Segments are rated on a scale of 1-5 stars
GRADUATION MEDLEY
recent car wreck victims Marty & Bobbi perform at high school graduation
— The Culps make their very first cold opening appearance.
— Interesting detail of the Culps’ neckbraces, which we’re eventually told is from a car accident that they go into humorous detail about.
— A laugh from Bobbi Mohan-Culp pronouncing Tommy Hilfiger’s last name as “hil-fye-jer”.
— Marty Culp: “They gave me Tylenol 3, and boy, I keep alternating between wanting to cry and having a violent orgasm.”
— This is the second episode in a row parodying Sugar Ray’s “Every Morning”, after Jimmy’s Weekend Update guitar song medley in the last episode.
— Funny in retrospect hearing Will Ferrell singing Blue Oyster Cult’s “(Don’t Fear) The Reaper” in this, considering a certain legendary sketch involving a cowbell that Will would soon do in the upcoming season 25.
STARS: ***½
MONOLOGUE
host rebuffs CHK, TIM, MOS, WIF, JIF after they each hit on her
— I like Kattan’s line about borrowing mood-enhancing videos from Colin.
— After getting rebuffed by Sarah, I love the little turn with Kattan beginning to ask about a certain Backstreet Boys member, implying that Kattan’s going to try flirting with him next. Between Colin’s gay joke about Kattan in the last episode’s Weekend Update and now this monologue bit, I see SNL is starting to go all in on the already-existing rumors about Kattan’s sexual orientation. At least he has a sense of humor about it.
— Funny turn with Molly slowly starting to hit on Sarah, then using Sarah’s girl-on-girl kiss in the recently-released Cruel Intentions movie as proof that Sarah is into chicks.
— A hilarious quick bit with Sarah IMMEDIATELY shutting down Will’s Hugh Hefner-esque attempt to hit on her.
— At the end of the long line of guys with flowers, I love the camera slowly zooming in on Horatio staring awkwardly into the camera while eating the chocolates he intended to give Sarah.
— While this was a pretty fun monologue overall, it felt like it really wasted Sarah, who’s proven in her last episode to be a very capable host, yet was relegated tonight to the type of monologue that’s usually given to much more generic pretty girl hosts who SNL knows are iffy at live sketch comedy.
STARS: ***½
TIGER BEAT’S ULTRA SUPER DUPER DREAMY LOVE SHOW
teen idols David Boreanaz, Seth Green, Howie D. [real] fear agent (DAH)
— The return of a sketch from Sarah’s last hosting gig.
— When each of the girls are detailing what kind of drink they would buy for their favorite star, I love Ana’s disturbing bit about how she’d buy a bottle of Drano for Neil Patrick Harris so they can both drink it and live in heaven together forever, which is followed by uncomfortable silence between the girls.
— Darrell’s star manager character pales badly in comparison to the one that Norm Macdonald epically played in the last installment of this sketch.
— Seth Green makes his first SNL appearance since appearing in a pre-taped “SNL Newsbreak” (the name for Weekend Update in season 7) segment as an unknown child actor in 1981. (side-by-side comparison between him in 1981 and 1999 below)
— I like the choices of random audio sounds used to cue each segment of this show.
STARS: ***
SPARKS
Zimmermans’ sexcapades trap couple looking to rent a cabin (CHP) & (host)
— “John”? Why’d they change the first name of Kattan’s Zimmermans character to that? It used to be Jack. Hell, at one point in the timeline of this recurring sketch, I think his name is also Josh, though I can’t remember if that’s already happened by this point, or if happens in a later Zimmermans sketch.
— Parnell, after seeing a typical display of the Zimmermans’ raunchy passion: “I see the deer’s not the only one who’s horny in this cabin.”
— The dress rehearsal version of this sketch had a blooper where Kattan accidentally exposed Cheri’s bare breast when mounting her on the wall. A clip of that blooper is reportedly shown in the “dress rehearsal outtakes” feature of either Cheri or Kattan’s “Best Of” DVD, though I’ve never seen the clip for myself.
— During the usual bit with the host starting to aggressively flirt with the Zimmerman member of the opposite sex, I like the sudden turn with it being Cheri who Sarah’s now aggressively flirting with.
— Hilarious bit with Parnell desperately de-pantsing himself to join in on the others’ raunchiness, resulting in Kattan initially mistaking Parnell’s apparently-small penis for a vanilla Tootsie Roll. Kattan’s “OH MY GOD!” outburst when realizing that’s Parnell’s penis absolutely slayed me, as did Sarah asking “That’s what it looks like in the light?!?”
