Segments are rated on a scale of 1-5 stars
SILENT NIGHT
The New York City Children’s Chorus [real] performs “Silent Night”
— A classy and touching way to address the previous day’s Sandy Hook school shooting tragedy, without being direct about it. Even now, when I’m 8 years removed from the tragedy, this cold opening is putting a lump in my throat.
— This would end up being this decade’s first of several somber cold openings that occur shortly after a tragic event has happened, usually tragic events involving mass casualties. Unlike this Silent Night cold opening, most of this decade’s other somber cold openings are direct in openly addressing the tragedy that had happened.
— When this cold opening originally aired, I remember that the moment where the camera fades to black after the Silent Night song concludes made me initially think that SNL was going to immediately go from that fade-to-black to the opening montage, without anyone saying “Live from New York…”, which shocked me, as it would’ve been the first time in, I believe, decades that a cold opening didn’t contain a “Live from New York…” or any kind of variation. However, when the fade-to-black in this particular cold opening was then followed by the camera fading back into the children to show them delivering an upbeat “Live from New York…”, I realized that SNL added the fade-to-black for a poignant, respectful touch.
STARS: N/A (not a ratable segment)
MONOLOGUE
MAS sings about holiday lustfulness; PAS, KRW, JIF, TIF, Tom Hanks, Samuel L. Jackson cameos
— Martin Short’s usual energy and comedic style is exactly what SNL and its viewers needed to lift up the show’s spirits during these times.
— Paul Shaffer!
— A huge laugh from the sudden part with Martin stepping right on Paul Shaffer’s hands when walking to the top of the piano, resulting in a great “OW!” from Paul.
— Martin’s whole “How does a man sit at the piano, I wonder” bit is great.
— This is now the FOURTH consecutive musical monologue, but for various reasons, I can’t complain about tonight’s particular instance of a musical monologue.
— Very nice to see that Cecily, Aidy, and Kate, “the new girls” as Martin calls them collectively, get their special little moment with Martin.
— And, of course, immediately after the special moment the new girls get, we get a Kristen Wiig cameo. Something about that succession seems strangely on-brand for SNL.
— Not sure, but I think Kristen rubbing Martin’s body with her “Dooneese” hand was an ad-lib, judging by Martin’s amusing reaction to that.
— Wow! Jimmy Fallon? Tom Hanks? Samuel L. Jackson? All randomly appearing in rapid succession backstage? Very fun.
— Funny unscripted bit with the llama.
— Such an enjoyable song from Martin, and as I often mention, I’m a sucker for former cast members doing monologues where they go all around the studio & backstage while singing.
— Now we get Tina Fey randomly seen standing next to Lorne. Yep, SNL’s definitely breaking out all the cameos in tonight’s Christmas episode.
— Martin even has the ability to make a cheap man-on-man kiss funny, as seen during his moment with Lorne.
— Interestingly, there’s no “Stick around, we’ll be right back” or anything else after Martin says “Paul McCartney is here!” at the end of this.
STARS: ****
A TONY BENNETT CHRISTMAS
Tony Bennett (Alec Baldwin) & brother Jerry (MAS) meet Kanye West (JAP)
— Tonight’s plethora of cameos from (mostly) SNL-related people continues, as we randomly get Alec Baldwin showing up and reprising The Tony Bennett Show sketches. With this being years before episodes containing a plethora of cameos would become a frequent habit and would be an annoyance to certain SNL fans (including myself), I can certainly enjoy it in this episode. In fact, the cameos are adding to the feel-good, Christmas-y spirit of this episode.
— This ends up being the final installment of the Tony Bennett Show sketches.
— Alec’s Tony Bennett is as funny as always, and Martin is solid as his similarly-traited brother.
— The story from the Bennett brothers about a girl with hemorrhoids is priceless, as is Jay-as-Kanye-West’s reaction.
— Fun and charming chemistry between Alec and Martin during the closing song.
— I like Martin unusual way of hugging the lower half of Alec’s body throughout this sketch.
— I’m surprised by how fairly short this overall sketch was, but no complaints from me.
STARS: ***½
ROYAL FAMILY DOCTOR
equerry (MAS) briefs Kate Middleton’s ob-gyn (BIH) on vagina protocol
— Hilarious characterization from Martin.
— The various vocalizations and phrases Martin uses in regards to how to refer to “the royal “*ahem*” are such a perfect use of Martin’s comedic style.
