how Update was in the first two seasons. We’ve definitely reached a new era of the segment.
— It’s too early to say anything about Dan’s performance as an anchor, though knowing he ends up not working out and would leave the desk after only one season due to feeling uncomfortable playing himself, I’m expecting a lot of awkwardness this season. His delivery tonight wasn’t TOO bad, but he had a few moments where he looked unsure of what he was supposed to do next.
STARS: ***
MIKE MCMACK, DEFENSE LAWYER
(host) hits on (GIR) after cross-examination
— I can already tell by the Pardo voice-over intro that this is going to be a fun Steve Martin sketch.
— Steve is hilariously cocky and inappropriate all throughout this. He’s cracking me up so much.
— Bill worked in yet another “Get out of here, you”. I guess that was actually his catchphrase in real life.
— Gilda’s making me laugh a lot with her over-the-top crying outburst.
— Steve’s “Nah!” after his whole dramatic “maybe she’s right” monologue was a very funny ending. I remember him doing that in another sketch later this era, though I can’t remember what sketch it was.
STARS: ****½
KEYPUNCH CONFESSION
Trinity 3000 computer helps (DAA) act as priest & travel agent for (GAM)
— A great concept with Dan’s priest having a processor assist him with what advice to give Garrett’s confessions.
— I wonder if Garrett’s “Excuse me for calling you ‘man’” comment to Dan’s priest was an ad-lib; it seemed like it.
— Good turn this sketch has suddenly taken with Dan now using the computer to help plan out Garrett’s travels.
STARS: ****
BEATLE OFFER
LOM sweetens his offer to the Beatles- $200 more & hotel accommodations
— Is this a rerun? I’m pretty sure I remember this exact same “Lorne ups the ante on his original Beatle offer” sketch from, I think, the second Buck Henry episode from season 1.
— Yep, I’m 99% sure this is a rerun.
— And now, the “May 21, ’76” date seen on Lorne’s check that the camera showed a close-up of made me 100% sure that this is a repeated segment.
— Another dead giveaway is that Lorne keeps referring to the show by its old name “Saturday Night” instead of by its new official name “Saturday Night Live”.
— So… why exactly are we seeing this sketch again anyway? This isn’t exactly something the show normally re-airs in a new episode; that’s usually reserved for pre-taped fake ads or (sometimes) short films.
GREAT MOMENTS IN ROCK & ROLL
(LAN) is Roy Orbison’s (JOB) “Pretty Woman”
— Liked Laraine’s comment about getting her intro done before “those ‘ludes kick in”. Oh, that rampant 70s drug humor…
— John’s stiff walking around when the song has started is really funny.
— John’s doing a damn good impression of Orbison’s singing voice.
— LOL at John suddenly stiffly falling down backwards while singing, and Bill helping prop him up.
— An overall okay sketch, but a few parts dragged too much.
STARS: ***
THE FRANKEN AND DAVIS SHOW
(ALF) & (TOD) compete in Mr. U.S.A. Pageant emceed by Anita Bryant (JAC)
— Franken and Davis now have an opening title card sequence with caricatures of themselves. Looks nice.
— Good comment from Jane revealing she’s Anita Bryant’s ex-lover.
— Wow, now they’re involving the whole male cast and writing staff. This is extensive for a Franken and Davis piece, and is starting to feel more like a normal sketch.
— The High Hopes football bit is strangely funny with Franken bizarrely punching the football padded bag thing (sorry, I don’t know the correct term for it) in time to certain parts of the “High Hopes” song.
— Davis’ interpretive dance bit was pretty hilarious.
— LOL at the Jews question Franken was asked.
— This feels like the first time we’ve seen Steve in a while tonight.
— Unfortunately, Steve’s scene ended up feeling kinda pointless and wasn’t that funny
STARS: ***
MUSICAL PERFORMANCE
KROMEGA III
the Kromega III watch is so complex, it takes two people to make it work
— Pretty decent fake ad, though I think I like it more for the tone and the production values than for the actual humor.
STARS: ***
GOODNIGHTS
IMMEDIATE POST-SHOW THOUGHTS:
— A fairly strong way to start off the season. There were several great segments in the first hour, though the quality died down a little in the last 30 minutes, which was dominated by average pieces and an unnecessary re-airing of a Lorne sketch. However, none of the sketches tonight were weak; everything worked to some extent.
— This episode had quite a different feel and look from the first two seasons, due to things like the new opening montage, new homebase & musical guest stages, and Update having both a new set and completely new format. All these changes gave the show an exciting feel.
— Steve was his usual funny self, particularly in Mike McMack, Defense Lawyer, which may be one of my new favorite Steve Martin SNL sketches of all-time. Strange how very little Steve appeared after Update, though. Then again, considering this was the season premiere and considering how mainstream SNL had become by this point, it might’ve been intentional to start the season by heavily showcasing the now-superstar cast.
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING SEASON (1976-77):
— about the same
My full set of screencaps for this episode is here
TOMORROW:
Madeline Kahn