— Overall, a bit better than the usual Zimmermans sketches, due to the whole bit mentioned right above this sentence.
STARS: ***½
GET ON THE BAG!
(WIF)’s exhortations to little leaguer son appall other parents in stands
— Ah, a variation of “Get off the shed”, though it’s kinda weird how they’re doing this THREE YEARS after the season that the “Get off the shed” sketches appeared in. “Get on the bag” is a decent variation, and a good spoof of hostile parents in the stands at children’s sports games.
— A good laugh from how Will’s “snow cone” is a can of beer. I also like Parnell’s line pointing out how Will is drinking beer at 10:30 in the morning.
— Will: “I WILL DOWNSIZE YOUR FACE WITH A SHOVEL IF YOU DON’T GET ON THE BAG!” Until recently, I always thought that great “downsize your face with a shovel” threat was from “Get off the shed”, not this sketch.
— Overall, a funny sketch, but doesn’t compare to the first “Get off the shed” sketch, in my opinion. However, it’s a step up from the second “Get off the shed” sketch, as tonight’s version thankfully didn’t have Christine Baranski grating on my nerves in her poor attempt to imitate Will’s comical screaming.
STARS: ***½
TV FUNHOUSE
“The Ginsburg Gang” by RBS- Lewinsky lawyer show inspired by Scooby Doo
— Funny idea for a Lewinsky scandal-related Scooby Doo parody.
— I like the quick visual gag of William Ginsburg revealing a microphone implanted deep into his chest skin. During that part, a man in SNL’s audience can be heard loudly saying a quick “Ew.”
— This overall cartoon ended up going a little over my head due to being perhaps too topical. However, it seemed well-done, I still got some laughs, and I liked the parody of various Scooby Doo cliches.
— This was rumored at the time to be Robert Smigel’s final TV Funhouse. I’m glad that didn’t end up being the case.
STARS: ***
SHAME ATTACK!
(CHK) & (MOS) embarrass selves & each other in game show
— Kattan’s “cool” poser character is making me laugh.
— A crazy, nasty, and silly sketch, but I’m enjoying it, and it’s a pretty fun and spot-on parody of these types of MTV shows from this late 90s era (just watching this parody is kinda bringing me back to my high school years from this era), though I can’t remember if “Shame Attack” is a show just made up for this sketch or if it was a real MTV show at the time.
— After Molly gets covered in slime, some of the performers are having a hard time keeping a straight face while delivering their lines. That’s no surprise in Molly’s case, who’s devolving more and more into a giggly performer as we get closer and closer to the end of her SNL tenure. As I hinted in an earlier review, her frequent giggliness gets even worse the following two seasons.
STARS: ***½
MUSICAL PERFORMANCE
musical guest performs “I Want It That Way”
WEEKEND UPDATE
now out of prison, Amy Fisher (CHO) is still edgy & jealous
Billy Dee Williams (TIM) doesn’t like that he’s not in The Phantom Menace
— Colin’s gun control joke (in the wake of the notorious Columbine school shooting tragedy from a month earlier) comes off particularly interesting to watch in retrospect, given the climate nowadays in regards to gun control.
— As usual whenever Cheri appears on Update, we get a flirty interaction between her and Colin at one point.
— I got a pretty good laugh from Cheri’s Amy Fisher sternly asking “Where does she live?” after being told by Colin that he has a girlfriend.
— Tim reprises his Billy Dee Williams impression for the first time since way back in SNL’s early 90s era.
— A great line from Tim’s Billy Dee Williams, about how he gradually realized while watching the new Star Wars movie that he’s not in it.
— A lot of funny comments from Tim’s Billy Dee.
STARS: **½
DUSTY’S LOVE
blind girl (host), monster (HOS), Paul Williams (WIF) in really bad movie
— I love the odd little detail of Parnell having dark hair on his head but a red beard on his face.
— Parnell, on the reason why Sarah is blind: “If only I hadn’t been so drunk and so damn proud of my new flare gun.”
— Another great Parnell line, before he makes his exit: “I’m gonna go have some PCP and show mom my new spirit gun.”
— Very funny inclusion of Will as a superimposed transparent Paul Williams head singing a tender song during Sarah and Horatio’s odd face-touching sequence.
— What a hilariously bizarre and random sketch. By far, one of the strangest sketches SNL has ever done. As I’ve said in an earlier review, this SNL era is great at pulling off this type of random, absurdist humor.
