Segments are rated on a scale of 1-5 stars
THE BUSH DAUGHTERS
George W. Bush’s (WLF) daughters Jenna (AMP) & Barbara (TIF) assess him
— Tina and Amy are very fun here. Even though I don’t like them as a duo on Weekend Update, they’re still usually a good team elsewhere.
— A lot of laughs from the Bush Twins’ “secret twin language”.
— Will’s President Bush not understanding the twins’ secret language is probably an obvious joke, but it works here.
— Great bit with Darrell-as-Dick-Cheney’s little message to the twins.
— Surprisingly, this is Amy’s first-ever “Live from New York…”.
— An overall very solid cold opening. Probably my favorite cold opening of this season so far, not that it’s had much competition, off the top of my head.
STARS: ****
MONOLOGUE
(no synopsis available)
— Right out of the gate, Paul Giamatti’s energy is so great in this, and he’s doing a very good job getting the audience hyped up.
— An overall short but sweet monologue, and it’s nice to see that this was a real monologue, with no other performers except the host.
STARS: ***½
RICE CONFIRMATION HEARING
Barbara Boxer (AMP) impugns confirmation shoe-in Condoleezza Rice (MAR)
— I recall this being a very well-liked sketch among online SNL fans (including myself) back when this season originally aired.
— Poor Rob Riggle gets stuck in a pointless non-speaking role in this sketch, which ends up being his ONLY appearance all night.
— Seth’s John Kerry detailing how his inauguration would’ve gone this day had he won the election is pretty funny.
— Amy’s whole segment as Barbara Boxer is absolutely fantastic, and is what I had always remembered from this sketch. One of Amy’s best performances of this entire season.
— A solid sketch overall, though mostly just on the strength of the excellent Barbara Boxer segment. Everything else in the sketch was fine, but not particularly strong or stand-out.
STARS: ****
GAYSTROGEN
A rerun… FROM FREAKIN’ 2003. Geez, as if this commercial hadn’t already been re-aired too many times in season 29…
LIMO
limo driver (FIM) is a Jamie Foxx fan but doesn’t recognize host
— Good to see the underused Finesse with the sole lead role in a sketch, and not co-starring with Kenan for once.
— Finesse confusing Paul for Rob Schneider reminds me of how that was a common mix-up a lot of people had back in these days. I never really understood why people couldn’t tell Paul and Rob Schneider apart.
— Good line with a frustrated Paul calling Finesse “Human Tivo” during Finesse’s recreation of Jamie Foxx’s Golden Globes speech.
— Solid performance from Finesse, and I’m enjoying Paul’s frustration and desperation to impress Finesse with his movie resume, the latter of which Rachel humorously questions Paul on at one point.
STARS: ***½
MUSIC STORE
at a music store in search of an instrument, Kaitlin settles on the drums
— This recurring sketch has gotten to the point where Kaitlin’s entrance receives audience applause, though it’s only mild this time.
— Amusing look of Paul’s character, and he’s both funny and very believable as a rocker uncle, adding to the solid slice-of-life realism that this recurring sketch always has.
— Kaitlin’s yodeling when acting out how she would perform on The Price Is Right made me laugh out loud.
— Funny line from Paul about calling his mixture of rock, folk, country, and fusion metal genres of music “Rofolkcoumet”.
— I love Kaitlin’s singing of “Hard To Handle” into the microphone stand.
— I don’t know if it’s because this episode has put me on such a high so far, but I found this overall sketch to be the best of the Kaitlin sketches I’ve covered so far.
STARS: ****
MUSICAL PERFORMANCE
musical guest performs “Get Back”
WEEKEND UPDATE
sadistic TIF & AMP make RAD report on the NYC blizzard from outside
Arnold Schwarzenegger (DAH) turns the topic to his bid for the presidency
— Interestingly, right out the gate after signing on at the beginning of this Update, Tina throws to a new Update segment called “Dratch on the 1s”, involving Rachel doing a remote segment outside of 30 Rock in the blizzard. An okay change of pace.
