Author: Stooge

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January 30, 2010 – Jon Hamm / Michael Bublé (S35 E13)

Segments are rated on a scale of 1-5 stars

STATE OF THE UNION 2010
Barack Obama (FRA) scapegoats Martha Coakley & lays out his policy agenda

— SNL’s State Of The Union cold openings have a reputation for being very long, which makes me very nervous about this particular one, given how bad “Fredbama gives a speech or an address” cold openings typically are.
— There’s the SNL State Of The Union tradition of constantly doing cutaways to real footage of certain politicians in the crowd.
— Some really tepid humor here, such as Fred’s Obama complaining about the horrible condition the Bush family left the White House in when the Obamas took over.
— I got a pretty good laugh from the cutaway to a famous clip of Brendan Fraser laughing in an odd, seemingly-drunken manner at an awards show.
— An actual strong gag, with the cutaway to footage of stone-faced military generals being the only ones in the crowd who aren’t standing up and applauding when Fred’s Obama announces he will end the ban on gays in the military.
STARS: **


MONOLOGUE
host channeled Don Draper in his TV appearances predating Mad Men

— Pretty much right out of the gate here, Jon Hamm is coming off as his usual charming and funny self.
— I love the clip of Jon as a Don Draper-esque new “kid” in a Saved By The Bell-esque 90s teen sitcom.
— The other clips of Jon doing his Don Draper shtick in out-of-place settings are also very funny, especially the Def Jam scene with Jon apparently channeling Martin Lawrence’s infamous feminine hygiene SNL monologue.
— I like how obvious it is that Jon is performing the various “taped” clips live, as he can be seen straightening his suit and/or walking back onstage whenever the camera cuts back to him on the home base stage after the respective clips have ended.
STARS: ****


1920’S PARTY
at a 1928 party, Lilia (KRW) contrives to sing but then fails to do so

— Yet another display of Fred’s gay stereotype routine.
— I never cared AT ALL for these Don’t Make Me Sing sketches (as little as they appeared) back when they originally aired, and I recall dismissing them as typical annoying, one-note Kristen Wiig sketches that were dominating the show at the time. With this being the debut installment, I’ll try to go into my current viewing with an open mind.
— The countdown bit Kristen does during the Bill Bailey song made me laugh.
— I love Jon’s delivery of “That was it, you missed it.”
— Despite the aforementioned highlights, I’m not caring for the actual main conceit of this sketch.
— Overall, meh. Still not a big fan of these sketches, though I found a few more merits than I did in previous viewings.
STARS: **


SERGIO
sexy shirtless saxman Sergio (host) haunts hexed (ANS)

— Hilarious sudden initial appearance of Jon as Sergio (who’s apparently based on a character from the movie The Lost Boys) during Andy’s business presentation.
— I love the “Sergio” title screen showing up at the end of Sergio’s first appearance, and how the camera quickly cuts away from that title screen right after it first shows up. I also love the audience reaction to that.
— Funny wild dancing from Jenny during Sergio’s second appearance.
— Great fake-out with the wind that starts blowing during the therapy session turning out to just be from an open window instead of another Sergio appearance, and then Jason, after closing the window, suddenly explodes (literally) and turns into Sergio.
— Even though the ending gag with the “baby” who Kristen births turning out to be Sergio was rather predictable, it was made absolutely hilarious by the excellent detail of Sergio being covered in…uh…birth goo (whatever the technical name for that is).
STARS: *****


NEW SENATOR
visions of alluring Scott Brown (host) scotch Democrats’ strategy session

— Oh, gee, what a surprise – Fred not only playing yet another gay role, but his second gay role in tonight’s episode alone.
— Some good laughs from almost all of the thought bubble fantasy sequences each democrat is shown having of Jon’s charismatic Scott Brown. Bill’s Robert Byrd having a fantasy of Jon’s Scott Brown as a black-and-white 1920s flapper girl is particularly funny, as is the look on Bill’s face during that (the last above screencap for this sketch).
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Haven’t Met You Yet”


WEEKEND UPDATE
Sonia Sotomayor (NAP) laments the Supreme Court’s lack of diversity