— Freakin’ priceless how the sex scene between Sarah and Horatio is being censored by a “Humping Sequence Edited For Television” disclaimer screen that has a strange-looking photo of a man with his mouth open orgasmically while we hear a voice-over repeatedly singing “Doot doot dooooo”. This already-random sketch is increasingly getting even more random, and I love it.
— Haha, did Parnell’s red beard somehow get longer in the few minutes he was gone? (side-by-side comparison below)
— Solid ending with the TV station voice-over apologizing for letting this bizarre movie slip through.
STARS: ****½
PRESS CONFERENCE
Britney Spears (host) & others answer questions after Kids Choice Awards
— Jimmy’s whole bit as MTV VJ Jesse Camp probably goes over a lot of viewers’ heads nowadays, as I doubt many people today remember Jesse Camp or were ever aware of him to begin with. I remember him enough, and Jimmy’s impression of him is spot-on and perfectly captures what an oddball that guy was.
— Sarah is very funny as Britney Spears.
— The debut of Parnell’s Eminem impression, which I’ve always found funny.
— Even though this is 1999, seeing a Britney Spears and Eminem impression side-by-side makes me feel like I’m already in the 2000s.
STARS: ***½
HOLDING YOUR OWN BOOBS MAGAZINE
host & WIF solicit subscriptions to Holding Your Own Boobs Magazine
— I love the audience’s initial reaction to the surprising opening shot of a topless Sarah Michelle Gellar holding her own boobs.
— Funny concept of a magazine dedicated to holding-your-own-boobs photos, made even funnier by how this sketch is being played so seriously.
— Great inclusion of Will also holding his own “boobs” and proudly displaying photos of famous men doing the same. The Dave Thomas photo is particularly funny.
STARS: ****
MUSICAL PERFORMANCE
musical guest performs “All I Have To Give”
BRIAN FELLOW’S SAFARI PLANET
supposed animal expert Brian Fellow doesn’t know much
— Tracy’s Brian Fellow character, who debuted earlier this season in a Weekend Update commentary as a VERY different type of person than who we’re now familiar with, does his very first Safari Planet sketch.
— Much like Wayne’s World and Pumping Up With Hans and Franz (among some others that I can’t remember right now), Brian Fellow’s Safari Planet is on the list of popular recurring sketches that surprisingly debuted in the 10-to-1 slot.
— This 10-to-1 sketch is Tracy’s first and only appearance all night. Sadly, that’s business as usual for the underused Tracy Morgan, but I guess it can be considered somewhat of an honor to star in the final sketch of a season.
— Tracy’s updated characterization of Brian Fellow tonight is a huge improvement over that aforementioned Weekend Update commentary he did. Brian Fellow’s incompetence and oddness throughout this sketch are very funny, and Tracy has a good handle on this character, which would only improve even further over time as this becomes an established recurring sketch.
— I love Brian Fellow’s worries about getting bit by the turtle.
— For some reason, at the end of this sketch, the studio light in the window behind Tracy’s Brian Fellow turns off while he’s delivering his sign-off to the camera.
STARS: ***½
GOODNIGHTS
IMMEDIATE POST-SHOW THOUGHTS
— A consistently good episode, and a pretty satisfying way for this season to end, officially making this what I feel is a season with a perfect streak of episodes ranging from so-so to fantastic, with no bad episodes in the bunch. While there wasn’t much in tonight’s episode that stood out as particularly great, the show flowed really well and had no sketches that underwhelmed me (unless the Colin Quinn portions of Weekend Update count). Despite a monologue that wasted her, Sarah Michelle Gellar had her moments tonight that showed what a good recurring host she is.
MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Cuba Gooding Jr.)
about the same
MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS ENTIRE SEASON, REPRESENTED WITH SCREENCAPS (Note: These picks were hastily made off the top of my head and will naturally be missing some deserving sketches. I don’t have enough time to do full, thought-out “Best Of” picks for this whole season)
HOW THIS OVERALL SEASON STACKS UP AGAINST THE PRECEDING SEASON (1997-98)
a mild step up
My full set of screencaps for this episode is here
TOMORROW
SNL’s milestone 25th season begins, with host Jerry Seinfeld
I agree with you that there are no clunkers this season…but honestly, to me this era had started to grow a little stale by this point. At least we got the debut of Brian Fellow’s Safari Planet! 🙂
When SMG was on The Rosie O’Donnell Show, she shared that she had been topless on the same stage – they wanted Holding Your Own Boobs to be live but she would only do it as a pre-tape. Can’t say I blame her!