— I like how it’s become a running gag these past two Updates for Amy to angrily threaten Angelina Jolie.
— Oh, no. Not ANOTHER commentary from Darrell’s Arnold Schwarzenegger.
— I got one laugh from tonight’s overall Schwarzenegger commentary. That’s it.
— Are Rachel’s outdoors scenes pre-taped or live? I would normally assume pre-taped, but these sure feel live. The timing of Rachel’s answers to Tina and Amy’s live questions are strangely always perfect; there are no sloppy instances of Rachel responding to Tina and Amy too early or too late like you’d expect if a live Tina and Amy were interacting with a pre-taped Rachel.
— When Tina and Amy mention that Ludacris requested Rachel buy him a diet Snapple root beer that doesn’t even exist, I like Amy’s delivery of “Well, she better find it, cuz it’s for Ludacris.”
— Could’ve done without Tina and Amy pointing out “There’s no cocoa in here” regarding their coffee mugs.
STARS: **½
THE LUNDFORD TWINS FEEL GOOD VARIETY HOUR
The Lundford Twins (host) & (FRA) Feel Good Variety Hour was never aired
— I got a pretty good laugh from the first camera zoom-in of Amy crossing her eyes while saying a goofy “Aaaaaawww, nuts!” as a “boing” sound effect is played.
— Pretty funny lyrics in Maya’s song, especially the way it ended. Her segment in this sketch kinda feels like an unused bit from the Country Roses sketch in the preceding season’s Jennifer Aniston episode.
— When the Lundford Twins tell him they heard his record is selling really well, I liked Kenan’s delivery of “Yeah, not too good.”
— Overall, I don’t usually enjoy sketches like this, but this was a fairly well-done and entertaining spoof of variety shows and had some laughs.
STARS: ***
REINHOLD INVESTMENTS
Andy’s (WLF) telephone shrieks of “Oh no!” vex financial planner (host)
— Something seemed to happen right before this sketch started, as this sketch opens with the audience in the middle of laughing and Paul looking at the camera with an out-of-character awkward smile before quickly getting into character. Wonder what happened that we home viewers didn’t get to see.
— The debut of what’s probably one of Will’s most acquired-taste characters (which is certainly saying something, as that describes probably a lot of Will’s characters). Like a lot of what Will does, this character has definitely always worked for me.
— Will’s many “OHHHH, NOOOOO!”s are hilarious.
— I absolutely love Paul’s straight man performance. His various angry outbursts at Will are slaying me.
— Paul: “I am NOT gonna be a wedding DJ again… I can’t! I sold all my equipment!”
— Overall, such a dumb sketch, but a hilarious dumb one. Everything about this worked for me.
STARS: ****
MUSICAL PERFORMANCE
musical guest performs “Number One Spot”
SPY GLASS
parliament reporter (host) fills in on the teen beat
— As usual in these Spy Glass sketches, a lot of well-done and impressively-delivered corny puns by Seth.
— I absolutely LOVE Paul’s excited British-accented gibbering when talking about how much he loves being a reporter.
— I guess Horatio’s Gene Shalit is fitting for a Spy Glass sketch, given his love for corny puns.
— Funny bit at the end with Amy’s character revealing she has Spanish Chlamydia.
STARS: ***½
CAT
(host)’s date with Phoebe is disrupted by her large house cat (FRA)
— I like the random exchange between Rachel and Paul, with her casually asking him “So you work on death row, huh?”
— Paul has been such a great host tonight that he even manages to get laughs out of simply asking Rachel to “neck” with him.
— A variation of the parrot sketch Fred did earlier this season. I recall this coming off as an inferior knock-off, but I admit, I laughed a lot just now from Fred’s entrance in the sketch, meowing towards the camera with a bug-eyed, curious expression.
