Segments are rated on a scale of 1-5 stars
THE 1994 NEW YORK GUBERNATORIAL DEBATE
New York governor hopefuls Mario Cuomo (PHH) & Howard Stern (MMK) debate
— Hmm, interesting casting of Melanie. This seems like the type of role that Julia would normally play.
— Fantastic Howard Stern impression from Michael. Easily the best thing he’s done during his SNL tenure so far.
— I always love Phil’s Mario Cuomo impression, but he’s just being used in a boring straight role here. I guess it wouldn’t be a season 19 episode without Phil Hartman being poorly utilized. Considering he’s playing the foil for Michael McKean in this cold opening, maybe this is intended to be a passing of the torch between the two of them.
— A pretty funny and accurate spoof of Stern’s behavior.
— An overall good sketch, but not quite as strong as I had remembered.
STARS: ***½
OPENING MONTAGE
— The theme music sounds quite different. The SNL Band would also use this different sound for the theme music in the following week’s season finale. Is this a sign of the SNL Band getting prepared for new SNL theme music next season?
MONOLOGUE
host comes clean to his mother about things he did as a kid
— John is sporting his dark Fred Flintstone-type hairstyle during tonight’s hosting gig, as he’s promoting the live-action Flintstones movie.
— He mentions in passing that this is his fifth time hosting. A shame they aren’t making a bigger deal of that.
— His confessions to his mother are not particularly funny so far.
— Okay, I finally got a laugh from a confession of his, with the one about grandma being kept locked in the basement.
— After a slow start, this monologue has been getting funnier. I like the bit regarding John’s mom once leaving him on the side of the highway when he was a kid.
STARS: ***
MAJESTIC CARIBBEAN CRUISE LINE
Rerun from 4/9/94
DOUBLE DATE
Captain Jim & Pedro go on a date with (host)’s daughters (MEH) & (SAS)
PHH asks for pledges to support Captain Jim & Pedro programming
— Did we need these characters returning after only TWO episodes? Also, why in the world is this the lead-off sketch of the night this time, especially when their previous appearance was in a more fitting spot late in the show?
— Much like these characters’ previous appearance, I’m not caring much for tonight’s installment so far. These sketches have the type of goofy charm that I usually get a kick out of, but like I said in my review of the first installment of this sketch, Adam’s silly-humored, goofy-voiced shtick has officially reached the point in his SNL tenure where it’s run out of steam for me.
— Nice continuity with Captain Jim mentioning recently getting hired at Foot Locker, which is a reference to the previous sketch these characters appeared in.
— I hate to ever criticize John Goodman, but he’s kinda bland as the straight man here. Kelsey Grammer made a much better straight man in the first installment of this sketch.
— I admit to smiling at Pedro’s ending line “A monkey will eat dirt… if you make him!” Don’t know why; it just made me smile. I guess as tired as I feel Adam’s goofy shtick has been starting to get at this late stage of his SNL tenure, there’s still an innocent charm left in it at times.
— The post-sketch bit with Phil doing a PBS-esque pledge drive is actually an improvement over the post-sketch bit they did with Michael McKean in the first Captain Jim & Pedro sketch. There’s some good humor in the fact that they’re holding such a big pledge drive for something as silly and mindless as a Captain Jim & Pedro piece.
— I love the visual of Phil wearing a goofy lobster hat while having that trademark straitlaced Phil Hartman smile (last screencap above).
STARS: **½
AMERICAN SPORTSMAN TODAY
Rush Limbaugh (CHF) & Ron Wood (MIM) hunt
— Mike’s unintelligible Ron Wood impression is cracking me up in this sketch. His impression works much better in a supporting role like this than in those terrible sketches they would later give him a starring role in the following season, where he interviews equally-unintelligible celebrities.
— Farley’s certainly no impressionist, but I kinda like his Rush Limbaugh.
— I got a good laugh from the visual of a cow blowing up.
— I love Phil-as-Charlton-Heston’s delivery of the line “Let’s clean it up and put it on the grill.”