— I’ve always had a theory that John Mulaney possibly wrote this sketch and, between dress rehearsal and the live show, changed the scripted vocalizations and phrases that Martin was to use for “the royal “*ahem*”, in an attempt to catch Bill off-guard during the live show, ala the Stefon commentaries on Weekend Update. What makes me think that is the fact that Bill seems GENUINELY taken aback and amused by Martin’s various vocalizations and phrases for “the royal “*ahem*”, as if he wasn’t expecting them. Then again, Bill is easily breakable at this stage of his SNL tenure, so those vocalizations and phrases from Martin could possibly be stuff Bill was already familiar with, plus I can’t blame anyone for having a hard time keeping a straight face at Martin Short.
— Ha, Bobby could unintentionally be seen sneaking into the scene before he “magically popped up” to Bill’s side.
— Martin continues to be comedy gold in his delivery and performance here.
— Fred’s mere entrance gets a huge applause from the audience.
— Could’ve done without the ending gag involving Fred’s Queen Elizabeth hiking up her skirt and spreading her legs, as if we haven’t already seen Fred do that enough times in these later years of his SNL tenure. However, I did get a laugh from how him hiking up his skirt resulted in long, uncomfortable, awkward silence between Bill and Martin.
STARS: ****
YOU’RE A RAT BASTARD, CHARLIE BROWN
Al Pacino (BIH) heads all-star cast
— A very memorable and well-liked piece among SNL fans.
— Hilarious choices of out-of-place celebrities to play Peanuts characters.
— Martin is particularly spot-on as Larry David, both physically and verbally.
— Much like Martin as Larry David, Taran truly does have a strong facial resemblance to Michael Keaton here.
— The bleep-filled football scene between Bill’s Al Pacino and Kate’s Edie Falco is particularly funny.
— During the ending split-screen shot of the various actors playing Peanuts characters, Bobby can be seen among them (the last above screencap for this commercial), despite the fact that he wasn’t shown at any point earlier in this commercial. He’s playing Joe Pesci as the Peanuts character Woodstock, IIRC, but his main portions were cut from this commercial after dress rehearsal. Same goes for Fred, who could be seen very briefly in a Snoopy costume at one point in the middle of this commercial (the fourth-to-last above screencap for this commercial). I can’t remember which celebrity I heard he played in this.
STARS: *****
MUSICAL PERFORMANCE
musical guest & Joe Walsh [real] perform “My Valentine”
WEEKEND UPDATE
newly bar mitzvahed Jacob tells story of Hanukkah & roasts family
The Girl You Wish You Hadn’t Started A Conversation With At A Party is supercilious sot
— Vanessa’s Jacob character makes his first SNL appearance since his debut two seasons prior. That debut from two seasons prior was in a sketch, but all of his subsequent appearances are on Weekend Update.
— Vanessa’s doing a spot-on, enjoyable, and endearing spoof of typical bar mitzvah speeches, even down to the little detail of her Jacob character moving his finger along the words he’s reading from his speech.
— Some laughs from how Jacob never answers Seth’s questions, and instead just goes back to reading from his speech.
— This Jacob commentary is starting to get really repetitive (even if that’s the point), but the endearing quality that Vanessa’s bringing to this is maintaining my goodwill. I get the feeling I’m not going to be so lenient in this character’s subsequent Update commentaries, given how almost all of them are basically the EXACT SAME THING. We’ll see, though.
— Ha, even Seth has a hard time saying The Girl You Wish You Hadn’t Started A Conversation With At A Party’s name.
— Girl You Wish etc.: “You need to grow up, Seth. ‘Cause there are some people in Africa right now where it’s like, nooo.”
— Girl You Wish etc.: “I’m sorry…why can’t Secret Santa just be openly gay?!?”
— Girl You Wish etc.: “It’s origami. That’s Spanish for ‘goose’.”
STARS: ***
WHAT UP WITH THAT?
Samuel L. Jackson & Carrie Brownstein [real] observe
— This ends up being the final installment of this recurring sketch, until it gets a surprise revival during an “SNL At Home” episode 8 years later.
— Curiously, Cecily has replaced Nasim in Nasim’s regular role as one of the two backup singers, despite Nasim still being in SNL’s cast, which must mean they have something different planned for her in tonight’s installment.
— Another rare instance of Jason’s red tracksuit dancing character (Vance) actually speaking.
— I love Samuel L. Jackson’s angry warning to Kenan’s Deondre Cole to not cut him off.
