Month: May 2019

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February 25, 1989 – Glenn Close / The Gipsy Kings (S14 E14)

Segments are rated on a scale of 1-5 stars

COLD OPENING
special interest groups in favor of censorship besiege a bookstore

— A good laugh from the “Cash or charge?” bit with Jan as the book returner.
— I’m absolutely loving the concept of this, and it’s being very well-performed.
— The typical over-dramatic war cliches are very amusing in this setting.
— Strong ending with Phil.
STARS: ****


MONOLOGUE
William Hurt [real] gives host a number of backhanded compliments

— Funny idea with a humble Glenn bringing out William Hurt to talk about her for her.
— I’m getting some good laughs from Hurt’s rundown of negative things about Glenn, delivered in a backhanded way. Glenn’s facial reactions are also very good.
— Another funny line from Hurt, regarding how he places Glenn in a top 5 list of actresses… in her age group.
STARS: ***½


BIG RED
— Rerun


GROUP THERAPY
fellow support group members lend encouragement & advice to Alex (host)

— Kevin: “I think that’s what we call a warm fuzzy.”
— Dana is playing the same hilarious character he played in another group therapy sketch from two seasons earlier. I think the other group therapy members are also the same.
— Great use of Glenn’s Fatal Attraction character.
— I really liked the reactions to Glenn’s “I boiled the rabbit” line coming out of nowhere.
— So many funny lines from Glenn here.
— I love Kevin’s nonchalant attitude towards Glenn’s disturbing lines.
STARS: ****½


PUMPING UP WITH HANS & FRANZ
clip of the duo’s Fantasy Dinner Date video

— Good change of pace, with this focusing on a “Fantasy Dinner Date” tape where we get a first-person camera perspective.
— I love Hans and Franz clinking their wine glasses in unison in place of their usual simultaneous clap.
— Phil’s Helmut is always funny to see, though this time, he’s not wearing the usual see-through shirt that exposes his humorous flabbiness.
— Hans and Franz altering their usual Hans and Franz-isms to sound romantic is pretty funny.
— Amusing little touch with Phil sneaking in another look at the “date” before leaving.
— Good part with Hans and Franz each sloppily kissing the camera lens, fogging it up.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Bamboleo”


WEEKEND UPDATE
DEM lists prices the Ayatollah has put on other people’s heads
AWB thinks we have enough to worry about with fundamentalism in the USA
DEM sings Cat Stevens’ hit song “I’m Being Followed By A Big Muslim”
George Michael (DAC) shows off his butt & talks about its powers

— Loved Dennis’ David Duke/Deliverance joke.
— We get another funny callback to the “Bucketman lives!” joke from an earlier Update, which has become a running gag.
— What the hell? Why is Dennis repeating the EXACT SAME rant about the flawed American legal system that he did a few episodes earlier? I’m not kidding; he’s literally repeating all of the exact same lines from that rant. Is he not aware that he already used this material on the show before?
— A. Whitney, on Jehovah’s Witnesses: “Five of them showed up, tried to gang-save me in my own living room.”
— A. Whitney, on the White House’s view of abortion: “According to the Washington Post, Dan Quayle thought Roe v. Wade were alternative ways to cross the Potomac.”
— No idea how to respond to Dennis’ VERY extended singing of Cat Stevens.
— A lot of funny details from Dana’s George Michael on how he prepared his butt for the Grammys.
— All of Dana’s many “Look at my butt” variations to Dennis are particularly funny tonight.
STARS: ***


49TH ANNUAL WESTMINSTER MAD DOG SHOW
rabid pooches compete at the 49th Annual Westminster Mad Dog Show
Circle Mad Dog Food- Wilford Brimley (PHH) plugs humane euthanasia

— The classical theatrical music heard at the very start of the sketch had me thinking for a second that this would be a Master Thespian sketch.
— An okay-ish concept.
— Glenn’s line about the inbred dog was funny.
— Second time this season where Phil’s Wilford Brimley has appeared in an ad in the middle of a sketch.
— Love how the last can of mad dog food that Brimley displays is “100% poison”.
— This overall sketch wasn’t really working for me in the first half, but it picked up a little in the second half, starting with the Brimley ad.
STARS: **½


SIDE NOTE: What the…? Instead of the usual bumper picture featuring the host or musical guest, we strangely get a Jan Hooks bumper just now (screencap below). Very random. I wonder what the reason for this was.


MASTER THESPIAN
Romeo & Juliet co-star & lover Astoria DuBois V (host)

— Ha, looks like we DO get a Master Thespian sketch tonight after all!
— I loved Jon’s way of pronouncing Glenn’s character’s name.
— Glenn seems like she’ll be a perfect fit for this sketch.
— Glenn, on making love to Master Thespian: “You screamed like a man afflicted with a bad case of botulism for which there is no known cure.”
— Glenn: “You insufferable fool, you overbearing ham.” Master Thespian: “Make up your mind!”
— Glenn’s “I wasn’t even in the bed” reveal was great.
— Glenn’s repeated slapping of Master Thespian is very funny.
— Master Thespian, when Glenn asks him what his wife’s name is: “Her name… is ACTING!” Glenn: “I have some shocking news: you’ve been divorced for years.”
STARS: ****


LEVELS
host musically explains the 9 different levels on which JOL offended her

— Interesting how this is the second sketch in a row pairing Glenn and Jon together.
— Surprised to see Mike Myers appearing in a bit role here, as he didn’t receive his usual credit in tonight’s opening montage, which made me assume he wouldn’t be appearing at all in this episode.
— This is a VERY creative and complex piece that I’m getting a lot of enjoyment from.
— Jon’s ending “bitch” line came out of nowhere and was hilarious.
— I loved this overall piece. A really impressive, complicated, and fun sketch.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “Djobi Djoba”


JEALOUS OF JANELLE
an elderly woman (host) is still envious of her recently-deceased sister

— Great character work from Glenn here. Even just the mouth mannerism she’s talking with is making me laugh.
— Solid supporting work from Jan in her own right.
— Funny story about sister Janelle’s mole.
— I’m getting some good laughs from Glenn’s various comments about Jan’s “ugly” daughter.
— Very strong writing in the sketch to go along with the strong performances.
STARS: ****


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— I’m starting to run out of different ways of saying “Yet another solid season 14 episode” or “This season is on fire”, but all of it IS true. Tonight’s episode managed to be even better than the string of solid episodes that’s preceded it since January. I felt very highly about most of the sketches tonight, especially in the post-Update half, and Glenn Close was a great host.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Leslie Nielsen)
a mild step up


My full set of screencaps for this episode is here


TOMORROW
Mary Tyler Moore hosts. We also get ANOTHER new addition to the cast.

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February 18, 1989 – Leslie Nielsen / Cowboy Junkies (S14 E13)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Iran’s Most Wanted- Salman Rushdie (DAC) re-enactment with Mephistopheles

— Second episode in a row with a sketch that’s an Iranian version of an American TV show (Iranian People’s Court being the previous one). I like that this seems to be becoming a weekly theme lately, though it doesn’t continue after tonight’s episode.
— I like how Phil’s playing his foreign Iranian host character with a very American, John Walsh-esque accent.
— Some good laughs from Jan’s intentionally bad acting in the re-enactment.
— Good use of Jon’s Mephistopheles.
— I like all of Phil’s various different “If you see him, kill him” warnings.
STARS: ***½


MONOLOGUE
(no synopsis available)

— Interesting mention of how he used to be a dramatic actor before things like Airplane, Police Squad, and Naked Gun led to him mostly playing funny roles in goofy comedies. It’s true. I’ve always said to myself that his and Tom Hanks’ movie careers went in the exact opposite direction of each other.
— Some decent examples of the non-difference between his serious and comedic delivery.
STARS: ***


NEUBURG’S BLEU CHEESE COOLER
— Rerun


SUBLIMINAL TECHNIQUE
in a bar, (host) uses Mr. Subliminal’s technique incorrectly

— Surprisingly, this is the first time Kevin’s subliminal routine is appearing since his VERY FIRST EPISODE. I wasn’t aware that it took them so long to make this bit recurring.
— Lots of great laughs from Kevin’s subliminal lines, especially during his back-and-forth with Jan.
— Kevin’s “spank me” line when exiting the scene was great.
— Strong ending with Leslie’s terrible attempt at using the subliminal routine on Phil as the cop.
STARS: ****


SNAP DECISION
contestants try to deal with arbitrary game show rules

— Funny intro with each contestant.
— Love how increasingly confusing this gameshow is getting, as it appears Leslie’s character is making up stuff as he goes along.
— Very impressive delivery from Leslie here.
— Good bit with Jon getting disqualified for working at Price Waterhouse.
— I loved Nora’s softly-delivered, deadpan “Shut up” after Leslie asks her “Can you come back tomorrow?”
STARS: ****


THE PAT STEVENS SHOW
Kim Alexis, Beverly Johnson, Cheryl Tiegs [real]

— A bit of a change of pace in this installment with all the real-life models as guests.
— Funny inclusion of Leslie as a lesser model.
— I liked Nora line to Leslie regarding rubbing Grecian formula.
— Very funny part with Leslie recalling a childhood incident with a man offering him a modeling contract but turned out to be something different.
— All the cutaways to the facial expressions of a silent Leslie are getting good laughs.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Sweet Jane”


WEEKEND UPDATE
ALF tells political reference-heavy jokes for MacNeil-Lehrer viewers