— As a cat lover (as I’ve mentioned recently), I’m enjoying Fred’s spot-on imitation of typical cat actions.
— Fred’s deep-voiced meowing when he’s getting his medication applied anally has me laughing out loud.
— Overall, definitely not as bad of a follow-up to the parrot sketch as I had remembered.
STARS: ***
GOODNIGHTS
IMMEDIATE POST-SHOW THOUGHTS
— A little over half a season, Season 30 has FINALLY done it: an actual strong episode. Every single sketch in this episode worked for me, and I felt very highly about a pretty good number of them. Paul Giamatti added a lot to this episode’s strength, as he was a fantastic host and gave a lot of fun performances. Overall, aside from Weekend Update (and even that was slightly better than it’s usually been in the Fey/Poehler era), this was a flawless episode, in my eyes.
MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Topher Grace)
a step up
My full set of screencaps for this episode is here
TOMORROW
Paris Fucking Hilton
I loved Will’s “Andy” character. We would annoy the hell out everybody in the dorms with “Oh nooooooooos!” for the rest of the year.
Sum 41..now that is a snapshot of early ’05.
It’s funny because when they had a “corporate punk” pre-tape this past season, in Kristen Stewart’s episode, people kept saying the song reminded them of Sum 41. I didn’t realize at that time Sum 41 had been on the show twice.
Stooge, back in 2005: “ Hey, Paris… Deion Sanders and Steven Seagal called – they wanted their “great” hosting skills back.”
Just wanted to prepare everybody for what’s in store tomorrow…
This was a good episode. Best of the season, imo. “OHHHHH NOOOOOO!” is the first thing I always associate with Forte. This was one of those rare times in a weak season where everything clicked. I don’t know much was because of Giamatti and how much was pure accident.
Is it me or do the “lost” seasons sometimes end up doing that (season 6 has Karen Black, season 11 has 2-3 pretty good episodes, season 20 has a few very strong episodes [if you take out one sketch I love the Bob Newhart episode], season 19, which is one of my least favorite seasons of all time, has Patrick Stewart and John Malkovich) more than some decent seasons that never quite manage to have consistently solid episodes?
Oh and Bill Murray’s season 6 episode is also fantastic, although that one is sort of an exception as they worked so hard on it, I suppose.
Pretty sure I recall hearing Finesse did that limo driver annoying the host a couple more times in dress rehearsal but it kept getting cut. That could’ve been a good recurring character for him that he desperately needed, recurring characters who annoy the hosts as themselves are usually a good staple the show doesn’t do as much anymore. Thinking of Ellen Cleghorne’s NBC page and also Carvey and Nealon’s elevator fans are the most successful of those types of characters.
I first watched this last year and was a bit more apathetic, but this time around, seeing more of these years (01-05, give or take), I’d say it’s one of the best episodes of the era. Nothing is bad – even Update has some jokes that are genuinely clever and not just a cutesy mugfest. And it’s another example of how if you start off with a fun cold open, you have a better chance of having a good episode.
There are few pleasures in watching TV that are higher than when an SNL episode WORKS. So many times something derails an episode or you just become deflated, and you know how difficult it is to put a solid block together. It makes you feel, somehow, proud? I can’t explain.
I especially enjoy this variety show parody – such a perfect homage to the very confused ’70s variety shows. I’m sorry they only did this twice and yet did that awful Lawrence Welk Doonise sketch 10 times.
I remember all the press that Barbara Boxer’s behavior at this hearing got. It was only natural for SNL to have a sketch about her; fortunately they didn’t go too far into one-note hero worship as they might in more recent years and just kept it on a silly, fun level. The Kerry bit could have been excised, along with the brief Maya mugging near the end, but not a big deal (I guess they wanted to get as much as they could out of the Kerry impression). Is it me or does Amy-as-Boxer look a bit like Jane Curtin?