STARS: ***
MUSICAL PERFORMANCE
musical guest performs “Night In My Veins”
WEEKEND UPDATE
DAS dislikes bands that have the balls not to play their hits at concerts
— Wow, this Update oddly starts with no audience applause AT ALL. Absolute dead silence in the studio.
— David, who’s apparently gotten tired of doing Hollywood Minute, debuts a new recurring Update segment in which he gripes about concerts he’s recently been to.
— I’m conflicted on David’s commentary. He has a lot of funny lines here, but I’m put off by his particularly lazy and half-assed delivery here, which is serving as an unwanted reminder of the bad, mailed-in performances he would often give in the upcoming season 20. I’m also finding his frequent “pure balls” comments in tonight’s commentary to be complete overkill. Still, he’s been making a lot of funny observations here.
— Kevin’s joke about Arsenio Hall retiring from his talk show to get some “stanky on his hangdown” has always been one of my personal favorite Kevin Nealon Weekend Update jokes of all time. Kevin has certainly had some struggles as an Update anchor over the years (especially this season), but that particular joke is a perfect use of his straitlaced, deadpan delivery. Not bad for what ends up being Kevin’s penultimate Weekend Update.
STARS: ***
REAL STORIES OF THE ARKANSAS HIGHWAY PATROL / COPS
Real Stories Of The Arkansas Highway Patrol- Bill Clinton (PHH) womanizes
Cops- Bill (PHH) & Hillary (JAH) Clinton are mum after a domestic dispute
— Interesting sketch, and I find the format fun. And as I mentioned in a recent review, it feels like a rarity in this era to see pre-taped outdoors footage (not counting fake ads).
— I love the camera zooming into Phil’s Bill Clinton gleefully giving the “okay” sign when Michael makes a woman he’s questioning bend over.
— A good laugh from Bill being heard sleazily saying his famous “I feel your pain” phrase while having sex with a woman in the back of a police car. Speaking of which, this entire scene (which involves Chris as a cop guarding a police car while Clinton and a woman are inside of it having sex) would later be removed from Comedy Central’s 60-minute version of tonight’s episode. My guess for the reason behind that removal is time reasons, because the sketch as a whole is quite long and Comedy Central probably needed a shorter version.
— Funny silent nervous facial expressions from Phil’s Bill throughout the phone call Rob takes from Hillary Clinton.
— And now we get a sudden turn with this segueing into a Cops parody. I’m enjoying how we’re getting two sketches in one, which feels like another rarity for SNL.
— I love the tense atmosphere in the domestic dispute scene with Bill and Hillary.
— Sadly, this would end up being the last of Jan Hooks’ frequent special guest appearances from seasons 18 and 19. Another sad last: this is the final appearance of Phil’s Bill Clinton impression, as tonight is Phil’s penultimate episode as a cast member. (*sigh*) What makes all of this hurt even more is knowing in retrospect what a HUGE misfire SNL’s attempt to replace the Bill and Hillary Clinton impressions the following season turns out.
STARS: ****
THEATRE STORIES
Christopher Walken (JAM) & Michael Caine (PHH) on panel
— Feels kinda late in the night for this recurring sketch to be appearing.
— This ends up being the final installment of this sketch, even though, unlike Phil, Mike isn’t leaving next week (though he certainly should be).
— Julia’s Dame Sarah Kensington character looks different than usual. Also, this is Julia’s first appearance of the whole night, pretty late in the show. Sadly, that’s common for her lately, though at least she’s actually playing a comedic role this time and isn’t just being wasted in yet another dull straight man role.
— Great to see Jay’s Christopher Walken impression finally become recurring.
— I loved the random “A man who needs no introduction” bit as the camera just shows John as an unknown character silently looking at the camera with his tongue goofily sticking out between his lips.
— Speaking of John, he actually appeared in a previous Theatre Stories sketch, but the character he played in that one is apparently different from the one he’s playing tonight, as both characters have a different name.