— Hmm, wonder what Al Franken’s “Jokes for MacNeil-Lehrer Viewers” segment is going to be like.
— Al’s Ted Kennedy joke made me laugh, though the rest of the segment wasn’t all that special to me.
— I liked Dennis’ random “Excuse me while I kiss the sky” Jimi Hendrix bit.
STARS: ***


THE 1960’S MOVIE
film contains farcical elements typical of the genre

— Pretty fun opening credits sequence.
— Leslie to Victoria: “By the way, I’m terrified of gorillas, so please don’t dress like one.”
— Love the part with all the characters being surprised to run into each other in the same room.
— I enjoyed the randomness and goofiness of this overall sketch, especially the gorilla appearance at the end.
STARS: ***½


GERITECH
host pitches Geritech products Blotch-Off, DripMaster, Bungking, Solidex

— Leslie’s opening line: “Hi, I’m Leslie Nielsen, liver spot sufferer.”
— This is starting to get especially funny with the shift to bladder control issues.
— The “I’m relieving…….myself right now” part is great.
— The “Bung King” hemorrhoid cream is hilarious, and has always been the part of this sketch I’ve remembered the most.
— This is getting funnier and funnier.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “Misguided Angel”


SAYING THE WRONG THINGS
on a date with (JAH), (host) always finds the exact wrong thing to say

— I’m getting good enjoyment from Leslie constantly saying inappropriate things to Jan.
— Funny part with Leslie refusing to believe that Jan isn’t drunk.
— I liked the “You can just owe me” ending.
STARS: ***½


WAYNE’S WORLD
Wayne’s (MIM) guests are buddy Garth (DAC) & his dad Beev (PHH)

 

— Ladies and gentlemen, we have a major recurring character debut! Can you believe that Wayne’s World, a sketch that would go on to be larger than life, debuted at the end of an episode, in the 10-to-1 slot? Then again, at this point, Mike Myers IS an unproven new featured player who’s in only his fourth episode, so I guess that makes sense.
— Funny to see how different the intro sequence is in this first installment. The usual Phil Hartman-announced “You are watching Cable 10: Aurora, Illinois’ community access channel” is played during a different shot (first screencap above) than the one it’s usually played during, and the shot that it IS usually played during is instead shown right afterwards during an additional announcement of “Cable 10 is not responsible for the views of… etc.”, which is an aspect of this sketch that I believe was dropped after this debut installment.
— The “Wayne’s World” theme song sounds lower key than how we’re used to hearing it.
— Phil’s look is very funny. By the way, it feels like Phil surprisingly has barely appeared in any sketches tonight.
— Phil has a little bit of Paul Lynde going on with the voice he’s using here.
— Another oddity in this debut installment is that the Top 10 list is a very quick segment that Wayne speeds through. I’m so used to the Top 10 list being a much longer, more fleshed-out, and important segment of later installments of this sketch.
— Good part with Wayne breaking out into the song Dream Weaver in an attempt to impress Jan.
— Hmm, they’re taking viewer calls, which I don’t remember them doing in later installments.
— Funny call from Jon talking about how his girlfriend blew “gnarly” chunks on him.
— Wow at the turn that Jon’s call took, with what Wayne and Garth subtly suggested that Jon should do to his passed-out girlfriend. That’s one of several things about this sketch that would never fly nowadays.
— Overall, it was so fascinating to witness the birth of this sketch. You can definitely see all the potential, though this first installment feels so low-key compared to what the sketch would later become.
STARS: ***½

GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— Yet another in a long line of solid season 14 episodes, and I liked pretty much everything tonight. There were some very memorable sketches like Snap Decision and Geritech, we got an important recurring sketch debut at the end of the show, and Leslie Nielsen was as funny and reliable a host as you would expect.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Ted Danson)
about the same


My full set of screencaps for this episode is here


TOMORROW
Glenn Close

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February 11, 1989 – Ted Danson / Luther Vandross (S14 E12)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Sam Malone (host) in Cheers with John Tower (PHH) & Michael Dukakis (JOL)

— Pretty good Woody voice from Dana.
— I’m sure Phil’s doing a good impression John Tower, but I can’t tell since I have absolutely no familiarity with Tower.
— Funny visual of Phil sipping the top of his drink as it’s still being poured in.
— Just now, Phil let out a Burt Reynolds-sounding high-pitched “Ha!”
— The return of Jon’s Dukakis impression!
— Great “Live from New York…” subversion with Phil’s Tower drunkenly passing out in the middle of delivering the LFNY, only for Jon’s Dukakis to finish it.
STARS: ***½


MONOLOGUE
like host’s movies, SNL is based on French show- (MIM) pees in clip of it

— Good bit from Ted at the beginning, regarding when he wants the audience to applaud.
— I’m loving the preview of the French version of SNL. We even get to hear Don Pardo do his announcements in French.
— Great early use of Mike Myers here, and we get our very first instance of him displaying some good physical shtick as he dances wildly while making his monologue entrance.
— Nice touch with the SNL Band in the background having French mustaches and berets.
— Funny gag with the camera zooming in on Mike peeing his pants in fear after being told this is the live show, not dress rehearsal.
STARS: ****


SLEEPYTIME RAT CONTROL
Sleepytime sedative solves your sewer rat problem, if only temporarily

— Victoria seems to star in a lot of the fake ads from these last two seasons.
— A funny and disgusting ad with some good gross-out visuals, and a funny concept of a sedative that puts rats into a deep sleep instead of killing them.
STARS: ***½


THE IRANIAN PEOPLE’S COURT
(host) loses his hand over a persian poodle

— Another segment tonight being spoken entirely in a foreign language.
— Dana’s Iranian gibberish is hilarious, especially the more and more obvious he’s making it that he’s not saying real words.
— I’m also liking Nora’s voice as well as her fast talking.
— Good bit with Ted’s severed hand.
— Short sketch overall, but it was the right length for something with a premise like this, as it would’ve started getting old if it went on any longer.
STARS: ***½


WOMEN WHO CAN’T SAY NO
(NOD), (VIJ), (JAH) have trouble saying no, especially to (host)

— I’m liking Ted’s performance here.
— Surprising turn with Jan and Nora returning to the living room to unexpectedly find Ted and Victoria suddenly in the middle of making out.
— Hmm, I see where this is going. With Victoria and Nora now having walking into the kitchen, it’s obvious they’re going to come back to the living room to find Jan being the one who Ted’s now making out with.
— I was right, but haha, I was certainly not expecting to see the over-the-top visual of a passionately-moaning Jan on Ted’s lap while he has his face buried in her chest.
— And now Nora and Ted emerge from the bedroom. Not quite as funny as I thought it would be, but I’m liking the escalation this sketch has been taking.
— A funny casual “Well, hey… I gotta go” from Ted right after having sex with Nora.
STARS: ***


PLUG AWAY WITH HARVEY FIERSTEIN
coach Pat Riley (host), Roseanne Barr (VIJ), Casey Kasem (DAC)

— I like Jon’s Fierstein longingly going “God, you got fabulous hair” to Ted’s Pat Riley.
— Hmm, for once, a guest actually answers “yes” to Fierstein’s “If you were gay, would you…” question.
— Great to see the debut of Victoria’s Roseanne impression.
— Dead-on impression from Victoria here.
— Loved Fierstein’s raspy laughter in response to a joke of Roseanne’s.
— Some good laughs from Dana’s Casey Kasem going on about how manly he is.
— I’m glad this overall sketch wasn’t just a carbon copy of it’s first installment from earlier this season.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “She Won’t Talk To Me”


WEEKEND UPDATE
Senate confirmation hearings clip proves John Tower’s drinking problem
DEM shows what a stack of $100,000,000 looks like
George Michael (DAC) is upset about lack of butt shots in his Coke ad

 

— We get to see a clip of the real John Tower, which provides more context to tonight’s topical cold opening and Phil’s impression in it.
— Interesting rant from Dennis about how flawed the the American legal system is regarding who gets chosen for a jury.
— The debut of Dana’s George Michael impression!
— Loved Dana-as-Michael’s fast-paced rundown of the frequency of the butt shots he wanted his commercial to have.
— And there goes the birth of Dana-as-Michael’s catchphrase “Look at my butt!”
— Dana-as-Michael, regarding his butt: “Accept it before it destroys you!”
— In the middle of a joke, Dennis gets distracted by sounds from off-camera, and amusingly asks “What the hell’s going on over there?!?” The sound is actually coming from live hogs that are about to appear in a memorable sketch after Update.
— Surprised to see no desk commentaries in tonight’s overall Update. Can’t remember the last Update that went without one.
STARS: ***½


HOGS
(host) & (NOD) enjoy living in an apartment among their hogs

— Very funny reveal of the living room randomly being full of hogs.
— A lot of good laughs from Ted and Nora’s casual attitudes towards their hogs.
— Ha, just now, one of the hogs bumped their behind pretty hard into another hog’s behind, which got a big reaction from the audience.
— I liked Phil’s angry outburst at the end of his sarcastic complaint.
— Another overall sketch tonight that was thankfully kept short before it ran out of steam.
STARS: ****


GRUMPY OLD MEN
Grumpy Old Man (DAC) & counterpart (JOL) gripe about modern conveniences

— Yet another big debut tonight: Dana’s Grumpy Old Man character! A lot of people probably forget that Grumpy Old Man actually debuted in a sketch, as he’s more remembered nowadays as a Weekend Update desk character. This puts him in the same class as other made-their-first-appearance-in-a-sketch-before-becoming-Update-only characters such as Roseanne Rosannadanna, Stefon, Chico Escuela, Jacob the Bar Mitzvah Boy, and probably others I’m forgetting.
— It’s also interesting to see how in Grumpy Old Man’s debut, he was actually part of a duo of grumpy old men, with the other one played by Jon.
— “That’s the way it was, and we LIKED it!!”
— Dana’s exaggerated, stretched-out way of saying “dental hygiene” gave me a big laugh.
— Jon, regarding women back in his day: “They were fat and hairy and UGLY!”
— I absolutely love Dana’s voice in this.
— An overall very funny sketch. I can kinda see why they would later drop Jon’s character, though, as Dana gave the more stand-out performance here. Plus, maybe SNL figured that just one grumpy old man complaining about modern things would fit the Weekend Update format more than if it were two grumpy old men.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “For You To Love”

— Hmm, I wonder if this is replaced with the dress rehearsal version in reruns. In the live version I’m currently watching, this musical performance didn’t feature Luther walking up to the front row of female audience members and singing to them, which I swear I remember him doing in reruns.