— Jackie Rogers Jr.!!!! Not only is it a blast to see Martin bring him back, but he’s actually very fitting in a What Up With That sketch.
— Tim’s dancing past the screen as a casually-dressed Santa is hilarious.
— Ah, there’s Nasim. Fun appearance from her as “Grinchina”. I wonder if the reason for her playing a different role than usual in tonight’s What Up With That installment is because she possibly spoke up to the writers or Lorne, telling them she was tired of being stuck playing one of the backup singers in this recurring sketch and wanted to finally get a comedic showcase in it.
— Other than the Jackie Rogers Jr. appearance, here comes the most noteworthy moment of tonight’s What Up With That installment: Samuel L. Jackson exclaiming in frustration an unscripted “Man, fu–”, cutting himself off before saying the full F-bomb. Then, while Kenan is responding to that by ad-libbing “Hey!” and “Come on, Sam!”, an off-camera Samuel adds in, “This some bullshit!” This results in an absolutely classic ad-lib from Kenan: “Come on, now! That costs money!”
— I love how, while Kenan is thanking her for being on the show, Carrie Brownstein does a mouth-zipping motion, referring to Samuel’s half-F-bomb and full-S-bomb. I also love the meta-ness of Kenan calling Brownstein “the funny one in Portlandia”.
— Overall, the Jackie Rogers Jr. appearance and the ad-libs between Samuel L. Jackson & Kenan make this one of the more standout installments of What Up With That. Not a bad way at all for this recurring sketch to go out (until 2020).
STARS: ****½
MUSICAL PERFORMANCE
musical guest, Dave Grohl, Krist Novoselic & Pat Smear [real] perform “Cut Me Some Slack”
OLD FRIENDS
old friends (FRA) & (MAS) meet while shopping & catch up on inadequacies
— Hmm, interesting and unusual how this sketch has an intro from Kenan, standing in front of the sketch’s set.
— Funny mention of Fred being a professional James Cameron impersonator at parties.
— We get a lot more hilarious bizarre reveals that Fred and Martin are casually making about themselves. I am loving the absurd humor in this, as well as the smooth way it’s flowing and the way it’s being played completely straight, all of which makes this sketch feel like a typical sketch from British sketch comedy shows. A very underrated little sketch, and this is easily one of the better things Fred has done in these past-his-prime later years of his SNL tenure.
STARS: ****
PAGEANT AUDITION
(MAS) won’t let his musical partner (musical guest) sing during Christmas pageant audition
— Amusing opening bit with Kenan.
— Very fun pairing of tonight’s host and musical guest.
— Although the “ironic” concept of Paul playing the member of a musical duo who can’t sing has potential to be too corny, there’s more than enough goodwill and charm from this sketch to prevent that corniness.
— Martin’s sudden angry “THAT’S YOUR CUE, MONTY!!!” outburst has me laughing out loud.
— Very funny bit with Paul now dinging his triangle too early, inducing another hilarious angry outburst from Martin.
— Wow, an awesome and clever way to segue from this sketch to Paul’s next musical performance. Love it.
STARS: ****
MUSICAL PERFORMANCE
musical guest & The New York City Children’s Chorus [real] perform “Wonderful Christmas Time”
GOODNIGHTS
IMMEDIATE POST-SHOW THOUGHTS
— Wow. This was an even better episode than I had remembered, which is certainly saying something, as I had always been very fond of this episode. I’m pleasantly surprised to see how even MORE fond of this episode I was during my viewing just now. I mean, man, look at all of those high ratings I gave out throughout the review. In fact, the only two things all night that got a rating below four stars was A Tony Bennett Christmas and Weekend Update, and those were still good. This episode probably has one of the highest rating averages out of this entire SNL project. And in addition to how consistently strong this episode was, it had such a feel-good, Christmas-y energy, helped by Martin Short’s always-fun presence. That combo of strong sketches and a feel-good, Christmas-y energy is how I like my Christmas episodes of SNL to be.
MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS
RATED SEGMENTS RANKED FROM BEST TO WORST
You’re A Rat Bastard, Charlie Brown
What Up With That?
Monologue
Royal Family Doctor
Old Friends
Pageant Audition
A Tony Bennett Christmas
Weekend Update
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Jamie Foxx)
a very slight step up
My full set of screencaps for this episode is here
TOMORROW
We enter the year 2013, with host Jennifer Lawrence