Segments are rated on a scale of 1-5 stars
THE 700 GANG
by RBS- to Pat Robertson, divine retribution explains all
— Uh…oooooooookay. So we’re starting with a Smigel cartoon? Well, THIS is certainly new.
— A very rare case of a cold opening not being live. We end up getting another non-live cold opening just two episodes from now.
— I’m always down for SNL breaking from their formula and trying something different, but this particular instance has too sloppy a feel. You can totally tell this cartoon was not intended for the cold opening slot and was taken out of a larger cartoon (which airs later in tonight’s episode), especially given how this cold opening abruptly begins with a voice-over saying “Then it’s Pat Robertson and the 700 Gang”, as if this was preceded by something.
— Very funny ridiculous claims from Pat Robertson to a group of baffled children about why God punished then-recently-deceased or ailing celebrities.
— The “Live from New York…” from Pat Robertson’s voice (Robert Smigel) at the end came off VERY hastily and sloppily re-dubbed. You can so tell that “Live from New York…” was not originally voiced during the making of this cartoon, because 1) the quality of the audio of Robertson’s LFNY sounds jarringly different from the rest of this cartoon, 2) Robertson’s mouth during that LFNY is clearly saying something else, and 3) Robertson’s mouth is seen still speaking after we finish hearing him yell LFNY. We also don’t get the typical camera zoom-in during Robertson’s LFNY.
— And the cold opening is ALREADY over, after only about a minute. This has got to be one of the shortest cold openings in recent memory.
— This overall cartoon itself was actually pretty solid, but it was just too jarring, sloppy, and poorly-edited in the cold opening slot. Should’ve either kept it within the TV Funhouse later tonight, or just aired the whole TV Funhouse as a cold opening.
— When this episode would later be rerun, this 700 Gang cold opening would have some alterations, including a re-animated ending that not only would have Robertson’s mouth movements actually match his LFNY, but would also include the camera doing the appropriate zoom-in on him during his LFNY.
STARS: **½
MONOLOGUE
host & less-famous AMP sing “Isn’t It Wonderful Being A Star?”
— I see Amy’s gotten a tan over the Christmas break. Or does her skin only look a little darker than usual standing next to Scarlett Johansson?
— Meh, another song-and-dance monologue.
— Some funny self-deprecating digs from Amy at her own lack of big fame.
— Overall, this didn’t turn out too bad for a song-and-dance monologue. Amy’s lyrics during the song, and the way those lyrics humorously contrasted with Scarlett’s lyrics, made this entertaining enough.
STARS: ***
TACO TOWN
Rerun from 10/8/05
DEEP HOUSE DISH
DJ Dynasty Handbag (KET) welcomes (AMP), (host), (CHP)
— Meh, this has become recurring.
— Amy’s song at least convincingly sounds like it could be a real song.
— Once again, ugh at all the “Ooh-wee, Tiara”s throughout this sketch. A terrible running gag.
— Ha, Chris is actually pretty funny during his musical performance.
STARS: **
SMORGASBORD
Scandinavian cooks (SEM) & (host) & their recipes are gloomy
Swedish Chef (ANS) has joined the craze for ringtones
— A laugh from the random opening credits sequence, especially the dubbed voice for Seth.
— Funny reveal of Scarlett’s comatose husband currently being in the same room this cooking show is filmed in, but this is the second time this season that Bill was stuck playing either a dead or comatose person in a sketch, when SNL could’ve easily just have gotten an extra for either roles. In fact, Bill doesn’t have any lines in any sketches tonight. I know he’s still new at this point, but for a newbie who has shown eons of potential and was very well-liked among SNL fans at the time, his airtime has sadly taken a big hit these past few episodes. I can’t remember the last really big or noteworthy role he had in a sketch. The Vincent Price sketch from way back in November of this season???
— The Swedish Chef Ringtones commercial is freakin’ hilarious, and a great spoof of this era’s craze of ringtone commercials.
— A pretty funny lengthy run-on explanation from Seth on why Scarlett doesn’t like a cup of glog.
— Overall, a pretty good sketch spoofing gloomy Swedish culture.
STARS: ***
TV FUNHOUSE
by RBS- religious kids programming covers evolution, stem cells, celibacy
— Smigel does another spot-on spoof of typical Hanna-Barbera 1960s animation.
— A great dopey voice for Darwin, which I think is supposed to sound like Magilla Gorilla.
— I like the format of this, with a collection of various religious-themed cartoons, with the Darwin cartoon being the main feature. The 700 Gang cold opening from earlier, which was obviously originally intended to be one of the various religious-themed cartoons in this TV Funhouse, would’ve flowed much better had it aired here.