— This is the first time Phil’s funny Michael Caine impression has been seen in years. I think the Mary Tyler Moore episode from way back in season 14 was the last time it appeared.
— What was the point of Phil’s Michael Caine randomly sneezing in the middle of his story?
— Never mind; I see now that the point of Caine’s random sneeze was apparently so Mike’s character would imitate it when repeating the entire story that Caine had just told.
— I liked Jay’s Walken saying “That reminds me of a very funny story…..”, then just staying completely silent.
— This installment of Theater Stories has been featuring funny randomness as usual for these sketches, but there’s kind of a “been there, done that” atmosphere to this installment. Probably a good thing this ends up being the final installment.
STARS: ***
PLUCKY NINJAS
beaten, incompetent ninjas regroup & plan their next encounter
— I love the format of this. A good and fun ensemble piece. I’ve always felt this is an underrated sketch.
— A lot of funny lines in the guys’ suggestions.
— Hilarious reveal of Adam having a ninja star stuck in his forehead. I also like the facial reactions from Rob and Mike.
— I know some people are bothered by the extended use of movie stock footage at the end, in which a guy kicks the asses of an entire army of ninjas one-by-one, as some people feel that’s extreme laziness on SNL’s part (especially since the sketch also opened with different stock footage of a group of ninjas getting their asses kicked), but I personally have no complaints. At least this stock footage is entertaining, in a “cheesy 80s/90s ninja movie” way, and I feel it matches up with the live portion of the sketch humorously.
STARS: ****
PHILADELPHIA ACTION FIGURES
Another rerun tonight, this time from 2/5/94
IN HIS OWN WORDS
Michael Bolton (KEN) album contains non-original songs
— I always like Kevin’s Michael Bolton impression.
— Some good laughs from Bolton’s “original” songs just being another artist’s famous song with only one word changed.
— Pretty funny duet between Bolton and his “father” Nat King Cole.
— Good ending with Bolton “creating” the Happy Birthday melody by pressing random keys on a piano.
STARS: ***½
MUSICAL PERFORMANCE
musical guest performs “I’ll Stand By You”
FLINTSTONES NAMES
host explains how to convert regular names into Flintstones names
— The format of this, mainly the use of placards, reminds me a little of Tim Kazurinsky’s Dr. Jack Badofsky commentaries from the Dick Ebersol era.
— A few funny bits early on, like Sharon Stone’s Flintstones name being Sharon Miller, and the meta bit with Chris Farley’s Flintstones name being Chris Rock.
— After the two aforementioned funny bits, this sketch has lost steam FAST.
— John’s trying, but I can tell he knows this material is bad. This sketch is dying.
STARS: *½
TAXI TRIVIA
while (host) & (JUS) are in his cab, (ROS) talks of killer taxi drivers
— I love the disturbing premise, and I like the idea of Rob being cast as an unsettling-but-friendly character, but I’m being disappointed by the execution so far, which feels kinda flat and one-note.
— The sketch at least ended on a good note, as I absolutely loved the ending with the creepy close-up of Michael turning to the camera with a sinister smile. Michael’s had a strong night tonight in general.
STARS: **
GOODNIGHTS
IMMEDIATE POST-SHOW THOUGHTS
— A decent episode, especially compared to most episodes in the back half of this season. Not an outstanding episode, but I felt a lot of the sketches tonight ranged from okay to pretty good, and there were two sketches I felt strongly about (Plucky Ninjas and Real Stories of the Arkansas Highway Patrol / Cops). Even the Captain Jim & Pedro sketch, while still nowhere near great to me, was a little better than usual. The show ended on a disappointing note with two sketches that fell flat, but aside from that, the overall episode wasn’t weighed down too much by the usual season 20 warning signs that have been dragging down a lot of the latter season 19 episodes. John Goodman added his usual solid, likable vibe to the show.
MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Emilio Estevez)
a step up
My full set of screencaps for this episode is here
TOMORROW
Season 19 comes to an end, with host Heather Locklear. It’s also the end of the road for several cast members, including the amazing Phil Hartman.