The MTV sketch isn’t based on a real show, but reminds me a LOT of The Blame Game.
I have that Rosie O’Donnell clip. It wasn’t that anyone suggested doing it live. It was that they had to use Rosie’s stage to record it because there was construction going on that week around the main SNL stage and they didn’t want her to be have to be topless in front of the construction crew.
Here are the average ratings for Season 24:
*may not represent review’s perception*
2401: 7.3 (Cameron Diaz)
2402: 6.8 (Kelsey Grammer)
2403: 7.2 (Lucy Lawless)
2404: 6.7 (Ben Stiller)
2405: 7.1 (David Spade)
2406: 7.4 (Joan Allen)
2407: 6.5 (Jennifer Love Hewitt)
2408: 6.7 (Vince Vaughn)
2409: 7.8 (Alec Baldwin)
2410: 7.2 (Bill Paxton)
2411: 6.9 (James Van Der Beek)
2412: 7.0 (Gwyneth Paltrow)
2413: 7.1 (Brendan Fraser)
2414: 6.4 (Bill Murray)
2415: 8.0 (Ray Romano)
2416: 6.8 (Drew Barrymore)
2417: 7.3 (John Goodman)
2418: 6.5 (Cuba Gooding Jr.)
2419: 6.9 (Sarah Michelle Gellar)
Best Episode: 2415 (Ray Romano)- 8.0
Worst Episode: 2414 (Bill Murray)- 6.4
Season Average: 7.0
I’m curious what Vax Novier’s list of average ratings would look like if it was ranked from best episode to worst, so I’ll do it below:
2415: 8.0 (Ray Romano)
2409: 7.8 (Alec Baldwin)
2406: 7.4 (Joan Allen)
2401: 7.3 (Cameron Diaz)
2417: 7.3 (John Goodman)
2403: 7.2 (Lucy Lawless)
2410: 7.2 (Bill Paxton)
2405: 7.1 (David Spade)
2413: 7.1 (Brendan Fraser)
2412: 7.0 (Gwyneth Paltrow)
2411: 6.9 (James Van Der Beek)
2419: 6.9 (Sarah Michelle Gellar)
2402: 6.8 (Kelsey Grammer)
2416: 6.8 (Drew Barrymore)
2404: 6.7 (Ben Stiller)
2408: 6.7 (Vince Vaughn)
2407: 6.5 (Jennifer Love Hewitt)
2418: 6.5 (Cuba Gooding Jr.)
2414: 6.4 (Bill Murray)
This is going to be the last time I do these best-to-worst rankings. Someone else can take over these if they want. Same goes for the lists of sketches rated four-and-a-half stars, starting with season 23, if Carson ever continues with the lists of five-star sketches.
Thank goodness for post-Update, which has 3 out of 4 strong sketches, as otherwise I’d say this was one of the most disappointing finales, considering the potential of some of the cast and writing team and the good work of earlier in the season.
When I’ve gone back to these years in your rewatch I’ve thought at times I was too hard on them in remembering them as cringey shoutfests, but this was chockful of the yelly, empty pieces that have the feel of that Steve Buscemi 30 Rock “how do you do, fellow kids” meme. The attempts to ape the MTV generation fell flat for me even at the time so I can’t blame it on the usual dating of material. In this case you also have stuff like the teenage girl sketch that was much better the first time around. This one is SO overacted that the best bit by far (Ana’s jokes) is overshadowed. It’s so histrionic that the audience reaction to David Boreanaz and Seth Green is completely drowned out by the squealing on the stage – speaking of that, considering SMG was hosting the show, you’d think the audience would have had more Buffy fans who would be a little more enthused to see them.
The Culps are fine, but for me that’s about it for comedy for a lengthy stretch of the night – I can’t watch the Zimmermans, Smigel’s cartoon is very interesting but almost seems to have been done deliberately as anti-comedy, the Teen Choice Awards is mostly just memorable for SMG’s fun Britney Spears impression, me wondering if we would get any Parnell raps yet, and for the weird ending (was someone supposed to play Scary Spice [Kattan again maybe?] only for the sketch to abruptly wind down?), the game show just feels desperate (especially with Kattan already doing his “I’m going to talk sedately then screech for comic effect” bit multiple times up to this point) and Fallon is miscast in the host role.
The Dusty sketch is excellent as absurdist comedy that doesn’t try too hard – great execution from top to bottom. It’s also, along with Holding My Boobs magazine, one of the few sketches of the night that used SMG’s talents rather than just putting in generic female host roles.