Snooki (BOM) has leveraged Jersey Shore’s popularity into a new contract

— I’m enjoying Nasim’s laid-back, streetwise portrayal of Sonia Sotomayor.
— The return of Bobby’s Snooki. Very big and energetic applause from the audience upon Bobby-as-Snooki’s entrance tonight.
— As usual, Bobby’s fun performance as Snooki is better than the actual written material he’s given.
— Jenny makes what I believe is her only Weekend Update appearance during her entire short-lived SNL tenure, still beating out one of her predecessors, Casey Wilson, who sadly got zero Update appearances during her year-and-a-half on the show.
— I admit to getting a cheap laugh from Bobby’s Snooki explaining why her nickname is Spalding (“Because I’m orange, leathery, and I get passed around by sweaty dudes!”).
STARS: ***


GAME TIME WITH RANDY AND GREG
alien Greg assimilates Frank Reich (host) & starts multiplying

— The third and final appearance of this recurring sketch.
— That voice Bill uses as Greg never fails to amaze and amuse me.
— Hilarious abrupt ending of Greg’s interview of Jon’s Frank Reich, with Greg suddenly attacking him.
— Excellent turn with Jon’s Reich now having become a Greg-like alien.
— The usually-Weekend-Update-only Seth Meyers continues his tradition of playing the voice of a caller in every single installment of this recurring sketch.
— Funny bit with the two Gregs muttering to each other while analyzing a globe.
— Oh, hell yes! Now Greg is multiplying more and more over the course of the sketch, with the multiple Gregs played by various SNL cast members and writers. Classic.
STARS: *****


HAMM & BUBLÉ
musical guest is host’s unwilling partner in Hamm & Bublé eatery venture

— A brilliant way to do a sequel to/variation of the Jon Hamm’s John Ham sketch from Jon’s first episode.
— I love Jon sternly explaining to Michael Bublé that, for the sake of this restaurant, Bublé’s last name is now pronounced “bubbly” because the true pronunciation of Bublé doesn’t work in this context.
— The menu items are hilarious, especially the drink with chunks of ham in it.
— Fantastic turn with Bublé musically disclosing to us viewers the dark backstory of how this restaurant came to be, whenever Jon steps away.
— Jon’s sternness towards Bublé continues to be great, especially him telling Bublé, “You are on the thinnest of ice.”
— Jon to us viewers: “If you can find a better place for pork and champagne…..keep it to yourself.”
STARS: *****


CLOSET ORGANIZER
Closet Organizer (WLF) doesn’t really handle everything thrown at him

— A very well-loved piece among SNL fans.
— Priceless concept to this commercial.
— Such a fantastic sequence with one crazy thing after another being thrown at Will as the Closet Organizer, in rapid succession.
— Very funny little gag thrown in with the Closet Organizer secretly stuffing the pair of panties into his pocket.
— Jon’s testimonial is absolutely HILARIOUS, especially how it has absolutely nothing to do with the topic of this commercial. Hell, even just Jon’s mere look in that wig and goatee is hilarious in itself.
— An overall absolutely perfect commercial.
STARS: *****


COURT STENOGRAPHER
incompetent court stenographer Elinda Nade (FRA) interrupts proceedings

— OHHHHHH GOD. Leave it to motherfucking Fred Armisen to ruin the streak of perfect segments tonight’s episode had going with the three segments that preceded this sketch.
— With the debut of this horrible, annoying-as-hell character, Fred lately seems to be getting to the point of his infamous “bad years” (2009-2013) where he’s literally getting worse and worse with each passing episode. How much further can this man sink on a week-to-week basis?
— Fred: “I can’t find my crackers”, repeated 100 painfully unfunny times. Fucking kill me.
— Kenan’s spiel about people not being good at their jobs provided my first (and what will probably remain my ONLY) chuckle of this entire sketch.
— (*deep sigh*) Now we get a callback to the earlier aforementioned irritating “I can’t find my crackers” catchphrase, with Fred now repeating it even more times. This is…just…(*sigh*) I no longer have any words for the awfulness of this sketch.
STARS: *


MUSICAL PERFORMANCE
musical guest & Sharon Jones [real] perform “Baby (You’ve Got What It Takes)”


