Segments are rated on a scale of 1-5 stars
COLD OPENING
solemn, wheelchair-bound Herb (RAQ) explains why he’s never had a Whopper
— Interesting use of Dennis’ anchorman role outside of Update.
— A cold opening based on Burger King’s “Where’s Herb?” campaign about the only man in America who’s never had a Whopper.
— I laughed at Randy smiling pathetically at the camera while a simple graphic of the name “Herb” is displayed under him.
— Randy’s specific explanation of his refusal to try a Whopper has some laughs here and there, especially the part about the glue in the burgers.
— Overall, despite a few laughs, this cold opening was too dry and slow-paced for its own good. The whole thing badly died off toward the end.
STARS: **
OPENING MONTAGE
— The theme music is in a MUCH faster tempo than usual. In a way, I kinda feel like it fits this opening montage more than the slower-tempo theme does.
— The shots of Anthony, Jon, and Terry have been changed to shots that would be used for the rest of the season. This is actually the second time they’ve changed Terry’s shot, and the one introduced tonight is a definite downgrade; I’ve never liked that cheesy big smile in his pic. (comparisons between each of the three performers’ various shots are below)
MONOLOGUE
host & SNL Band perform “Baby What You Want Me To Do”
— Yeah, you can tell right off the bat that he’s drunk. Reportedly, he was drinking backstage with The Replacements before the show.
— At least the speaking portion of this monologue was short, before he launched into a blues song, where he’s coming off more in his element.
— Very cool how he’s climbing up the fire escape into the rooftop to join the SNL Band.
— Feels like the first time all season that G.E. Smith has gotten major face time, something that he’ll regularly be getting in the upcoming SNL era that starts next season.
— Overall, even though the musical number didn’t contain any intended comedy, this was pretty fun and likable.
STARS: ***
GULF COAST FURNITURE WAREHOUSE
Double R & son have a “stink sale” to move death-scented furniture
— Hilarious concept of a “stink sale” of furniture plagued with the scent of Double R’s dead father’s body.
— I like the pictures of Robert showcasing the bad-smelling furniture while disgustedly covering his nose.
— Robert’s goofy clapping dance at the end is pretty funny.
STARS: ***½
CLEVELAND VICE
(host) & (RAQ) investigate a rash of bowling ball thefts
— Are the women’s “pregnant” bellies supposed to be concealed bowling balls?
— Yep, I guess they ARE, since bowling ball thefts has turned out to be a part of the sketch’s plot.
— Reportedly, Randy’s delayed entrance (“Sorry I’m late”) wasn’t in the script. He took longer than usual changing from his Double R costume to his Cleveland Vice costume.
— A way-too-long, dull parody of the Miami Vice opening credits, though I got a laugh from the “In Mono” graphic with half a headphone set.
— I like how they’re using the SNL home base stage for a street scene in this.
— Some laughs from how Randy and Harry have to bring the suspect to the police station by bus.
— A pretty funny Joan Rivers impression from Terry, but WHAT IN THE WORLD was it doing in this sketch? It had absolutely nothing to do with the rest of the sketch, and she wasn’t even shown with either of the two main characters. A complete non-sequitur.
— This sketch is getting way too long and repetitive, and the whole thing has really lost steam.
— Weak ending.
— An overall poor sketch that highlighted some of the problems with this season’s writing.
STARS: *½
DEATH OF A GUNFIGHTER
Bat Masterson (RAQ) schedules showdown with (host)
— Randy Quaid has been extremely busy tonight, appearing in a lead role in EVERY SINGLE SKETCH so far.
— Damon’s stereotypical-speaking servant character is just plain cringeworthy, especially knowing Damon’s behind-the-scenes frustration working at SNL.
— The extended chair-creaking part made me laugh.
— Haha, the random train set bit was really funny.
— I’m liking the direction of this. This is coming off as a good, silly writer-ly piece.
— Overall, a funny sketch that reminds me a little of two other solid writer-ly pieces from earlier this season: Vlad the Impaler and U.S.S. Cameron.
STARS: ***½
MUSICAL PERFORMANCE
musical guest performs “Bastards of the Young”
NEW PARENTS
new father (JOL) is mad about what wife (JOC) said about him during labor
— An okay line from Jon about how all newborn babies look like Edward G. Robinson.
— LOL at the line about how Joan called Jon a “wimpy jew” while in labor.
— Sloppy delivery from Danitra, messing up the last name of Joan’s character a few times.
— Strange how they’re using a real newborn baby in the scene.
— This overall sketch didn’t work as a whole. Not sure what, but it felt like a lot was missing from this.
STARS: **
WEEKEND UPDATE
— Tonight’s Update opens with the Dick Van Dyke Show theme song. At this point, I think safe to say that it’s become a regular thing for each of Dennis’ Updates to open with a different non-news-related song, though he’s only been using movie/TV theme songs so far. I wonder at which point he starts using rock songs, which I remember his Updates from seasons 12-16 opening with.