FIRST LOVE
KEN talks about the unappealing traits of his first love

— Is this going to be in the same vein as the Christmas Memories sketch that Kevin did in the William Shatner episode?
— Very funny story from Kevin about his first love dressing like a slinky.
— I’m loving all the disgusting, unattractive descriptions of his first love.
— Kevin guesstimates that his first love weighed about 870 pounds. Hmm, is she the same 800-pound female tour guide that Kevin described in his map sketch (Automobile Club Of America) from two seasons earlier?
— Kevin, regarding his heavyset first love: “I took her out to dinner and a movie…and a dinner.”
— An overall very solid piece and, much like the aforementioned Christmas Memories and map sketches, is a quintessential display of Kevin Nealon’s brand of humor.
STARS: ****


GOING TO ENGLAND
(host) keeps airport cab waiting while asking wife (NOD) to come with him

— I like the impatient car honking heard during Ted and Nora’s long conversation.
— Just when I thought the sketch was starting to lose me, they got me laughing again with the unseen cab driver throwing a rock through the window.
— I’m enjoying the absurdity in Nora and Ted’s conversation.
STARS: ***


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— Yet another solid season 14 episode. This season continues to be on fire. Tonight’s episode especially got strong in the post-Update half, where there was a nice consecutive run of great sketches for a while.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Tony Danza)
a slight step up


My full set of screencaps for this episode is here


TOMORROW
Leslie Nielsen

Posted on

January 28, 1989 – Tony Danza / John Hiatt and The Goners (S14 E11)

Segments are rated on a scale of 1-5 stars

COLD OPENING
after unsuccessful electrocution, Ted Bundy (DAC) discusses energy issues

— Excellent opening visual of Dana as a post-electrocution Ted Bundy.
— I like how he’s acting as an advocate for electricity.
— Good trick with the lightbulb turning on in his hand.
— Bundy: “As we head into the next decade… or as YOU head into the decade…”
STARS: ***½


OPENING MONTAGE
— For some reason, the rerun version I’m watching of this episode uses SNL’s 15th anniversary logo in the opening montage (screencap below), despite the fact that this is the FOURTEENTH season. SNL doesn’t start commemorating their 15th anniversary until the following season.


MONOLOGUE
host bypasses the jokes & goes straight to tap-dancing

— There’s the obligatory tap-dancing routine, which he precedes by admitting he knows it’s expected.
— Nothing else to say about this monologue.
STARS: **½


CARBON PAPER
— Rerun


DA WAR OF DA WOILDS
The Brooklyn Academy of Fine Art presents Da War Of Da Woilds

— As a New Yorker who spent most of his childhood in Brooklyn, I love this concept.
— Funny use of “fonkin’” as a fake swear word. I’m glad the old Comedy Central copy I’m watching of this episode isn’t the infamous censored version, which bleeps out all uses of the word “fonkin” because censors at the time felt it sounded too close to the real f-word.
— I like how all the characters are speaking in wiseguy accents, even the president and his aide.
— Funny how the exterior shot of a college is subtitled “Some big shot college” and then adding “where Einstein is at” in parenthesis.
— Ha, we even get a Brooklyn-ized Albert Einstein.
— Dana’s voice sounds like a bit of a variation of his John Travolta impression.
— During the Brooklyn-ized headlines about the martian invasion, I like the non-sequitur with one of the headlines reading “Mets Sweep Double-Header!”
— The map background on the news set that Nora is reporting from resembles Colin Quinn’s Weekend Update set that would later be used in seasons 24 and 25.
— Love the “joims” bit.
— All characters in unison: “Fonkin’ A!”
STARS: ****


JESUS CHRIST CELEBRITY
Jesus (PHH) & other famous prophets are spotted at a celebrity restaurant

— I like Jan and Victoria casually treating a random Jesus Christ sighting as just a normal celebrity sighting.
— The debut of Phil’s portrayal of Jesus, which would go on to make some very memorable appearances over the years.
— Jon showing up as the president of the Jewish Student Association is pretty funny, especially how he’s more excited to meet Moses than Jesus.
— I love Phil’s overly calm-and-collected delivery as Jesus.
— For some reason, I liked hearing Jon talking in real Yiddish at the end of his scene.
— I guess I still haven’t gotten used to Mike Myers now being in the cast, because I almost did a double-take when he showed up at the end of this sketch in a bit role as a busboy.
STARS: ***½


AS WORLD TURN
Tarzan learns that Jane (VIJ) has been seeing Frankenstein

— Nice use of Tonto, Tarzan, and Frankenstein.
— Funny little gag with Tonto rhythmically knocking on Tarzan’s door to the beat of that “ooga chagga” tune.
— I liked Tonto’s angry “Wake up, smell coffee!” line.
— Very funny part with Frankenstein grunting in a high-pitched voice over the phone to pass himself off as a woman.
— Even though Dana’s just playing a normal character, Dana seems to be doing an unintentional Jay Leno impression. The voice is uncanny.
— For some reason, I loved Frankenstein saying “Fire… GOOD!” when pulling a huge gun on Tonto.
STARS: ****


MAYDENFORM
host onomatopoeically relates his thoughts on lingerie

— Tony’s sudden “Boom-bada-boom-bada-boom!” made me laugh just for its randomness.
— Okay, he’s staring to return to the “Boom-bada-boom-bada-boom!”s too often.
— I did like the “Forget her personality” line.
STARS: **


SING ALONG
Tonto, Tarzan, Frankenstein sing “Oh, Suzanna”

— Ha, good to see another one of these, even though I thought they only did these for holidays. Though now that I think of it, I just remembered they later do a rendition of “We Are the World” in the Quincy Jones-hosted episode from the following season.
— I like Tonto trying to make the whole audience sing along.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “Paper Thin”


STAKEOUT
during a stakeout, (PHH) remains undercover while being attacked

— Some good laughs from Kevin and Tony’s advice to an undercover officer, and their descriptions of what the suspect behind him is doing.
— Kevin, to the undercover officer: “Okay, he’s jumped up on your back. Don’t let on that you know.”
— Good part with the undercover officer entering the stakeout room while getting beat up by the suspect, leading to Kevin and Tony panickedly hiding their own faces with newspapers.
— I like Kevin and Tony’s “Ooh!”s whenever something particularly violent happens to the undercover officer off-camera.
STARS: ***½


PROPOSAL
(host) asks upper class woman (VIJ) to leave her husband (PHH) for him

— I loved the reveal that the girl who Tony wants to propose to is Phil’s wife of 15 years.
— Just when I was starting to think the sketch was fizzling out, we get a sudden funny twist with Tony turning out to be an escaped mental patient.
— Tony to Phil: “Just because I’m insane, that makes you better than me?!?”
STARS: ***


JOE MONTANA TRIBUTE
sincere guy Stu (Joe Montana) interferes with bone-jumping plans {rerun}

— Okay, it made sense when they did an encore presentation for Roy Orbison earlier this season, considering he passed away, and it certainly makes sense when they later do an encore presentation at the end of this season when Gilda Radner passes. But doing an encore presentation for the still-living Joe Montana just because he had a great NFL season and recently won the Super Bowl??? Really, SNL?
— Still, I guess I can’t complain too much about getting to see this classic sketch again, and it’s interesting to find out that even just two years after it originally aired, it was ALREADY recognized as a classic.
— If SNL really wanted to celebrate Montana having a great NFL season, they should’ve gotten him to host again. He’s one of the few athlete hosts who I wouldn’t have minded hosting a second time.