BAR
in a bar, Closet Organizer bristles when patron (host) pigeonholes him

— So many hilarious non-sequiturs and bizarre one-liners in Will and Jon’s conversation so far.
— Ha, an excellent sudden callback to an earlier piece in this episode, with Jon recognizing Will as “the freakin’ Closet Organizer guy”! Fantastic. It’s a rarity to see SNL segments overlap like this, especially in more recent decades.
— Even the names of Will and Jon’s characters are hilariously bizarre (Tarkey Fensington, Resden Bonure).
— I love Will lightheartedly re-enacting the Closet Organizer commercial to Jon’s amusement.
— A solid angry rant from Will when he gets fed up after Jon hesitantly requests Will organize his closet.
STARS: *****


AMERICAN ENTERPRISE
Barnes & Noble started with just homeless bathrooms

— A funny dignified conversation about bathrooms for homeless people, made even funnier by Bill and Jon’s solid professional delivery.
— Hilarious reveal that Barnes & Noble’s decision to fill their store with books was a complete afterthought after accomplishing their goal of building a store for homeless people to go to the bathroom.
— Even the random ending reveal of the female voice-over of this whole sketch (Kristen) turning out to have been Madonna the whole time is funny.
STARS: ***½


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— SNL knocks it out of the park with another VERY strong Jon Hamm episode. Ignoring a few things I didn’t care for, particularly an absolutely dreadful Fred Armisen showcase, this episode has plenty to love, including a few universally-praised classics. The post-Weekend Update half of the show was ESPECIALLY fantastic, with so many segments receiving a perfect 5-star rating from me, including three consecutive segments at one point (Game Time With Randy And Greg, Hamm & Bublé, and Closet Organizer), which must be a rarity in this SNL project of mine, as I can’t remember many other reviews in which I gave a 5-star rating to three or more consecutive segments (the only thing that immediately comes to mind is my review of the Candice Bergen episode from season 2). By this point, two hosting stints in, Jon Hamm has cemented himself as one of the most reliable recurring hosts in SNL history.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Closet Organizer / Bar
Hamm & Bublé
Sergio
Game Time With Randy And Greg
Monologue
American Enterprise
New Senator
Weekend Update
1920’s Party
State Of The Union 2010
Court Stenographer


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Sigourney Weaver)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Ashton Kutcher

Posted on

January 16, 2010 – Sigourney Weaver / The Ting Tings (S35 E12)

Segments are rated on a scale of 1-5 stars

LARRY KING LIVE
Jay Leno (DAH) & Conan O’Brien (BIH) state cases

— SNL tackles the notorious 2010 Leno/Conan Tonight Show saga.
— Another Darrell Hammond season 35 cameo.
— Feels rare to see someone do a Conan O’Brien impression. Some online SNL fans back at this time in 2010 called Bill’s Conan impression really poor, but I strongly disagree. Bill’s doing a spot-on impression of Conan’s more serious, low-key voice, and it’s an interesting choice on Bill’s part, as I feel most comedians would’ve gone for a more obvious impression of Conan’s more goofy, over-the-top mannerisms.
— I’m groaning at all the tired, cliched “Larry King is an old man” and “Larry King is out of touch” jokes.
— Jason’s impression of David Letterman is absolutely slaying me, just being a collection of trademark Letterman vocal tics and camera mugging, not even saying any actual dialogue.
— I like the line from Fred’s Larry King comparing leaving NBC to being rescued from the Titanic. That is such a spot-on statement, given NBC’s horrible state in 2010. Too bad SNL had to hurt that funny line by immediately following it with another lame “Larry King is an old man” joke with Fred’s Larry saying he was on the Titanic.
STARS: **½


MONOLOGUE
host reveals her fears & reads her father’s prescient Tonight Show memo

— I love that we’re shown a photo of Sigourney Weaver from her season 12 SNL monologue (the second above screencap for this monologue).
— Some mildly funny talk from Sigourney about her fear of certain movie genres.
— Interesting to see a photo of Sigourney as a little girl with her parents.
— Another reference to the Leno/Conan saga, with the Tonight Show memo Sigourney reads from her father.
STARS: ***


GRADY WILSON’S FIFTY AND FREAKY
(host) contributes Dutch sex moves to Grady Wilson’s DVD

— Feels a little odd to see this recurring sketch appearing right after the monologue.
— As usual, some pretty funny sex moves demonstrated by Kenan’s Grady Wilson.
— I like Grady Wilson calmly taking a sip from a can of beer in the middle of his wild demonstration of “The Exorcist” sex move.
— Interesting seeing a character played by an SNL host demonstrating sex moves of their own in these Grady Wilson sketches.
— “The Brandy Snifter” move that Sigourney demonstrates is particularly funny.
STARS: ***½