— Dennis’ “Goetz Gets Off” joke was hilarious.
— Dennis’ jokes in general are really good so far tonight.
— Overall, a very short but solid Update. Like I recently said, I’m enjoying how this season’s revamped version of the news is focusing very little on guest commentaries, of which there were none tonight.
STARS: ***½
THAT BLACK GIRL
Latoya Marie’s (DAV) agent Seymour (TES) gets her a part
— Great concept, and I love the That Girl-style opening credits.
— Funny performance from Damon as the boyfriend.
— I like Jon’s characterization as the lenient landlord.
— An overall decent sketch, led by a great performance from Danitra.
STARS: ***
SAM KINISON
Sam Kinison [real] does stand-up about honesty in relationships
— Love the bit about a donut shop worker snapping and going postal.
— Some laughs from the part about women discreetly offering him pleasure.
— Lots of funny lines from the whole part about relationships.
— Overall, a good stand-up performance and an improvement from Sam’s more hit-and-miss appearance from earlier this season.
STARS: ***½
BIG BALL OF SPORTS
footage of the 1914 Balkan Dirt Diving Championship
— “Balkan Dirt Diving” is a pretty funny random concept.
— I almost thought the scratchy black-and-white footage truly was an old film, before realizing this is newly-filmed footage made to look old. Great job with the authentic look of this.
— I like Al Franken’s voice-over in this.
— Haha, this film is weird as hell so far, but hilarious.
— I’m getting a lot of laughs from the different vocalization each competitor makes right as they’re about to dive.
— Freakin’ hilarious part with the second diver having his dislocated shoulder be PAINFULLY snapped back into place, resulting in him screaming in agony.
— I like how when the announcer says “A hush falls upon the spectators”, the cutaway to the hushed crowd shows a close-up of a man chomping into a hot dog (or a similar-looking food) while eagerly watching the dirt diver in anticipation.
— LOL, holy hell at third diver flatly landing face-first into the dirt, dying instantly. Haha, this film is an absolute riot.
— Overall, a hilariously random film that had me in stitches.
STARS: ****
NO OFFENSE
in a bar, drunk (host) bothers patrons (RDJ) & (JOC)
— Harry Dean Stanton playing a drunk? Not much acting involved there, I see…
— This sketch has been going nowhere for me so far.
— Overall, wow, I have nothing interesting to say here. This whole sketch just washed right over me, with nothing particularly funny or noteworthy standing out.
STARS: *½
MUSICAL PERFORMANCE
musical guest performs “Kiss Me on the Bus”
JACK’S DISCOUNT EMPORIUM
a store insensitively uses MLK Day as an occasion to stage a white sale
— Very funny with Jon as a spokesperson touting a Martin Luther King Day “white sale”.
— The cutaways to various badly-impersonated famous historical figures such as George Washington and Sitting Bull are fun.
— A lot of laughs from Jon inappropriately using MLK-related phrases to hype up his store’s sales.
STARS: ***½
SAY NO TO THE ARMY
— Rerun. This Anthony Michael Hall-starring commercial is serving as a reminder that tonight’s episode is the beginning of Anthony’s two-month SNL hiatus while he’s filming “Out of Bounds”.
GOODNIGHTS
— They forgot to update the 1985 copyright year into 1986. (last screencap above)
IMMEDIATE POST-SHOW THOUGHTS:
— Not a very good episode, though not a terrible episode either. There were enough highlights to make the overall episode merely underwhelming rather than outright bad. The middle of the episode at least had a nice streak of good segments from Weekend Update to Big Ball Of Sports.
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Teri Garr):
— a mild step up
My full set of screencaps for this episode is here
TOMORROW:
Dudley Moore
What an odd bag this show is. It was much better than I remembered from the first time but it’s still all over the place. Stanton and Replacements being smashed is responsible for a good majority of it; the long and weird skits sure didn’t help though.
That Miami Vice parody is just dreadful to watch. It makes not much sense besides the fact it’s trying to parody the show. Things happen and go nowhere, then it gets boring before Sweeney as Rivers shows up for no reason. I remember it just ending and nothing else happening. Death of a Gunfighter I remember oddly liking. I also loved the usage of Dylan’s Knocking on Heaven’s Door it helped the tone of it. Replacements didn’t do too bad either consider how smashed they were. I got so bored by the That Girl parody I turned it off. Need to retry it again. Sucks Stanton had such an odd show.
As for the pictures: Lovitz didn’t really need an update. Hall’s original picture is hilarious (love the stupid face he had,) and I wish they kept it for the kicks, and Sweeney’s pose as a whole was awkward.
Why was Dennis wearing a revolutionary era costume?