WEEKEND UPDATE
letter to a schoolkid shows Dan Quayle’s familiar with education problems
Jeane Dixon (NOD) makes some qualified predictions for 1989
some excerpts of small talk heard on the World Leader Chat Line
Stuart Rankin (MIM) is upset with Americans’ Scottish stereotypes

— About time Weekend Update showed up. I wonder why it was shoved into such an unusually late time slot in this Comedy Central rerun I’m watching.
— Dennis’ attempt at a Jimmy Stewart impression was very funny.
— Funny bit with Dan Quayle’s response to a child’s letter.
— Interesting voice on Nora’s Jeane Dixon. Sounds very different from Mary Gross’ Jeane Dixon impression back in season 10. I’m assuming Nora’s going for an actual imitation of Dixon’s voice, while Mary was probably just going for a characterization.
— Hmm, Nora’s Dixon addresses rumors of Don Johnson and (recent SNL host) Melanie Griffith expecting a baby. I wonder if that’s the same baby that turned out to be future actress and one-time SNL host Dakota Johnson.
— Some pretty funny name mix-ups from Nora’s Dixon, but the rest of her overall segment was fairly forgettable.
— The World Leader Chat Line segment reminds me of the Businessman Chat Line sketch from earlier this season (both logos are even written in the same font and style), though I guess they’re both a parody of the same real-life commercial.
— Mike Myers in his very first big role!
— The debut of Mike’s Stuart Rankin character. Rankin has a more generic look in this first appearance and is missing the gray hair and outfit he’d later have in the All Things Scottish sketches.
— I’m liking Mike’s anger here, as well as his mockery of Scottish TV personalities in America.
— A decent overall commentary from Mike, though the audience response was fairly lukewarm. The audience was probably thinking to themselves “Who is this new guy? Why aren’t we seeing Carvey or Lovitz out there doing a character?” Fast-forward to 1993 when Mike is one of the most popular current cast members, and the audience would spend an Update commentary from a newbie like Jay Mohr thinking to themselves “Who is this new guy? Why aren’t we seeing Myers or Sandler out there doing a character?”
— Fairly long Update tonight. Maybe that’s why it was buried so late in this Comedy Central rerun. CC used to annoyingly do the same thing to particularly long editions of Update (or “Saturday Night News”, rather) during the Ebersol era.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Slow Turning”


WHAT
(host) & other diner patrons communicate via defensive-sounding queries

— I’m liking how all the dialogue is just “Whaddaya (insert rest of question here)?” questions.
— Interesting little sketch overall. I enjoyed the unique structure.
STARS: ***


GOODNIGHTS

— Tony: “Mike Myers had his first shot tonight; I think he did swell.” Interesting shoutout for our newbie. I know some SNL fans find Tony’s mention of Mike getting his first shot tonight to be confusing, as this is actually Mike’s second episode, but I assume Tony meant this was the first night that Mike got a big role that allowed him to show his chops. After all, Mike’s only appearance in his first episode was just a small straight role in the I Will Not Be Mocked sketch.

IMMEDIATE POST-SHOW THOUGHTS
— Fairly solid episode. The first half of the episode was especially strong, and I didn’t find anything weak in tonight’s overall episode except for the two solo Tony Danza pieces (monologue and Maydenform). Aside from those two pieces, Tony Danza was an okay host, even though there was a sameness to most of his roles (then again, he’s never been known to stretch as an actor).


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (John Malkovich)
a slight step down


My full set of screencaps for this episode is here


TOMORROW
Ted Danson

Posted on

January 21, 1989 – John Malkovich / Anita Baker (S14 E10)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Ronald Reagan (PHH) interrupts George Bush’s (DAC) Super Bowl XXIII call

— We’ve officially arrived at a new presidency during SNL’s timeline.
— Pretty funny with Bush’s phone call getting interrupted by the now-former President Reagan.
— I like Reagan repeating the same corny “We could use your players on Capitol Hill” joke that Bush already told earlier.
— Reagan’s confused stammering is making me laugh, due to Phil’s delivery.
— Reagan, on why he should be the president to call the Super Bowl winners: “I guess I thought that since I was president during the SEASON and the playoffs, I was supposed to…”
STARS: ***


OPENING MONTAGE
— Mike Myers is added to the cast as a featured player.


MONOLOGUE
(no synopsis available)

— Malkovich: “I’m John Malkovich, and these are my own clothes.”
— I got a big laugh from him randomly mentioning that his hometown of Benton, Illinois is right by a place where there was a big murder in a trailer park a few years earlier.
— Some really good laughs from the recollections of his grandmother’s criticism of his film work. I especially liked the part about her telling him “You need a wig like Pavarotti.”
— I’m absolutely loving Malkovich’s dry delivery in this monologue.
— Another great dryly-delivered line, this time regarding how Empire Of The Sun was directed by “the Jewish boy” Stephen Spielberg.
STARS: ****


FIRST CITIWIDE CHANGE BANK
— Rerun


BARBARA & NANCY
Barbara Bush (PHH) tries to get Nancy Reagan (JAH) out of the White House

— I like this premise of a meeting between the about-to-be-former first lady and about-to-be-current first lady.
— A good laugh from Barbara’s friendly-but-eager delivery of “When does your plane leave?” to Nancy.
— Some great humor out of Nancy’s desperation in staying and Barbara’s desperation in getting Nancy the hell out.
— Classic visual of Nancy having to be literally dragged out of the room as she grabs on to everything she can.
— The first time I ever saw this sketch, in (I think) Phil’s “Best Of” special back when I wasn’t too familiar with this SNL era, it was the first time I started to take notice of Jan. As the sketch ended, I remember wondering who the woman was who gave that great performance as Nancy Reagan. Though as much as I remember liking Jan’s performance in this, that’s not what turned me into a fan of hers. That wouldn’t happen until sometime later on when I saw a Comedy Central airing of the Alec Baldwin episode from season 15. If you’re familiar with that episode, you’ll understand why it turned me into a Jan Hooks fan. I’ll go into a little more detail when we reach that episode.
STARS: ****½


FIRST CITIWIDE CHANGE BANK
— Another rerun.
— After laughing hysterically at Part 1 of this ad earlier tonight, tonight’s audience is oddly dead silent during this one. What’s up with that?


ATTITUDES
an interview with driftwood sculptor Len Tukwilla (host)

— I’m enjoying how late 80s the look and feel of this whole sketch is.
— Great characterizations from Jan and Nora here. Lots of funny little touches in their performances.
— Love the name Len Tukwilla. It’s funny little details like that that help make this sketch so fantastic.
— Malkovich’s explanation of how he sculpts squirrels nests is really funny, as is Jan and Nora’s attempts to make their mundane questions to him seem so exciting.
— Malkovich: “It’s a very, very painstaking process; it doesn’t just happen overnight… unless you work on it all night long.”
— I’m loving how Malkovich is now giving so many blunt “no” answers to most of Jan and Nora’s questions.
STARS: ****½


GARY BUSEY MOTORCYCLE HELMETS
Gary Busey’s (PHH) motorcycle helmets have their own protection devices

— Pretty funny Busey impression from Phil.
— Decent gag with the increasingly oversized helmet protectors.
— Good ending visual of Phil’s Busey riding the motorcycle while trying not to tip over due to his big helmet.
STARS: ***


MUSICAL PERFORMANCE
musical guest sings “Giving You The Best That I Got”


YOU MOCK ME
Lord Edmund (host) lets it be known- he will not be mocked

— The close-up of Malkovich silently turning his deadpan face towards Jan and then uttering his first “You mock me” tickled the hell out of me. Maybe it’s because I know what’s coming.
— Love Malkovich running to the door after Jan has exited from it, just to yell at her “AND I WILL NOT BE MOCKED!!!”
— Lovitz and Dana’s foppish mocking gestures behind Malkovich’s back are freakin’ priceless.
— Mike Myers makes his debut! It feels very exciting seeing a new cast member at this point, for the same reason it felt exciting for me to cover Bill Murray and Harry Shearer’s respective debuts when I reviewed the original era: when you watch/review SNL episodes in chronological order on a daily basis and get very used to a steady, unchanging cast, it feels both unusual and refreshing seeing somebody new being added to your familiar cast. That’s one of the many reasons I started this SNL project of mine: I knew it would be exciting to experience SNL’s evolutionary changes while going through their timeline daily.
— Fitting that Mike Myers is doing an English accent in his very first appearance, considering we’re going to be hearing that type of accent (as well as other U.K. accents) a lot from him throughout his SNL tenure.
— On paper, this sketch may come off repetitive, but the performances are selling the hell out of the material, and are elevating it to a hilarious, very memorable piece.
— Lovitz and Dana are particularly hilarious at the end of the sketch with their extended, over-the-top imitations of Malkovich’s character. I also love how that’s accompanied by the camera slowly zooming in on an unamused Malkovich just watching them while having a stone-faced expression.
STARS: *****


WEEKEND UPDATE
Sandra Day O’Connor (JAH) swears in Dan Quayle (DAC) syllable-by-syllable
DEM narrates a retrospective consisting of ho-hum photos of Ronald Reagan
AWB disapproves of the overspending on George Bush’s inauguration

 

— Pretty funny sequence with Dana as Dan Quayle being sworn in, especially when it gets to the point where Jan tries to make it easier on him by having him repeat the oath one word at a time (there’s also some really funny stock footage cutaways accompanying that part).
— While not all that funny, the retrospective of Reagan’s presidency was actually strangely touching in a way.
— I liked the callback to Dennis’ Bucketman joke from the last Update.
— A. Whitney, on Bush’s inauguration: “There were eleven inaugural balls. Now, some people would say that’s a little excessive. But, you know, it TAKES a lot of balls to throw a 30 million dollar celebration before you’ve even done anything.”
— A. Whitney, on the 200th anniversary of the presidency: “We’ve gone from ‘I cannot tell a lie’ to ‘I cannot tell’.”
— Dennis’ jokes have been more hit-and-miss than usual. He’s leaning awfully heavy on corny photo-based jokes tonight.
— If you know me, you’ll know I got a kick out of Dennis’ random Three Stooges Missile joke.
STARS: ***