There are so many great things I can say about Forte’s work, but in this instance I will just talk about how perfect his timing is. Yes, the character is annoying, and it’s not enough to say “He’s meant to be annoying,” because that doesn’t mean something is funny. His timing is what makes this sketch so good. It toes the line absolutely right between irritating (so you can sympathize with Paul’s character) and entertaining.
That’s Sudeikis as one of the janitors in the Spyglass photo.
I find most of Fred’s characters exhausting, but this performance is a blast, and very accurate (especially the part where the cat has to…get his medicine).
Has there ever been a more jarring host shift than going from Paul Giamatti to Paris Hilton?
Her episode won’t be up to much, but it’s the one after it that annoys me more…
Does anyone know how many sketches Tina appeared in during her tenure? She was in the cold open for this episode and I know she was in the Grease sketch in the Olsen Twins episode.
She was also in the variety show sketch in this episode.
She appeared in more sketches than I’d realized, especially since she wasn’t one of the anchors who started oncamera before they landed Update. She’s the only anchor I can think of who went from writer-to-anchor and also appeared fairly consistently in sketches (I guess the main reason is because unlike Che and Jost, her background is in sketch comedy).To me her sketch work is what she does best at SNL, so I’m always glad to see her pop up.
I think I recall Tina saying she didn’t like being in too many sketches because she thought the female cast was so talented that she didn’t want to potentially take anyone’s spot
I think I at least remember Tina and Amy as the Bush twins though not by much…
We knew in advance that Paris was hosting, which made some of us savor Giamatti even more.
I liked this show 15 years ago, but its grown on me since. This might be the best show of Year 30, with Wilson/U2 either in second or third. It’s too bad Giamatti hasn’t come back to host, even if he was too vain to make any effort to look like Richard Lugar.
“Could’ve done without Tina and Amy pointing out “There’s no cocoa in here” regarding their coffee mugs.”
Man, that whole ad-lib infuriated me because I wanted to see more Giamatti sketches and I knew they cutting into his time. The biggest example of the self-indulgence of the Fey-Poehler Update in S30.
I loved everything about this episode, Giamatti was game for everything. Finesse gave an interview to a Philly radio station where he said that Giamatti changed style and voices for every sketch, he really got into it. I wish they’d have him back for “Billions”.
Notice Amy’s very obvious than usual wig during “Update”. Different than what she was wearing before. She was in nearly every sketch.
I think it was Stooge who once said on here that Rachel and Tina looked like sisters, and I never understood that until today. When I first scrolled down to those ice rink screengrabs I was like, “Who is that? Is…that Tina in a pretape?”
“I think it was Stooge who once said on here that Rachel and Tina looked like sisters, and I never understood that until today. ”
I said that about Rachel and Amy, not Rachel and Tina, in my review of the Alec Baldwin episode from season 27. In the review, I said “I remember always thinking back in these days that Amy and Rachel look like they could be real-life sisters, though I no longer see the resemblance all that often now that I’m older.”
Oh, I do remember that. Swear I remember *someone* saying they saw a resemblance between Tina and Rachel, though. Maybe it was elsewhere on the ‘net. Or I’m just tripping. Either way, I do see a resemblance in this Update.
I like Will Forte, but the Andy character…? That’s a NO for me. …. a big “OHHHHHHH NOOOOO” ?
Amy’s Barbara Boxer looks like Nancy Grace.
I got a laugh when, after a particularly crude Update joke from Amy about Paris Hilton, Tina goes “see ya next week!”
Funny to see Ludacris perform a song on SNL that consists mostly of Austin Powers references, considering the Myers connection. Even funnier that Ludacris made a song that consisted mostly of Austin Powers references.
If I’m not mistaken, this is the first ep using the TV Land Variety Vault logo when doing an old school tv spoof. I would love to see someone make a huge playlist of sketches… wait… I’ll be back
Lol @ Paris fucking Hilton
That’s hot