SUMMER’S EVE LADY STARS OF DARTS CHAMPIONSHIP 1988
Pete Twinkle & Greg Stink cover 1988 ladies’ darts championship

— I just now noticed that the surname of Kristen’s various characters in all three ESPN Classic sketches that have aired up to this point are always cities (Milwaukee, Saint Louis, and now Vancouver).
— Jason: “When something’s going wrong, and it’s the smell of your thong – Summer’s Eve……….douche!”
— Will’s “Well, I wouldn’t put darts anywhere near a vagina” line was priceless.
— Jason: “When your man’s in a coma from your panty aroma – Summer’s Eve……….douche!”
— This overall sketch felt shorter than usual, or maybe I was just surprised by how soon it ended.
STARS: ****


JAMES CAMERON’S LASER CATS 5
oeuvre mashup meets feline sci-fi

— Our annual Laser Cats short of the season.
— I love how Bill and Andy are “drinking” from drinks displayed on their phones.
— Great sudden turn with the Aliens homage. Great way to involve Sigourney as well.
— Very fun how this short has now become a general James Cameron/Sigourney Weaver homage, with the Avatar spoof and even a brief Titanic reference.
— Love the ending to the Laser Cats film that’s shown to Lorne.
STARS: ****½


DISCO BOOTY JUNCTION
duo (host) & (KRW) clouds who’s Amber & who’s Cream

— The opening conversation Kenan has with an off-camera crew member about a mouse in his dressing room is making me laugh.
— I’m not caring at all for the main conceit of this sketch with Sigourney and Kristen being mysterious about which one of them is named Amber and which one is Cream.
— Kenan’s ending conversation with the aforementioned off-camera crew member about the show being canceled provided my first laugh since all the way back at the beginning of this sketch.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “That’s Not My Name”


WEEKEND UPDATE
SEM analogizes late-night war to bigamy & lays out its other implications

Larry The Goose provides avian view of Miracle On The Hudson anniversary

hummus on Weekend Update nets self-effacing Meryl Streep (ABE) two Oscars

SEM tells viewers how they can contribute to the Haiti relief effort

— I’m enjoying Seth’s whole analysis of/rant about the Leno/Conan saga (our THIRD reference tonight, which shows you what a big deal it was at this time).
— Holy hell, I completely forgot about that Chuck show on NBC.
— I absolutely love the meta way Seth’s Leno/Conan rant ends, with him lamenting that if Conan loses the Tonight Show, Conan could potentially return to Late Night, which means Jimmy Fallon (then-host of Late Night) could potentially return to SNL, which would be bad news for Seth, because, as he says, “I cannot go back to being in a sketch once every three weeks.”
— The celebrity-related goose names that Andy’s Larry The Goose character lists off are corny, but Andy’s making it work decently. There’s a fairly fun Tim Kazurinsky/Dr. Jack Badofsky vibe to these corny celebrity goose names.
— Nice to see another Weekend Update showcase of Abby’s knack for celebrity impressions, and I’m enjoying the Meryl Streep impression she’s doing here.
— Seth has some really fun jokes tonight.
— Tonight’s Update ends on a serious note, with Seth giving out the Red Cross phone number and website for Haiti relief efforts.
STARS: ***½


AVATAR
Jake Sully (BIH) flexes while his avatar (ANS) has sex with Neytiri (NAP)

— I like Jason’s performance, even though I have no familiarity with the Avatar character he’s doing a specific impression of, as I’ve never seen Avatar.
— I remember some online SNL fans back at this time in 2010 mistook Nasim in this sketch for Jenny, due to the heavy makeup and prosthetics Nasim was wearing and the fact that some people went through this entire season not being able to tell Nasim and Jenny apart in general (which I never understood, as I see no resemblance between them at all). If you go back and watch this sketch nowadays, after having gotten used to five seasons of Nasim on SNL, it’s obvious by the voice that it’s her in this sketch, not Jenny.
— Very funny visual of Bill’s very skinny legs wildly thrusting up and down during the lovemaking simulation.
— The sketch is over already? Wasn’t too crazy about the big gag at the end.
STARS: **½