— I love all the angry yells of “DAR-WIIIIIIIN!” from the straight men in the Darwin cartoon.
STARS: ***½
MIKE & TONI’S CHANDELIER GALAXY
Mike (FRA) & Toni’s (RAD) Chandelier Galaxy has classy lighting fixtures
— The first of a series of sketches with Fred’s character advertising different elegant house decorations. This is the only one where Fred’s character is joined by his wife, played by Rachel, given the fact that the subsequent installments of this sketch are all after Rachel has left the cast.
— Fred’s accent is very funny, and Fred just has a knack for making this type of material funny, much like the computer school commercial from the preceding season’s Paris Hilton episode.
— Some laughs from a silent Rachel stiffly making hand movements that match Fred’s gestures during his speaking to the camera.
— Overall, a charming and fun execution of such a comically dumb and thin premise.
STARS: ***½
DULUTH LIVE
Jim Morrison-esque (WLF) & band perform epic theme song
— Here comes yet another Will Forte masterpiece, which is great to see one episode after Will just had an all-time masterpiece (Spelling Bee).
— Some technical gaffes early on, especially Jason’s microphone not working when he’s introducing the show’s band.
— In some ways, the sketch feels to me like a bit of a precursor to the famous recurring What Up With That sketches, only even crazier, which is a huge plus for me, especially when that craziness involves Will Forte front-and-center.
— Oh, hell yeah! As if this hilarious sketch couldn’t get any better, now Will is starting to go full-on Batshit Insane Will Forte mode, with his whole angry, intense, red-faced, spoken “Thunderbird spirit” rant and his sung “Please, mama, don’t you point that gun at meeeeeee!” bit.
— Impressive bit with Will chugging a whole bottle of Jack Daniels.
— Fantastic maniacal drumming from Fred, a great use of his real-life drumming skills.
STARS: *****
MUSICAL PERFORMANCE
musical guest performs “Soul Meets Body”
WEEKEND UPDATE
Samuel Alito’s wife Martha-Ann (RAD) reacts during confirmation hearing
Nutbird News Quiz- AMP tries to identify loony Pat Robertson quotes
Shaggy Hair Corner- ANS speaks on behalf of those sharing his hairstyle
— Oh, no. We get a variation of the awful bit from an earlier Update this season where Rachel played congresswoman Jean Schmidt, with her now playing Samuel Alito’s wife.
— I did at least get a chuckle from the cutaway to Rachel-as-Alito’s-wife wearing a fake long white beard while looking impatiently at her watch, and the only reason I liked that was because it reminded me of the Long White Beard commercial SNL did in the late 80s, one of my personal favorites of the commercials from that era.
— Ugh at the punchline to one joke being Amy doing extended singing of lyrics from Limp Bizkit’s “Nookie”. Unnecessary and annoying.
— Is that behind-the-scenes SNL legend Hal Willner in the photo of the crazy homeless guy (the twelfth above screencap for this Update)?
— This Nutbird News Quiz between Tina and Amy reminds me too much of the Bitch Fight News Quiz they did earlier this season, though this one isn’t quite as bad.
— Ha, the Nutbird News Quiz segment ended up being worth it just to hear Don Pardo at the end say in a quivery voice “Insane in the membrane, insane in the brrrrraaaaaaiiiiiiiiiiiin!”
— Andy in his own Update commentary. SNL is obviously pushing him tonight after the humongous success Lazy Sunday experienced over SNL’s Christmas break prior to this episode.
— Tina sets up Andy’s “Shaggy Hair Corner” by saying it’s the first of what will be a regular segment. We would end up never seeing this segment return.
— I always love seeing childhood photos of SNL cast members, which we see of Andy here (the fifth-and-sixth-to-last above screencaps for this Update). I love how oddly 1970s Andy’s high-school photo looks (the fifth-to-last above screencap for this Update), which is even funnier when you realize that photo must’ve been from around the mid-90s.
— In the fake album cover of Andy (the fourth-to-last above screencap for this Update), he appears to be wearing the exact same viking attire he would later famously wear in a certain popular Natalie Portman-starring Digital Short from later this season.
— Andy’s overall commentary wasn’t much, and he seemed to know it was dumb. His likable charm was the only thing carrying it. I can see why this segment ends up never becoming recurring.
STARS: **
MY SUPER SWEET 16
spoiled rich kid (host) demands an extravagant party
— Amy’s skin looks particularly darker than usual in this sketch.
— What was with the long, awkward pause just now, right before Amy said something? Did Scarlett forget a line and Amy was forced to jump ahead of the script to keep the sketch moving?