Brian Fellows makes his true debut. This one seemed to make a point of having the guests berate Brian and leave. In future sketches, Brian would berate them and tell them to leave. That choice works a little better, as it means we’re seeing the sketch from his point of view and side with him in all his delusions. Still, a pretty good piece, especially for the first time.
Update was alright, but you feel like Tim and Cheri are sort of just paint by numbers, especially Tim, as Cheri and Colin tend to work well together (enough to overshadow forgettable material like this). Update just feels kind of phoned in in the back end of the season – were weeks of jokes about Hillary meeting refugees really all they could come up with?
This season started out with a great head of steam, and continued on a mostly good clip most of the way through, but I think it hit a rough patch around the time of Bill Murray’s episode and other than some strong points in the Ray Romano and Goodman eps, never quite got back up. (I’ve also noticed the muter audience receptions for several of these episodes, in spite of a lot of material primed to get their attention) It’s been something of a chore to get through this period as it brought back a lot of my bad memories of the era. Glad it’s over.
Here are the five star sketches from the 98-99 season:
Oops, I Crapped My Pants (Cameron Diaz)
Jingleheimer Junction (Cameron Diaz)
Big Bernard (Kelsey Grammer)
The Best of Horatio Sanz (Kelsey Grammer)
Celebrity Jeopardy (Ben Stiller)
Delicious Dish (Alec Baldwin)
Bull & Bear – Brasky (Alec Baldwin)
Behind The Music: Fat Albert (Bill Paxton)
You’re A Champion, Charlie Brown (Brendan Fraser)
Sportscenter (Ray Romano)
Quit Judging My Dreams! (Ray Romano)
Celebrity Jeopardy (Drew Barrymore)
Happy Smile Patrol (John Goodman)
13 sketches, about on par with last year’s pace given that there are less episodes this season. As always, my personal mileage varies. Let’s just say I like the Lucy Lawless and Brendan Fraser episodes far more than Stooge. Also, I view Big Baby as one of Ferrell’s finest moments. Still, I could bring in six sketches and still have the total amount of sketches be roughly the same.
And now the ****1/2 sketches:
Shirt In A Can (Lucy Lawless)
The Clinton Marriage: White House In Crisis (Lucy Lawless)
Stevie Nick’s Fajita Roundup (Lucy Lawless)
TV Funhouse (Ben Stiller)
Cointreau For Congress/ Mason in ’98 (Ben Stiller)
Drill Sergeant (David Spade)
Martha Stewart Living (Joan Allen)
Space, The Infinite Frontier (Joan Allen)
Married Guys (Vince Vaughn)
Delco Cat Toys (Vince Vaughn)
Monologue (Alec Baldwin)
10-10-1776-5-28-1830-242-3-316-68-22 (Alec Baldwin)
Cats Home Video (James Van Der Beek)
No Gloating (Gwyneth Paltrow)
Monologue (Bill Murray)
Carnaby’s (Ray Romano)
Big Baby (Ray Romano)
Monologue (John Goodman)
Shaun Mondavi Vineyards (John Goodman)
Dusty’s Love (Sarah Michelle Gellar)
You mention that this is the first cold opening for the Culps. I think the Helen Hunt Christmas episode might have slipped your mind.
That comment on NPH was pretty disturbing, imagine how shocked she must have been when NPH came out.
Man, Seth Green should’ve hosted an episode, if I’m being honest.
Also man, doesn’t that Boobs Magazine look like that Breast Cancer sketch from Season 6 with Gail Matthius?
Hey, a surprise Lee Ranaldo playing us out after the Zimmermans sketch
LFNY Counter:
Darrell Hammond: 6 (5 solo, 1 with Parnell)
Ana Gasteyer: 3 (2 solo, 1 with Will)
Tim Meadows: 2 (1 solo, 1 with Stephanie Seymour)
Chris Parnell: 2 (1 solo, 1 with Darrell)
Will Ferrell: 1 (With Ana)
Horatio Sanz: 1
Tracy Morgan: 1
Molly Shannon: 1
Ben Stiller: 1
Brad Pitt: 1
John Goodman: 1
Monica Lewinsky: 1
Stephanie Seymour: 1 (With Tim)
Shame Attack was a parody of an actual MTV game show at the time, The Blame Game, in which exes competed to determine who was to blame for their breakup. I remember watching it, and how if you lost, you had to beg your ex for forgiveness, otherwise they would take your picture and put it in an Entertainment Weekly ad under the heading “Do Not Date This Blame Game Loser.” Sounds tacky, right?