CALIFORNIA CONDOR
at a cookout, guys try to put a hurt California condor out of its misery

— I like the bizarre visual of a dying mechanical bird puppet.
— Clever ending with the “California Condor Released Today” headline.
— The randomness of this overall sketch and the use of a mechanical animal puppet makes me wonder if this was a Jack Handey piece.
STARS: ***


MUSICAL PERFORMANCE
musical guest sings “Just Because”


JOHNNY CANAL
Johnny Canal (host) tries to sell James Monroe (PHH) on waterways

— Wow, I love that theme song.
— Now THIS is undoubtedly a Jack Handey sketch, as this features the very first instance of the “fake sponsors” gag that would go on to be a tradition in some of his sketches. There’s an especially funny sponsor tonight with the Atlantic Puppy Grinding Company (“Maybe it’s evil, but think of the jobs!”).
— Malkovich demonstrating on a map his absurd idea of canals running all over the country is very funny.
— A great, amusing touch with the camera slowly zooming in on Malkovich’s dumbfounded face when Phil is listing off all the flaws in Malkovich’s plan.
— Hilarious repeated gag with Malkovich responding to any question he doesn’t know the answer to by leaping onto the table and lunging at the question-asker with a knife. Part of what makes that so funny is the long pause Malkovich always does before leaping.
— I like Malkovich’s asinine explanation of how he got the name Johnny Canal.
— In the rerun version I’m watching, the audience applauds during the ending bit with Malkovich lunging at Phil with a knife. I’m thinking that must be canned applause, because I swear I remember once seeing a copy of the live version of this sketch where, IIRC, that ending bit with Malkovich lunging at Phil with a knife played to DEAD SILENCE from the audience, which, to be honest, actually made it even funnier to me in an odd way.
— I absolutely loved this overall sketch.
STARS: ****½


TALK RADIO
deejay Tony Trailer (KEN) talks annoyingly over radio station’s music

— Pretty basic premise, but it’s being executed well, is a funny parody of radio announcers annoyingly talking over songs, and is one of the types of roles that’s right in Kevin’s wheelhouse.
— I liked Lovitz as the aggressive caller asking Kevin to shut up while his favorite song (Louis Armstrong’s “What a Wonderful World”) is playing.
STARS: ***½


GOODNIGHTS

— Malkovich: “I never thought I’d get to work with Jon Lovitz… and I hope I never will again. The man is a pig… and a menace.”

IMMEDIATE POST-SHOW THOUGHTS
— Fantastic episode. I loved almost everything in it. So many strong, memorable sketches, and nothing fell flat for me. John Malkovich was excellent tonight (even his goodnights speech was funny, as seen in the above quote) and he would go on to become one of my favorite semi-recurring hosts (his 1993 hosting stint in particular has always been one of my personal favorite episodes of all-time).


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Melanie Griffith)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Tony Danza

Posted on

December 17, 1988 – Melanie Griffith / Little Feat (S14 E9)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Mephistopheles visits Church Lady in her bedroom on Christmas Eve

— A rare use of Church Lady outside of her TV show setting. I’m surprised the audience didn’t give her any recognition applause at the beginning of this.
— Church Lady’s exercise routine is great.
— Mephistopheles in a Church Lady sketch! I always like the rare times when two separate recurring characters collide.
— Some pretty funny lines between Mephistopheles and Church Lady.
STARS: ***½


OPENING MONTAGE
— Hmm, where’s the snow? I could swear I remember from my past viewings of this episode that the opening montage had a snowfall effect played for the entire duration. Turns out I was wrong. Am I thinking of the following season’s Christmas episode (Andie MacDowell), or did I just dream the whole thing?


MONOLOGUE
host talks about the spirit of Christmas while a disclaimer rolls

— Ha, a disclaimer monologue! I always love when they do a throwback to this frequently recurring gag from the original era.
— Aw, the monologue is over already? I was hoping the disclaimer would go on longer. This one was really short and simplistic.
STARS: ***


FIRST GUARDIAN METROCARD
(host) talks about the paternalistic First Guardian credit card service

— The set-up is reminding me of both the Citiwide Change Bank commercial from earlier this season and the MetroCard commercial with Roseanne a few years later in season 16.
— Amusing contrast between Kevin and Melanie’s testimonials. This really IS reminding me of the later Roseanne MetroCard sketch, which uses the same “customer gives a lighthearted recollection of an interaction with a service employee, while said service employee gives a more frank, harsh recollection of the same interaction” format. The Roseanne one is definitely the funnier of the two, though this one is still making me laugh.
— Some pretty good laughs from Kevin’s details of the “personal service” his company offers.
STARS: ***


MISS SELF-ESTEEM USA PAGEANT
New Yorker (host) beats a Georgian (JAH) to become Miss Self-Esteem USA

— Strange. For their opening number, the contestants sing a Let’s Hear It For The Boy take-off, which is the same song that was sung by the contestants at the beginning of another pageant sketch, the rarely-seen Miss Pregnant Teenage America from season 11.
— The opening statements from each of the three contestants are pretty funny.
— Jan is great in this.
— Victoria’s emotional breakdowns are decent.
— I liked the fake-out with runner-up Jan being handed down the crown from winner Melanie, only to be told that’s not allowed.
— I could’ve done with this overall sketch being shortened by a few minutes. However, I found the sketch okay enough.
STARS: ***


CHAPSTICK
(DAC) reluctantly reclaims his Chapstick after letting people use it

— A big laugh from a thickly-bearded Phil using the chapstick on his chili-covered lips.
— Hilarious part with Jan’s hooker using the chapstick on her herpes sores, ears, and her dog’s mouth.
— I like how the chapstick-users always ask Dana “Why, ’cause I used it?” when Dana shows hesitance in being handed back the chapstick.
— I love how increasingly disgusting this is getting.
— When various characters are trying to get the chapstick out from under a storm drain grate, it’s very funny how Tom Davis randomly has a dead snake handy.
— Good ending with the random appearance of a huge-lipped alien.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “Let It Roll”


LOVE IS A DREAM
by TOS- (JAH) & (PHH) share a romantic fantasy

— The return of Schiller’s Reel, which goes back to being a regular feature of the show for the first time since the original era, aside from one standalone film that Tom Schiller did early in the Ebersol era.
— Here’s a film that now has incredible sentimental value.
— This film would later be re-aired as a tribute to both Phil and Jan, at separate times (for Phil, it was in SNL’s 25th anniversary special, a year after his death; for Jan, it was in the season 40 Bill Hader-hosted episode, just a few days after her death), which in retrospect gives this film a lot of importance and makes you look at it in an even more emotional way than it was originally intended.
— The part right now with Phil’s character first showing up reminds me that when this film aired as a tribute to Jan in the aforementioned Hader episode, it wasn’t until Phil’s entrance that it fully hit me that both cast members in this film are now gone. And then my heart sank.
— This is a beautiful film so far, and an excellent display of the wonderful chemistry that Phil and Jan have always had.
— The sweet ending with the reveal of an elderly Phil as the guard has honestly made me tear up just now. Again, it’s because of hindsight, considering we would tragically lose both performers way too soon.
STARS: *****


WEEKEND UPDATE
VIJ recites her poem “The Life Of A Christmas Tree” & imitates one
DEM & Dennis Miller (DAC) recite “The Night Before Christmas”

 

— Loved Dennis’ joke about Yasser Arafat really being Three’s Company’s Norman Fell under his beard.
— Nice visual of an upside-down Victoria as a Christmas tree.
— Heh, Victoria actually falls over accidentally when she’s not finished with her poem yet. Nice recovery afterwards with her endearingly-sheepish ad-lib of how “It’s live TV”.
— Here’s a classic segment with Dennis reciting The Night Before Christmas with himself, played by Dana.
— Very funny flub during the Night Before Christmas recital with Dennis misreading “lovely and quick” as “lonely and quick”, which makes him crack up afterwards.
STARS: ***½


CIA CHRISTMAS PARTY
small talk is difficult for secretive operatives at CIA Christmas party

— A pretty thin, one-joke sketch so far, with all the agents refusing to reveal information about even the simplest little things. This doesn’t seem like a funny enough premise to center an entire sketch on.
— When stepping off the box she was standing on, Nora almost fell down.
— Jan: “Hugh hasn’t told me a thing about you.” Kevin: “That’s very flattering!”
— I like Jon’s entrance as a belligerent drunk.
— Unfortunately, Jon’s appearance wasn’t enough to save the overall sketch.
STARS: **


SWEENEY SISTERS
Sweeney sisters do medley of prison & Christmas songs for jailed hookers

— An interesting use of the Sweeney Sisters. By the way, this is surprisingly their first appearance in an entire year. Last time we saw them, Candy Sweeney was memorably singing to an uncomfortable Paul Simon in the previous season’s Christmas episode.
— I like the Sweeneys transitioning into their act when they’re bailed out of prison.
— A particularly catchy medley tonight.
— The part now with them singing Spanish Christmas songs is especially fun.
— A fairly heartwarming ending.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Hate To Lose Your Lovin'”


MISREADING SIGNALS
(KEN) repeatedly misinterprets (host)’s business talk as come-on cues

— The premise has a very Kevin Nealon-y feel. I can tell he wrote this.
— Some decent laughs from Kevin misinterpreting every little thing Melanie says as a come-on.
— Good part with Kevin breaking out a dictionary in an attempt to prove to Melanie that “recapitalize” is a sexual term.
— The ending with Jon and Kevin was okay.
STARS: ***


SEASON’S GREETINGS
Tonto, Tarzan, Frankenstein sing “Deck The Halls”

— Great to see this now becoming a recurring segment.
— As always, this is some really good silly, goofy fun.
— They seemed to be running short on time. The ending came off rushed, judging by how the screen faded to an SNL bumper picture of Melanie Griffith when the song was still concluding.
STARS: ****


GOODNIGHTS
Don Johnson [real] joins wife host on-stage

IMMEDIATE POST-SHOW THOUGHTS
— Not the greatest Christmas episode, but I liked it enough. I was fine with most of the sketches. It’s just that, unlike the previous two Christmas episodes in this era (William Shatner and Paul Simon), tonight’s episode lacked a large number of all-time memorable classic sketches. This episode felt too average for a Christmas show, aside from Love Is A Dream and Chapstick.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Kevin Kline)
a step down


My full set of screencaps for this episode is here


TOMORROW
We enter the year 1989, with host John Malkovich. We also get a new addition to the cast!