— I love Chris’ controlled frustration throughout this sketch as the father. He’s always perfect at portraying calm-but-subtly-irritated characters.
— While there are some laughs from this sketch’s portrayal of typical spoiled girls on My Super Sweet 16, this sketch is still falling a little short for me, though I’m not sure why.
STARS: **½
ONCE IN A LIFETIME JEWELERS
cheerful prater Ed Mahoney (JAS) aims to get a ring from a jewelry store
— A very strong and fun characterization from Jason.
— I love Jason’s line “Would the 16-year-old me be excited about the woman the 30-year-old him was about to marry? Probably not”, then saying “Then again, the 16-year-old me was kind of a dick.”
— Very funny line from Jason requesting a ring for his girlfriend that’s not so small that she’ll kick him in the nuts. Then when Scarlett says she hopes that’s not true, Jason hilariously responds “You hope that’s not true?!? Get in line behind my nuts!”, then admitting his girlfriend is actually very nice to his nuts, which is part of the reason why he’s buying a ring for her in the first place.
— Man, Jason has non-stop funny lines in this entire sketch. He is killing it here. Even just his character’s mere laugh throughout this sketch is a great little character detail.
— Finesse gets stuck in his usual non-speaking bit role, for the second time tonight. His chances of coming back the following season are looking slimmer and slimmer by the episode.
— Ah, this sketch takes place in Kansas City, which makes sense, as I think that’s where Jason grew up in real life.
— Hilarious ending with Jason’s failed attempt to dash out of the store with stolen jewelry.
STARS: ****½
SUBMARINE AFFAIR
oceanographer (SEM) is cuckolded by (host) & (HOS) aboard a minisubmarine
— Lately, I’ve been starting to forget Horatio is even still in the cast. He’s yet another cast member who’s airtime has really taken a hit lately (hell, he was nowhere to be seen in the preceding Jack Black episode, and there’s another episode later this season that he’s absent in, I think the Lindsay Lohan one), but unlike Bill and Finesse’s lack of airtime lately, I certainly have no complaints about Horatio’s decreased presence.
— Seth has noticeably flubbed a line in both sketches he’s starred in tonight.
— I love Horatio’s forced-friendly “Heyyyy” to Seth after Scarlett reveals to Seth that she’s been having an affair with Horatio.
— Some really funny things happening in such a tiny submarine, such as Horatio’s only way of giving Seth and Scarlett some privacy is by simply turning over onto his side to face the other direction.
— Hmm, much like Seth, Scarlett herself has been a bit flubby with some her lines throughout tonight’s episode.
STARS: ***½
MUSICAL PERFORMANCE
musical guest performs “Crooked Teeth”
MR. WILLOUGHBY
(TIF), (RAD), (host) pine for yucky Mr. Willoughby in Jane Austen movie
— A huge Bill Brasky vibe to this sketch. This sketch is basically what the Bill Brasky sketches would be if the characters in it were dignified 19th-century women instead of drunk, loud, modern-day businessmen.
— As always, Rachel is so much fun playing Victorian-era women.
— While these ridiculous one-liners being spouted off about Mr. Willoughby don’t hold a candle to the ridiculous one-liners typically spouted off about Bill Brasky, they’re still pretty solid.
— I particularly like Tina’s line “Some say at night, he roams the fields performing lewdnesses on the livestock…but I believe it!”
STARS: ***½
GOODNIGHTS
IMMEDIATE POST-SHOW THOUGHTS
— The streak of good episodes continues. I liked most of the sketches in this episode, one is a classic (Duluth Live), and one is seemingly forgotten among most SNL fans but a near-classic in my personal opinion (Once in a Lifetime Jewelers). This episode is also an example of one of the things I love about this season, and why this season is such a breath of fresh air from the dire season that preceded it: the refreshing and solid sketch concepts on display, such as the Submarine Affair sketch.
MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Jack Black)
a mild step down
My full set of screencaps for this episode is here
TOMORROW
Peter Sarsgaard
I’d love to know why the opening of the show was a TV Funhouse–I’m guessing the original opening had problems (maybe they were going to use some pre-taped segments that never got filmed?). I would have thought they would have had like a script for a cut sketch from previous weeks they could just throw in there.
Doesn’t the Ed Mahoney character show up again? I thought he was in another sketch…maybe one at a wedding?
I’ve never really enjoyed Scarlett as a host for some reason, but she certainly works hard and has good chemistry. I just don’t think she really needed to host all those times–this is a very solid first episode though. I could do without her singing or rapping in every appearance.
My friends and I still make Mr. Willoughby jokes, so that sketch made a big impression–I agree the Brasky sketches are more iconic, but there’s something so ridiculous about this premise that I get a lot of laughs out of it.