RILEY
at dinner, gravel-voiced boy Riley (FRA) behaves like a gay insult comic

— Ohhhhhhh, god. Just from the reveal of Fred’s character, with his stereotypically-effeminate, gravelly-voiced “You bitch!”, and his ensuing theme song after the reveal of him, this sketch looks fucking INSUFFERABLE.
— Ugh. Yeah, I’m now a few minutes into this sketch, and it is absolutely unwatchable. This highlights so many of Fred’s bad traits as a performer that have become so heavily prevalent this season. I want to find a “So bad, it’s good” quality to this sketch, as I can see some people finding that, but nope. Not me. Maybe I’d go easier on this sketch if it appeared in a better season and didn’t star a performer known for often playing annoying, stereotypical gay roles like this.
— Overall, not a single laugh from me during this tripe.
— SNL would later attempt to make this sketch recurring, but thankfully, none of the subsequent installments would ever make it past dress rehearsal.
STARS: *


INTERNET BUZZ
excitable host skips Golden Globes to read online comments about herself

— Second consecutive sketch with Sigourney and Jason playing a married couple.
— A laugh from the “Dances With Smurfs” criticism about Avatar that Sigourney tearfully reads aloud from an IMDB message board.
— I love Jason’s comment about how he secretly turned the house’s power off and is just waiting for the battery in Sigourney’s laptop to die.
— The audience is kinda dead during this. I’m enjoying this more than they are. (Conversely, they enjoyed the preceding Riley sketch far more than I did.)
— Sigourney’s performance throughout this sketch is pretty fun, and I like Jason’s emotional breakdown towards the end.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Shut Up And Let Me Go”


FIRE & RICE
height of husband’s (BOM) piano unnerves acrophobic lounge singer (host)

— Not much of a premise, despite Sigourney’s commitment to the material.
— Did we really need a second joke in tonight’s entire episode in which Sigourney says she peed herself? (The first was in the monologue.)
— Overall, meh. Fun supporting performance from Bobby, though, who even did his best to sell the blah ending.
STARS: **


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A fairly forgettable episode. Not terrible, but nothing special as a whole (despite a few highlights), and most of the post-Weekend Update half didn’t work much for me.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
James Cameron’s Laser Cats 5
Summer’s Eve Lady Stars Of Darts Championship 1988
Weekend Update
Grady Wilson’s Fifty And Freaky
Internet Buzz
Monologue
Avatar
Larry King Live
Fire & Rice
Disco Booty Junction
Riley


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Charles Barkley)
a big step down


My full set of screencaps for this episode is here


TOMORROW
Jon Hamm

Posted on

January 9, 2010 – Charles Barkley / Alicia Keys (S35 E11)

Segments are rated on a scale of 1-5 stars

THE SITUATION ROOM WITH WOLF BLITZER
Yemeni President Saleh (FRA) is an uncertain USA ally

— Not caring for this at all so far. It doesn’t help that Fred’s general foreigner routine is so tired to me by this point.
— I do at least like Bill’s goofiness when he’s joining in on Fred’s mockery of Will.
STARS: *½


MONOLOGUE
host sizes up audience members & requests KET do his impression of him

— As expected, Charles Barkley is getting lots of laughs just being his usual deadpan, monotone, blunt self.
— Funny brief involvement of Lorne.
— Very funny comment from Charles, saying the ratio of black people to white people who hosted SNL the preceding season is equal to that who saw the movie It’s Complicated.
— A good laugh from Charles calling one audience member (SNL writer Jessi Klein) “pretty in a kind of Jewish way” and “a freaky white girl”.
— I love how loose the format of this monologue feels. Perfect for Charles Barkley’s style.
— Charles, when wrapping up the monologue: “We got a great show tonight. Some of it is great, some of it we’re gonna do anyway.” Gotta love that trademark Charles Barkley honesty.
STARS: ****


THOMAS PEEPERS INSURANCE
attentive agents will look through your windows

— Very funny part with Bill’s spokesperson character suddenly going from speaking to the camera in a professional manner to suddenly running away and swearing when he hears something nearby.
— Strong conceit to this commercial, and a very solid use of Bill.
— Funny suggestive-looking shot of the reflection of Kristen unclogging a drain in front of Bill looking through the window right in front of her.
STARS: ****