Posted on

December 10, 1988 – Kevin Kline / Bobby McFerrin (S14 E8)

Segments are rated on a scale of 1-5 stars

COLD OPENING
A Trump Christmas- Magi-like gifts cheer up Donald (PHH) & Ivana (JAH)

— This is the very first time Donald Trump has ever been impersonated on the show.
— Hmm, Phil’s Trump impression doesn’t sound as good as it later would.
— Donald’s gold door gift is pretty funny.
— Good line with Ivana confessing she had to sell the mansion just to buy the gold anchor.
STARS: ***


MONOLOGUE
host is honored to be with the great Shakespearean actor Master Thespian

— Very fun beginning with Kline eagerly joining the SNL Band in the theme music by playing the piano. I always love when hosts in this era do something like this.
— Interesting use of Master Thespian outside of his own sketches.
— Master Thespian once again randomly slips into a Tommy Flanagan voice (a character that we’ve been getting a much-needed long break from). Funny bit with his lie about “fading” over to London.
STARS: ***½


GAME BREAKERS
(host) is genuinely concerned about game show contestants

 

— They would later re-use the “Game Breakers” title in a soap opera-themed gameshow sketch from the Susan Lucci episode in season 16.
— I like the camera actually following Nealon as the losing contestant as he makes his way to the exit door.
— Ha, a pre-taped sequence with Kline’s gameshow host actually walking Nealon outdoors. I love it.
— Funny brief cutaway to an impatient Nora back at the studio just looking around while Kline’s still outside with Nealon.
— Liked Bob Odenkirk’s brief walk-on.
— The tear rolling down Kline’s face when Nealon leaves is an excellent touch.
— Hilarious how as soon as Victoria enters as a new contestant, Kline immediately goes “Let’s get to know you a little bit better” and leaves the studio with her and takes her to a restaurant. I absolutely love how extensive this sketch is.
— Nora as the neglected contestant eventually interrupting the reunion at the restaurant is very good.
— Overall, probably one of my favorite gameshow sketches of all-time.
STARS: *****


PLUG AWAY
Harvey Fierstein (JOL) helps Jimmy Stewart (DAC) self-promote

— Jon’s Harvey Fierstein voice is freakin’ hilarious.
— Jon as Fierstein: “I just wanna be loved; is that so wroooong?!?”
— Good use of Dana’s Jimmy Stewart and Phil’s Jack Nicholson.
— Very funny facial reaction from Phil’s Nicholson to being asked by Fierstein “If you were gay, would you find me attractive?”
— Funny visual of Kline with his leg up on the piano while happily playing away on the keys.
— Nice part with Jon’s Fierstein suddenly losing his raspy voice while singing in a great voice.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Drive”


WEEKEND UPDATE
translation of Gorbachev speech explains why it is “Kennedy-esque”
Death Watch- George Burns (DAC) reports from outside Hirohito’s room
AWB dissects Gorbachev’s speech to the United Nations

— Loved the joke about Donald Trump (pictured in the first screencap above) being a “Bolshevik artist”.
— Dana’s George Burns impression is priceless (I especially love his way of saying “coma”), and this is a funny use of him, reporting from outside of a dying Hirohito’s hospital room.
— A. Whitney: “I saw [Gorbachev’s] speech at the United Nations, and I have to say, it was more entertaining than the presidential debates. But, I guess it helps to have a translator.”
— I liked A. Whitney’s “ich bin ein mongold” bit.
— Dennis’ Jim/Tammy Faye Bakker bit was fantastic.
— Love how it’s been a running joke  this season regarding a news story of two Alaskan gray whales popping up in random places.
STARS: ****


THE BIG CHILL
Harold (host) & Meg (VIJ) have marathon sex in alternate Big Chill ending

 

— Jan’s performance is hilarious.
— Priceless sudden turn with Kline wildly throwing Victoria onto the bed and them immediately going at it with each other.
— Very funny exaggerated bed-creaking sounds being heard from upstairs while Jan is in the kitchen doing a slowburn.
— Love how parts of the ceiling have suddenly come crashing down.
— Fantastic part with a sweaty Kline briefly coming downstairs to the kitchen just to gulp a whole bunch of Gatorade before going back upstairs.
— Strong twist ending with this suddenly turning into Fatal Attraction.
STARS: *****


EXECUTIVE ISLAND
despite being marooned, ad execs manage to continue business as usual

— I liked Nora’s line asking her co-workers to “refer to the graph on leaf number 3”.
— The whole idea of this sketch is quite clever and enjoyable.
— Pretty funny anger from Kline over the execs being more concerned over their company than about getting off the island.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “The Star-Spangled Banner”


RASPBERRY RESPONSE
all of (host)’s questions to wife (VIJ) are answered with a raspberry

— Uh……
— Yeah, not too sure about this.
— WTF at the random “have an affair” non-sequitur?
— Well, the sketch’s ending was somewhat charming, at least.
STARS: *½


ROY ORBISON TRIBUTE
Roy Orbison’s death is marked with rerun of “Crying” performance


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— Very enjoyable episode. Aside from the Raspberry Response sketch, I felt pretty highly about everything, and there were two sketches in particular (The Big Chill and Game Breakers) that stood out as masterpieces. This season continues to be amazing.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Danny DeVito)
a slight step up


My full set of screencaps for this episode is here


TOMORROW
Melanie Griffith hosts the Christmas episode

Posted on

December 3, 1988 – Danny DeVito / The Bangles (S14 E7)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Pumping Up With Hans & Franz- cousin Arnold Schwarzenegger [real] visits

— Memorable moment with Hans and Franz’s sing-songy “Poor little girly man, alone in his girly house” taunt.
— I like Danny DeVito entering the scene as a Hans and Franz-type character.
— Danny’s over-aggression is hilarious.
— Funny visual of Hans and Franz hurriedly trying to pump themselves up when hearing their cousin Arnold Schwarzenegger might be showing up.
— Good bit with Arnold destroying Hans and Franz’ self-esteem with his rant about how disappointed he is in them.
STARS: ***½


MONOLOGUE
host loves entering the stage during the opening, so he does it again

— For some reason, when the camera first shows the SNL studio after the opening montage ends, Danny is already onstage when Pardo hasn’t even announced him yet. It looks like Danny realizes his error and tries to hurry back to the entrance door, before just giving up and staying onstage while dancing energetically. SNL would later fix this in reruns by replacing the first half of this monologue with the dress rehearsal version.
— Ha, when Danny starts speaking, you can hear an off-camera male voice from the audience saying “You’re so sexy”, which amuses Danny.
— Danny’s excitement is freakin’ great.
— I absolutely love how this has turned into Danny fulfilling his wish to re-do his entrance, even going as far as making Arnold Schwarzenegger re-cue the opening montage by saying “Live from New York” for his second time tonight.
— This is fantastic. I’m loving how they’re re-playing the entire opening montage, interspersed with cutaways to the SNL Band jamming out on the theme music and Danny doing lots of wild dancing and gestures behind the entrance door.
— By the way, this is a VERY rare instance of us getting to see what it looks like behind the door that the hosts always make their monologue entrance through.
— I also think this is the only instance in SNL history where the show’s ENTIRE opening montage is played twice in a single episode.
— An absolutely excellent second entrance from Danny. He’s going WILD on that stage.
— Ha, he’s now genuinely out-of-breath. I like him finishing the monologue while laying down on the stage to rest himself.
— I find this overall monologue AMAZING and extremely fun. One of my personal all-time favorite monologues.
STARS: *****


BIG RED
kids like to watch the toy viking spew goop throughout the house

 

— Hilarious visual of the toy drenching the parents and the walls with fake blood.
— The audience is strangely quiet during this. This seems like the type of thing they’d normally go nuts for.
— Pretty catchy jingle.
STARS: ****


SEX TONIGHT
Jessica Hahn (JAH) helps anchor the titillating news program
Reclino Love Lounge- Wilford Brimley (PHH) endorses sex chair for seniors

 