Yeah, Ed Mahoney makes one other appearance in the Season 33 Tina Fey episode, set at a wedding. Maybe she was fond of the character.
“Doesn’t the Ed Mahoney character show up again? I thought he was in another sketch…maybe one at a wedding?”
Yes, in Tina’s first hosting stint.
(Shit, somehow missed Matt’s comment. Carry on…)
I thought the cold opening was going to be a Tonight Show with Jay Leno sketch. This may be one of the nights Darrell had a health issue that forced him to leave (he talks about a few in his documentary Cracked Up) for help after dress forcing the alteration of the cartoon.
If only rookie writer Jost knew then what he knows now…
This is the episode Darrell talks about. There is a Hardball cold opening where Chris Matthews talks to Tom DeLay (Sudeikis) about his connection to Jack Abramoff and Forte’s Zell Miller stops by. The Tonight Show sketch has Leno interviewing Tara Reid (Johansson).
Forgot to add that there is another cut sketch where Finesse’s limo driver character from last season’s Paul Giamatti episode is driving around Scarlett Johansson after The Golden Globes.
Duluth Live! It’s Will’s only appearance but dear lord does he ever make it count.
Glad you gave props to Ed Mahoney. Not laugh out loud funny but Jason’s acting and characterization is super strong. For some reason, it’s the sketch that made me take notice of him.
Oh God, we’re in for some pain in the next episode.
That episode is a guilty pleasure for me – Peter has a very off vibe through the night which he manages to carry with a very unique blend of charisma (and apparently he told Seth a few years back that he was nearly drunk, although that clip isn’t around anymore). It is definitely a trainwreck though, if more of a slightly charming one.
I mainly remember the cartoon Cold Open and that weirdly funny Smorgasborg sketch. Yeah, I didn’t get why they didn’t do a live performance CO before I read online one was written but didn’t do well enough in dress rehearsal…
Erik Kenward wrote Duluth Live, to give credit where credit is due.
James Anderson, Higgins, and Seth wrote the monologue.
Weird detail from the Duluth Live sketch – the Ayn Rand book sitting directly behind Amy Poehler. Caught my eye, anyway.
Another step forward for the “Class of 2005.” I rated this episode as above average; there are sketches here that do nothing for me, but they’re overshadowed by some real gems. I liked “Smorgasbord” a bit more than you did; its clearly an Ingmar Bergman pastiche.
Also, you are correct, Andy graduated high school in 1996.
This was kind of a whatever episode for me outside of a few segments, but not bad at all. Everything (Deep House Dish excluded) was at least decent. That’s pretty much my take every time ScarJo hosts. The pretaped cold open is immensely bizarre and the way it’s hastily repurposed as an open reminds me of S10, for some reason. My biggest takeaway rewatching this was remembering “Soul Meets Body” and being blasted by nostalgia. Love that song.
Also, it takes awhile for Bill Hader’s role on the show to become what we know it to be today, IIRC. His airtime in the next two seasons is kinda all over the place. Aside from Vinny Vedecci, I don’t think any of his most well-known characters—nor his knack for playing demented gameshow hosts—debut until S34 and beyond.
Bill said that he wasn’t very good at writing for himself – nothing starts to change for him until he partners up with John Mulaney.
That Darwin Smigeltoon segment sure seems like it would be a nice companion piece to that Saddam and Osama Smigeltoon from season 28, doesn’t it? They’re both heavily segmented kids cartoon show parodies with faux commercials and promos all done from an extreme religious fundamentalist point of view.
This is a particularly loaded season in terms of cast members who were good at playing game show hosts–Hader became the king, of course, but Parnell was pretty solid, Sudeikis was really good as a more amiable, smarmy host and Kenan Thompson eventually grew into a pretty solid host portrayer. My guess is that Seth could probably have done a decent job in such parts as well.
I was in high school during this and my friend and I both got assigned Jane Austen books, so I *love* Mr. Willoughby! It’s a great 10-to-1 sketch. I wonder if Tina and Rachel had done it before in Chicago.
Andy jumping into the arms of one of the Death Cab for Cutie guys in the goodnights was a great example of the fun and life that had started to fade out with the older cast members, and of why it’s important SNL has turnover.
This isn’t an episode that really ‘pops’ as a whole but it has some strong sketches throughout, and others that I admire the idea of but don’t quite click for me (the submarine sketch has that ‘conceptual sketch you try to like as there are no rape jokes or Chris Farley screaming sessions’ 94-95 feel).