Dennis is in costume from the MLK sale sketch.
I’ve never understood the sketches this year that were really long; this seems like the absolute worst thing to try with a young and inexperienced cast.
Oh I see it now! Derp derp! It didn’t look like Dennis in the screen cap at first.
I rarely say this, but I almost think the MLK Sale sketch should have gone on longer. Seems like there were even more bad jokes and inappropriate historical characters that should have appeared.
The only thing I remember about this episode is the Replacements being hammered.
I might be crazy, but I can’t figure out who’s in costume as Sherlock Holmes in that last sketch. Looks familiar though.
Jim Downey, I believe.
Ah, now I see it. Thanks.
You know, the Replacements seem to play well even when hammered.
Lmao, that “White Sale” reminds me of that 9/11 mattress sale that one store in Texas did a few years back. SNL was truly ahead of the curb there.
And one more thing, WOW they actually used that First pic of Anthony Michael Hall in the Intro? What the hell?
Here’s a Rolling Stone article from 2016 that talks about The Replacements on SNL. One of the things I got from this story was that The Pointer Sisters were originally booked as musical guest for this episode.
https://www.rollingstone.com/music/music-news/inside-the-replacements-disastrous-saturday-night-live-debut-161765/
It’s funny seeing Dennis Miller saying LFNY, even though in his final episode, he claimed he never got the chance to say it. I guess like Madonna said, this season was only a bad dream.
Musical guests who were definitely not sober – the Mats of course, Nirvana (Kurt high as a kite), Kinks (forgot how to start the song), Tom Waits.
I might be the only one to come out and say that I quite enjoyed this episode, “flaws” and all. I can see how some folks have their problems with various sketches and whatnot, but to me pretty much everything about this episode fits in with Harry’s work as a whole. We are talking after all about a performing artist who appeared in such disparate films as Repo Man, Cisco Pike, Young Doctors In Love, Wild At Heart, Sonny, The Black Marble, Fool for Love, Cockfighter, the Twin Peaks follow-ups, and Paris, Texas – along with a couple of hundred more films and television appearances.
At times there seems to be too much emphasis on the notion that this show should be funny, and that will sometimes be tempered with allowances for “slice of life” pieces. I’ll go along with both of those, but I would also add “artistic choices” into the mix, whether from the performers or the writers. I know this isn’t a variety show, but I don’t mind one bit when it appears to cop to that as long as I can see what they were shooting for, regardless of whether or not they hit the bullseye.
The only crime that I can see in this episode is in the ending of “Death Of A Gunfighter”, when Harry and Randy are trying to set a time for their showdown, which was already done (and done more hilariously) by Harold Ramis and John Candy way back in the first season of SCTV (S1E8’s “A Fistful of Ugly”). Still, “Knockin On Heaven’s Door” was a nice tip of the cowboy hat to yet another film Harry Dean was in, the all-time classic Pat Garrett & Billy the Kid.
When I first heard that Harry got drunk with The Replacements before the show, I thought, “of course he did, because he’s Harry Dean Stanton and they’re The Replacements. Did anybody there that night think that wasn’t going to happen?” I would have been surprised, and perhaps even a little disappointed, if it hadn’t. I’m not shocked that this didn’t end up being a “normal” guest host appearance, because Harry was anything but “normal”. This installment of SNL, smack dab in the middle of his storied career, qualifies as “Stantonesque” in my book. I expected no less – although it would have been fun to see him in “White Sale” sketch, maybe in Downey’s place as Holmes, or better yet, in an added scene.
As Harry said, “There are no mistakes”, and this episode is far from being one.
Yeah, this was the first episode of the season that made me think things were going bad. It was more so because both host and musical guest seemed out of norm of what I expected.
HDS I recall in a small scene from Red Dawn, otherwise he didn’t seem A level status enough to earn hosting (hindsight I think Paris Texas is enough cred…)
I’ve written this so many times about the ‘Mats on SNL. My exact thought back then seeing these guys were “Who the eff is this lame band? I WANT THE HOOTERS!!!” (I do regret that)
But yeah the group still wasn’t gelling, The Gunfighter and Vice sketches were writerly but choppy performances. The audience weren’t responding well except for Dennis (that pi joke) and That Black Girl was clever premise.
A while before I watched the “Jack’s Discount” on the live ep, I’ve seen a couple of times this sketch kill; it’s from Crabs, a live sketch comedy show that played from 84-91 on my local PBS affiliate MPT (Maryland Public Television):
https://youtu.be/Zk3XZGwl6D8?si=u729QmfJav5Jhm84
Not great. And again one of the better females played by a man in drag. Its like they don’t want the women to be interesting. Millers anchor segment was a little better this time, and again, he is no actor. The younguns (RDJ and AMH) are trying but they got below average material.
RIP Harry you were sozzled.