— Very funny random concept for an Entertainment Tonight parody.
— Jan’s appearance as Jessica Hahn reminds me that during a segment in SNL’s 15th anniversary special a year later, Jan points out that she set a record in tonight’s episode by playing four whores in a single night. I’ll count the rest of them down as I go along in this episode.
— Funny part regarding a poll on which states find the sexiest between Bush and Dukakis.
— Hilarious idea of Dana’s Casey Kasem presenting a Top Five list on masturbation euphemisms from the 19th century.
— During the Kasem segment, there’s a big technical error regarding the Top Five list text that’s supposed to be superimposed next to him. A distracting gaffe, but the segment is still funny.
— Phil as Wilford Brimley advertising a sex chair is freakin’ hilarious.
— I didn’t care too much for the ending conversation between Jan and Kevin.
STARS: ****


SCROOGE
Scrooge’s (host) philanthropic overcompensation has left him tapped out

— I laughed at Danny’s line about “taking it in the pants”.
— Can’t figure out where this sketch is supposed to be going.
— Victoria’s speech is kinda funny, but I think I’m just desperate for something to like at this point.
— Now that the sketch is over, I can say I didn’t care for it at all. If it was going for a soft, sentimental piece, then 1) it’s too early in the night for something THIS slow-paced and humorless, and 2) this era has done MUCH better soft, sentimental pieces.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “In Your Room”


WEEKEND UPDATE
Yasser Arafat (JOL) is not upset about not being allowed in the country
KEN has trouble stopping the cliches after trying deficit topic

 

— Dennis to Yasser Arafat: “Didn’t you, in fact, try to have [George Schultz] killed when he was in Jerusalem a few months ago?” Yasser Arafat: “Oh, is he still upset about THAT?”
— The random “Are you gay?” bit between Dennis and Arafat is pretty funny.
— Oh, no, not the return of Kevin’s topic-changing commentaries. I had assumed they were retired by this point. I am SO tired of these.
— Okay, I did get one laugh from Kevin’s commentary, with his line about how nose-picking can be both a habit and a hobby.
— Because of tonight’s musical guest, Dennis reprises his impression of The Bangles’ lead singer, an impression that just consists of him shifting his eyes to the side in a tight close-up (second-to-last screencap above). I still don’t quite get it (is it referencing a Bangles music video?), but it always makes me chuckle anyway.
STARS: ***½


YOU SHOT ME!
Mexican bandit (host) is remorseful after shooting (JOL) in the foot

 

— Great Mexican voice on Danny.
— A very Jon Lovitz-y role for Jon Lovitz here, with his hilarious repeated whines of “You shot me!”, or as he makes it sound, “Ya shyyyaaaat me!” This has always been one of my favorite Jon Lovitz sketches.
— Whore role #2 for Jan tonight.
— Danny’s over-apologeticness towards Jon is very funny.
— Ha, Danny’s now cracking up at Jon’s constant “Ya shyyaaaat me!”s (last screencap above). I remember Danny himself pointing out in the “SNL in the 80s: Lost and Found” documentary how hard it was for him to keep a straight face in this sketch.
— On paper, it would be impossible to see why this sketch is so funny. It’s all in Jon’s performance. Like I said, this is a very Jon Lovitz-y role. I can’t picture anybody else in SNL history nailing this sketch.
STARS: ****


THE BASTARD BATTALION
a movie features a group of uncouth WWII soldiers

 

— Feels like its been a while since we last saw a black-and-white sketch utilizing this cast’s ability to accurately portray 1940s-era characters.
— I love this sketch’s concept, and all the quick “bastard” scenes are making me laugh.
— Whore role #3 for Jan tonight.
— What happened just now? At the beginning of the scene with Phil saying goodbye to Jan, the narration voice-over introducing that scene seemed to speak longer than he was supposed to, causing him and Phil to mistakenly speak over each other before the narrator abruptly cut himself short. Either that, or Phil must’ve started saying his line too early before the narrator was finished. Either way, the gaffe resulted in a rare instance of Phil actually smirking out of character (second-to-last screencap above).
— Loved the drinking prank scene with Jon.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “Hazy Shade of Winter”


CELEBRITY RESTAURANT
Buddy Precisely (DAC) to insufficiently-famous diners- “wait at the bar”

— Ah, the debut of Dana’s Buddy Precisely character.
— Good to see the return of Phil’s Burt Reynolds impression. Again, that high-pitched laugh alone never fails to crack me up.
— Buddy Precisely: “Wait at the baaarrr, wait at the baaarrr” and “Take it outsiiiide, take it outsiiiide”.
— Classic part with Victoria as herself being asked by Buddy if she’s part of the new SNL cast or original SNL cast, then being told to “Take it outsiiiide, take it outsiiiide” when she answers “new cast”.
— Funny to see what Buddy Precisely considers what is and isn’t worthy of entering the restaurant.
— Whore role #4 for Jan tonight, and thus officially breaking a record.
— I like the overabundance of questions Buddy’s asking Danny.
STARS: ***½


GUARDIAN ANGELS
fellow guardian angels console (host) after he needlessly visits (KEN)

— Seemed to be a lot of stalling at the beginning of this sketch. Did something go wrong?
— Another “somebody gets visited by a Christmas ghost” sketch tonight? Then again, this seems to be a thinly-veiled It’s A Wonderful Life take-off.
— I’m getting a chuckle from how the increasing amount of ghosts showing up seems to be getting out of hand.
— Hmm, I don’t think I care for where this has been going. This is another sketch tonight that seems to be going for a light-on-laughs, sentimental holiday feel. And at the risk of sounding like a Scrooge myself, neither of those two sketches have worked for me at all tonight.
STARS: **


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A mostly very solid episode. A lot of strong segments tonight, and Danny DeVito brought his usual brand of fun to the show as always. However, the episode’s attempts at sentimental, feel-good, low-on-humor, Christmas-y stuff didn’t work as well as they usual do and were hard to figure out where they were going.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (John Lithgow)
a mild step up


My full set of screencaps for this episode is here


TOMORROW
Kevin Kline

Posted on

November 19, 1988 – John Lithgow / Tracy Chapman (S14 E6)

Segments are rated on a scale of 1-5 stars

COLD OPENING
dieting Oprah Winfrey (JAH) has delusions of food during her show

— Hoo, boy.  Jan as a blackface Oprah…
— I gotta say, though, Jan’s impression sure is making me laugh. It’s a testament to her talents that she can make a role like this come off so funny.
— Very funny bit with Oprah hallucinating her two staff members’ heads as food.
— Jan as Oprah: “Look at the butt! Look at the butt!”
— Now they’re humorously taking the food hallucinations further with the food props the performers playing Oprah’s guests are wearing on their heads.
— I love how this has now escalated to the guests’ conversation randomly having out-of-place food words inserted in place of normal words.
STARS: ****


MONOLOGUE
host offers sarcastic-sounding Thanksgiving words & plays guitar

— Interesting jacket.
— I like his sarcastic reading of a Thanksgiving letter.
— Not sure why this has suddenly turned into a guitar instrumental. I was enjoying where this was going before then.
STARS: **½


LONG WHITE BEARD
Long White Beard silently makes your point- tardiness is unacceptable

— I absolutely love this silly concept. It’s hilarious to me.
— Very funny visual of an entire boardroom simultaneously turning their chairs to show a tardy Phil their long white beards. I also love the subsequent shot of them impatiently tapping their fingers on the table and an embarrassed Phil quietly going “Ooouuuch” to himself.
STARS: ****


ANIMAL CONFESSION
a priest (host) hears confessions from dogs at St. Bernard’s Church

— Nice ad-libbing from both Lithgow and the first dog’s voice-over when the dog faces away from the camera.
— Another clever ad-lib with Lithgow’s “I believe W.C. Fields was right.”
— Boy, the ending with the assistant dog got botched really badly. Lithgow once again ad-libs his way out of it by telling the dog “You were so good at the dress rehearsal”, which was a good way to end this sketch.
— Speaking of dress rehearsal, this sketch would later be replaced with the dress version in reruns. I can see why, as the bloopers with the dogs are funnier there, and at one point features a great ad-lib with Lithgow telling one constantly barking dog “You’re not to bark; you’re in a sketch.”
STARS: *** for the live version, ***½ for the rerun version


MASTER THESPIAN
Baudelaire fakes death to get Master Thespian’s role as Hamlet

— Yes! These sketches are always perfect with Lithgow.
— I love Master Thespian being fooled by Baudelaire’s flimsy doctor disguise.
— The “Do you mind keeping your voice down?!?” part during the phony phone call was hilarious.
— Great part with Master Thespian fooling himself with a phone call.
— An overall fantastic John Lithgow-involved Master Thespian sketch as always.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “Mountains O’ Things”


THE PAT STEVENS SHOW
Margaret Thatcher (host) denies royal family ties

— I got a good laugh from Pat smelling a page of her Vogue magazine and then gleefully going “That was Cher.”
— The perfume picture of Pat is really funny.
— Very extended audience laughter when Lithgow enters as Margaret Thatcher.
— Great voice on Lithgow here.
— I liked Pat asking Thatcher “Are you oily or dry?”
STARS: ***½


WEEKEND UPDATE
Jimmy Stewart’s (DAC) poem about his dog reduces DEM to tears
letters from Mother Teresa & Japan support JOL’s order- “Get to know me!”