I can’t imagine anyone in 2006 thinking Scarlett would host 6 times while Jack Black would never host again. She’s never what I’d consider a top-tier host, but she does try very hard and when she has a strong sketch (like Fly High Duluth), she isn’t a deterrent. Indeed, she’s a good supporting figure in Duluth, singing well and reacting well to Will’s histrionics.
This is also the first time Scarlett would meet Colin Jost, although she said she has no real memory of their encounter.
I’m kind of glad I first saw Duluth on Youtube last year, as the live version feels slightly “off” in timing. Still a great sketch live, but not 100%. I do absolutely love this though – the way Will builds up to and controls that mania just right. That wailing “OH DULUTH!!!” will be one of my lasting memories of his 8 years on the show.
Few could play a jerk as well as Sudeikis could. There’s a certain gift in being able to play a horrible person who is still likeable. I can only name a few cast members who were as adept as he was – John Belushi being one of them. The jewelry store piece is fantastic because of how he walks that line…he truly commands the screen to the point where he could have just been up there with no one else and I wouldn’t have noticed.
Andy’s Update piece definitely feels “oh people like him now.” He’s better served in the Swedish Chef gag. That whole sketch reminds me a little of the old Bergman parody in the Louise Lasser episode (even though they are very different sketches), but Seth and Scarlett and their dour contrast to silly Andy make it work. I especially like when Seth tries to make a wish, then looks over at comatose Bill and says it didn’t come true.
The monologue is definitely enhanced by Amy and Scarlett, over the material. Kristen Wiig and Amy Adams do something like this a few years later.
My general view of Deep House Dish (good songs, the rest is garbage) is intact here. I’m trying to remember if this is the first time SNL mentioned Google in a sketch.
Samberg and Parnell mention Google Maps in the Lazy Sunday sketch.
It sickens me that Jason Sudeikis has never gotten the respect that he deserves.
It also sickens me that Kristen and Fred were favored a lot over Jason from seasons 34 through 37.
It should be noted that Jason carried the disaster known as the January Jones episode from S35, and saved it from Steven Seagal status.
Amy debuts a new Update wig in the next episode.
Smigel on the cold open:
On the cartoon. Well, there was one disastrous time. And I talked about this in the SNL book, where I did a cartoon about the Christian Coalition network. I had done this a couple of times as a running thing. And this particular night, it was a series of cartoons, like there was a cartoon about Darwin being a bumbling idiot and a cartoon called the Celebots, which were robots that were celibate. And there was a third cartoon called “The 700 Gang” and it was Pat Robertson and a bunch of kids and he was spouting off a lot of nonsensical dogma. And this piece did well. The thing that killed the very hardest was the Pat Robertson group. And they were stuck for a cold open. And Higgins said, “Why not just take that out of Smigel’s piece and make it a cold open?” So I was like, okay, I’m gonna have to re-edit it and give him a ‘Live From New York, It’s Saturday Night’ kind of thing. And so I run to back to, and again, I had to go to Sony Studios, which is where we always mix the show and edit it. And so that was on 54th and 10th and it’s Saturday night and there’s always traffic so I bolted down there. Got it done, re-edit it. I had to re-edit both cartoons, you know. Got it done by about 11 o ‘clock and as he’s laying down the sound, something’s wrong. Something crashes. I still don’t know exactly what happened, but there was no sound and he had to do it again and now I’m freaking out. And I run over there. Literally at like eleven twenty five. I get there, and Ken Aymong, the supervising producer of the show, on his own because–he knew I was up against it–he had created a version. He had them chop a version on their own with room for someone to say “Live from New York it’s Saturday Night” — live. And that was going to be, Darrell Hammond was in the booth ready to do it. So I get there finally, and he says, “I’m sorry, I’ve got no time to ingest this video.” But thank God he had done that. So I run into the booth, because I had done the Pat Robertson voice, so to make it consistent, it made sense for me to do it, to say “Live from New York it’s Saturday Night” instead of Darrell. So I run into the booth and Darrell takes his headphones off and hands them to me. This is halfway through the sketch. And I say “Live from New York it’s Saturday Night” for the first time in my life, like writers don’t get to say “Live from New York.” This was like, could have been really fun for me under a normal circumstance, but instead it was this horrendously panicked moment that we just got through by the skin of our teeth and I said it, the sketch ended, and I walked out of the booth and I saw Lorne and I just shook my head like, “I’m sorry, I’m so sorry that I caused all this stress,” you know, because I could have, yes, the whole thing crashed at 11 o ‘clock and caused all the disaster, but I could have maybe been a little less picky as I was editing the piece, got it done more like in the 10:30 range.
https://latenighter.com/podcasts/inside-late-night-with-mark-malkoff-ep-3-robert-smigel/