REEL QUOTES
game show contestants (host) & (KRW) bungle movie dialogue

— A laugh from Kristen’s first long-winded wrong answer.
— The “You can’t handle my privates” bit is absolutely hilarious.
— All of Charles’ wrong answers and bizarre reasoning are very funny.
— Ugh, the running gag with Kristen’s long-winded answers has gotten really old. I’d love this sketch much more if it focused on just Bill and Charles’ characters.
— Charles’ explanation of what his Blockbuster job is was stupid enough to work.
— I love the speed round part.
— Bill genuinely fails in his attempt to angrily tear up the index card. I remember how this, along with some other things around this time, made some online SNL fans speculate if something was wrong with Bill’s health.
— I like the awkwardness of Bill and Charles just standing there waiting for the buzzer after Bill’s character has given up on the show.
— Bill, during his sign-off: “Here’s lookin’ at you, kid.” Charles: “You shouldn’t be lookin’ at kids, Reg.”
— Overall, as bad as the Wiig portions of this sketch were, everything else about it was strong enough for me to give this a high rating.
STARS: ****


MACGRUBER
black employee Darrell (host) doesn’t appreciate MacGruber’s racist joke

— So many laughs from MacGruber telling Charles “black slang” versions of everything he’s saying to Vicky.
— The horrible racist punchline of MacGruber’s joke, and how the very end of it gets cut off by the obligatory end-of-MacGruber-short explosion, is probably one of the hardest I’ve ever laughed at a MacGruber short, which is certainly saying something.
STARS: *****


SKI RETREAT
at a ski lodge, Shana alternately entices & repulses her male co-workers

— This sketch has officially become recurring.
— Odd coincidence: the first two Shana sketches have been performed with hosts who are hosting for the first time since way back in season 19 (John Malkovich, Charles Barkley). When I noticed this coincidence back when this episode originally aired, I remember jokingly speculating that the next Shana sketch would be when another hasn’t-hosted-since-season-19 male celebrity hosts, but I couldn’t come up with many haven’t-hosted-since-season-19 male celebrities who were still relevant enough to host in 2010. I think Patrick Stewart was the only one I could come up with. The streak of SNL only doing Shana sketches with season 19 hosts would end up being broken anyway, as the only remaining Shana sketches after tonight’s episode are done with hosts Bryan Cranston and Ben Stiller.
— Jenny has taken over the “ignored girl” role that Casey Wilson played in the first installment of this sketch. Much like both the Hoda Kotb and Janice (from the Muppets) roles, this “ignored girl” role seems to be yet another “cursed” role in this SNL era, as Jenny would end up suffering the same fate Casey suffered, in that she would get fired before the next Shana sketch appears. Abby would eventually break this curse, as she plays the “ignored girl” role in the next two Shana sketches.
— This reprisal isn’t working quite as well for me as the original installment of this sketch did, and this sketch has some really unfortunate habits that are way too prevalent in this SNL era (e.g. showing off Kristen Wiig, the camera doing constant cutaways to weirded-out facial reactions of straight man characters, a lowly female featured player playing a neglected character), but Kristen’s still managing to make this character work for me, and I certainly find this character more tolerable than some of Kristen’s other recurring characters around this time.
STARS: ***


MACGRUBER
racial sensitivity class hasn’t fixed relations with Darrell

— I think this is the first and only time Vicky has been included in a MacGruber opening title sequence.
— Very strong premise of MacGruber allegedly being reformed after taking racial sensitivity classes.
— Classic part with MacGruber spraying Charles with mace when Charles was simply going to hand MacGruber the pen that MacGruber asked him for.
— Great ending.
STARS: *****


INSIDE THE NBA
Danny Hoover’s incongruous play-by-play perturbs host

— Continuing season 35’s annoying trend of randomly bringing back a one-off sketch from a previous season that had no business becoming recurring, we get the return of this perfectly fine one-off sketch from years earlier in season 32.
— So far, this is following the exact same pattern as the first installment of this sketch, and, as expected, it’s not working quite as well for me this time. I also feel that “Nothing but the bottom of the net” doesn’t have the same memorable ring as “That’ll move the chains”.
— The “Thunder Dan is en fuego!” bit is pretty funny, especially Charles’ reaction.
— Ha, we actually get a direct callback to the aforementioned “That’ll move the chains” catchphrase from the first installment.
— I love Charles angrily calling Andy a “world class baloney head”.
— Meh, even the ending of this sketch is a weak knock-off of the first installment’s ending, only with Automatic Dying Disease (ADD) being replaced with Overwhelming Corpse Disease (OCD). Still the same basic joke.
STARS: **½