 

— Dana-as-Jimmy-Stewart’s dog poem has some good laughs.
— Dennis’ ridiculous-sounding high-pitched crying during the Jimmy Stewart dog poem is cracking me the hell up.
— Jimmy Stewart, in response to Dennis’ crying: “What are you, a woman? Maybe you should name yourself Denise Miller; you certainly have the hair for it!” Dennis: “………Cool it with the hair, Jimmy.”
— I like how after the Jimmy Stewart commentary ended, Dennis poked fun at his own crying attempt by saying “Probably why you don’t see me acting more on the show.”
— Loved the audience’s offended reaction to the Baby Jessica joke.
— The return of Lovitz’s “Get to know me!” routine.
— Funny part with a letter-writer who started to get to know Lovitz but stopped.
— Loved the letter Lovitz reads from Japan.
STARS: ***½


THE ALAMO
at the Alamo, (host)’s call for volunteers creates much waffling

— Funny opening bit regarding the exact number of Mexicans out there.
— Great part with the soldiers going back-and-forth on their decision to follow Jan who’s offering sex but has “the burning disease” in her loins.
— Loved Davy Crockett suddenly keeling over.
— Very funny appearance from Phil as “Strange Bob”.
— Kevin’s Tarzan making an appearance outside of the Tonto, Tarzan, and Frankenstein pieces!
— I like how increasingly absurd this sketch is getting, with Franken and Davis now randomly appearing as aliens Zacdu and Mondo.
— A good laugh from Zacdu and Mondo’s lame demonstration with the chicken.
— Solid ending with the fake-out regarding choosing black/white beans.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “Freedom Now” & “Baby, Can I Hold You”


THANKSGIVING
Marge Keister tends to overstuffed male family members on Thanksgiving

 

— We haven’t seen Marge Keister in what feels like a long time. I don’t think she appeared at all in season 13, unless I’m forgetting something.
— Funny initial visual of each husband entering the scene with a bloated gut.
— Amusing slice-of-life aspect with the guys opening their belts in unison to let the air out.
— Jan’s getting some really good laughs from her great delivery of her lines.
— Victoria’s very brief, throwaway walk-on ends up being her ONLY appearance of this entire episode.
— Did a fart sound effect fail to play when a straining Phil lifted his behind off the chair? Something definitely seemed to go wrong there, because it results in a rare instance of Phil breaking character and kinda laughing to himself.
— I can appreciate this overall sketch as a low-key, relatable piece. Nothing great, but I found it okay and it had a certain charm.
STARS: ***


SKELETON
osteology professor’s (host) fear of skeletons makes his job difficult

— Lithgow’s first screaming reaction to looking at the skeleton made me laugh out loud.
— Funny visual of a ridiculously tiny skeleton being used to help Lithgow get over his fear.
— Loved his whispery “Ohh!” exclamation when seeing the tiny skeleton.
— This role is so perfect for Lithgow.
— Good hysterical laughter from him when seeing the skeleton dressed as a pirate.
— I really liked the ending with Phil and Lithgow going back-and-forth with their alternating reactions to the skeleton with and without the pirate costume.
STARS: ***½


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A fairly solid episode, and I liked almost everything in it. Lithgow did his usual great job as a host and the show used him well in roles that perfectly suit both his comedic style (e.g. Skeleton) and ad-libbing skills (Animal Confession). It’s a shame this ends up being his final hosting stint.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Demi Moore)
a mild step up


My full set of screencaps for this episode is here


TOMORROW
Danny DeVito

Posted on

November 12, 1988 – Demi Moore / Johnny Clegg & Savuka (S14 E5)

Segments are rated on a scale of 1-5 stars

COLD OPENING
president-elect George Bush (DAC) has money for a gratuitous negative ad

 

— Some good laughs from the overdramatic opening voice-over presenting a Dukakis nomination as being a disastrous choice and causing irreversible despair.
— Good premise with Bush having spent the remaining money on one last negative ad, despite the fact that the election is over.
— One of the children on the couch with Bush is a young Kirsten Dunst (the curly-haired blonde girl seated right next to Dana in the last screencap above), an appearance that she would later point out in her monologue when hosting in 2002. Ten years after tonight’s episode, she would also appear with Phil Hartman in the movie Small Soldiers.
— The negative Dukakis ad was very funny, especially the ending statement saying “Bush: He beat a bad man”.
— Now that the election is over, I’m really going to miss the solid election-related material from this season.
STARS: ***½


MONOLOGUE
(no synopsis available)

— A straightforward, short monologue that I don’t have anything to really say about, other than that the constant “12 weeks ago” reminders were okay.
STARS: **½


NEUBURG’S BLEU CHEESE COOLER
everyone agrees the beverage smells bad

— I love the visual of the disgusting-looking bleu cheese cooler. The groans heard from the audience also add to the humor.
STARS: ****


BEAUTY AND THE BEAST
(host) & Vincent’s cousin (JOL) on a date

— Amusing how the serious, dramatic opening sequence is immediately followed by a suddenly-lighthearted announcement of “Tonight’s Episode: The Double Date!”
— Excellent make-up on Phil and Jon. If it weren’t for their voices, I’d never be able to tell that’s them under those grotesque prosthetics.
— I love Jon playing his beast character as a schlubby average joe, and it’s serving as a funny contrast to Phil’s romantic, deep beast character.
— Funny little touch with Phil making a sensual, tongue-trilling purring sound at Jan.
— Jon’s repeated “Shut up” outbursts at the end cracked me up.
STARS: ****


CAMPING TRIP
during a camping trip, Hans & Franz ponder the universe & get some rest

— Glad to see Hans and Franz in a different setting for once. I always like the rare times SNL does this with recurring characters who normally host a TV show.
— Some pretty funny hesitant threats Hans and Franz are making to scary animal noises being heard from off-camera.
— For some reason, it feels weird seeing Al Franken in a normal role like this.
— I really liked Hans line about putting a bear trap in Franken’s bed.
STARS: ***½


THE WORLD OF DR. KNOW-IT-ALL
animal abuse aids air pressure lesson

— The vacuum experiment with the gerbil was really funny.
— Great random part with Phil claiming Demi is wrong because she’s a girl.
— Phil, regarding the fish: “Why does he look dead? Because we talked toooooo…..” Demi: “We talked to God???”
— Love the underlying theme of Phil casually killing animals during his long talks to Dana and Demi.
— Overall, so many funny things in this. One of the more forgotten Phil Hartman gems.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “I Call Your Name”


WEEKEND UPDATE
DEM on whether Weekend Update contributed to campaign’s lack of substance
proposed order of succession to the presidency puts Quayle last in line
Imelda Marcos (NOD) confesses to DEM- she stole the money & she’s proud
VIJ sings “Dance Your Depression Away” & taps to follow her own advice

— I’ve been noticing throughout tonight’s episode that whenever the audience cheers, you can hear an unusual amount of screaming teen girls among them. It’s especially noticeable at the beginning of this Update.
— Funny bit from Dennis about how many SNL viewers get their news from Weekend Update.
— I like the extended bit with an altered version of the order of succession to the presidency, made to keep Dan Quayle from being anywhere near the first who takes over for Bush.
— Good part with Nora’s Imelda Marcos denying how big her buildings in Manhattan are.
— I’m enjoying Nora’s antsiness in her performance.
— Victoria’s anti-depression musical number is great. Also a very funny touch with Dennis handing her money during her dance on the desk.
— I like how it’s become something of a running gag for Dennis to question humanity whenever he announces that a new Ernest movie has come out.
STARS: ***½


ONE MAN’S DEMONS
voices in (PHH)’s head give him rather sensible advice

— Dana and Jon are hilarious as superimposed spinning demonic heads.
— I like the absurdity of this, as well as the increasingly less-threatening answers the demon heads give Phil.
STARS: ****


DON’T MOVE
(KEN) tries to keep wife (host) calm as he fights rattlesnake biting her

— Looks like this might be the same woods set that was used earlier tonight in the Hans and Franz sketch.
— Kevin’s various failed attempts to hit the snake right in front of him are pretty funny.
— Liked the part just now with Kevin firing a long string of 10 consecutive gunshots at the snake, only to follow it up by asking “Where’d he go???”
— This overall sketch had a simplistic-but-silly Kevin Nealon feel that I always like (I’m guessing he wrote it himself).
STARS: ***


POKER GAME
(PHH), (JOL), (DAC) teach deliverywoman Lou (NOD) how to play poker

— Interesting characterization from Nora.
— Boy, this is a strange sketch.
— Overall, this was hard to figure. I’m not even sure if I liked it or not, but I don’t think I did, despite a few chuckles from two or three of Nora’s lines.
STARS: **


TRAVEL AGENTS
annoying travel agents (KEN) & (host) give (DAC) & (JAH) honeymoon ideas

— Solid performances from Kevin and Demi here.
— I like Dana’s sudden angry outbursts at Jan, especially his delivery of “You want to go to Vermont? GO!!!”
— IIRC, this sketch would later be removed from reruns, but I’m not sure what it’s replaced with.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Take My Heart Away”


BUSINESSMAN’S CHATTER LINE
Businessman’s Chatter Line lets you gab with other white-collar workers

— Some good laughs from the guys excitedly engaging in mundane businessman-type conversation.
— I like that this sketch has a feel and a charm that’s representative of this cast and era.
STARS: ***½


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A good episode. Not particularly great like most of this season’s episodes so far, and I had kind of a hard time coming up with stuff to say about the post-Update sketches, but the show was still enjoyable. There were a few strong stand-out pieces like Beauty And The Beast and The World Of Dr. Know-It-All.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Matthew Modine)
a mild step down


My full set of screencaps for this episode is here


TOMORROW
John Lithgow