MACGRUBER
MacGruber’s African pilgrimage failed to curb his racism

— Hilarious visual of MacGruber wearing African clothing.
— Very funny ending with MacGruber spraying Charles with mace AGAIN during the sentimental sequence with Charles going in for a handshake.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “Try Sleeping With A Broken Heart”


WEEKEND UPDATE
James Carville (BIH) downplays terrorism threat posed by Underwear Bomber

new United Nations ambassador Nicolas Cage (ANS) thinks he’s in a movie

David Paterson (FRA) sustains critical tone of State Of The State Address

— Good to see the return of Bill’s James Carville impression.
— Hilarious fat lady/grasping-for-straws analogy Bill’s Carville makes.
— Blah, this Nicolas Cage commentary isn’t working for me. The whole conceit with him repeatedly acting like he’s in an action/thriller scene in a movie is too repetitive and corny for my likes.
— Love the comical Update photo of new Harlem Globetrotters, as the photo is a who’s who of then-current SNL writers (the fourth-to-last above screencap for this Weekend Update).
— We haven’t seen Fred’s David Paterson all season until now. Unlike some people, I actually liked his previous Paterson commentaries from the preceding season, but, knowing how badly Fred has been doing this season, I’m iffy on how tonight’s Paterson commentary will turn out.
— I like Fred-as-Paterson’s line about how Jersey Shore is New Jersey’s equivalent to The McLaughlin Group.
— Not a bad overall commentary from Fred’s Paterson.
STARS: ***


THE HANEY PROJECT
host’s awful mechanics extend beyond golf swing

— I believe it’s been said that this is the only sketch that Hannibal Burress got on the air during his sole season as a writer.
— The real-life clips of Charles’ awful golf-swinging technique are good for a laugh. I also like Jason describing that technique as it being like Charles had a heart attack mid-swing but miraculously recovered.
— Though an obvious joke, the clips of Charles doing everyday routines in the same awkwardly-stopping-short-then-continuing manner as his golf-swing technique are providing pretty good amusement.
— The wedding cake clip is particularly funny.
STARS: ***½


BOOTY CALL
musical guest inexplicably wants to bed nerdy Lionel (ANS)

— A typical goofy Andy Samberg character, but it’s certainly cracking me up. Even just the mere look of his character is keeping me amused.
— I laughed out loud at Andy’s “Oh, you mean over the diaper?” line when Alicia Keys asks him what he’s wearing.
— Hilarious reveal of Andy being at an intervention that’s held for Bobby. I also love the pissed-off, haggard look on a silent Bobby’s face. Even the little detail of Abby looking at Bobby in an emotional, teary manner (the last above screencap for this short) is somehow adding to my amusement.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Empire State Of Mind (Part II) Broken Down”


SCARED STRAIGHT
tales of Lorenzo McIntosh & dad (host) don’t frighten trespassing teens

— When Lorenzo McIntosh guesses the juvenile delinquents have gotten busted for cannibalism and Charles tells him “That’s a good guess”, I love Jason responding “What, are you kidding? That’s a horrible guess.”
— Ha, I have no idea why Charles has suddenly started laughing out of character while speaking right now (the first above screencap for this sketch), but it’s making me laugh, too. There’s something strangely infectious about his breaking.
— As always, it’s fun to guess which movie Lorenzo McIntosh is referencing.
— Also as always, I’m getting lots of guilty laughs from all of the crude prison rape jokes.
— The “Body fluids!” bit during the Matrix gag made me laugh out loud.
— I like Kenan, in his latest attempt to get the obligatory laugh out of Bill during Kenan and the host’s ganging up on him, giving Bill a Wet Willy, made even funnier by Jason eagerly saying an off-camera “Do it!”
— The prison rape jokes during the Jerry Maguire bit are particularly hilarious. This sketch in general has got to be one of the funnier Scared Straight installments.
— For once, they didn’t do usual ending where, after Lorenzo McIntosh and his partner leave, one of the juvenile delinquents points out the window and asks “Hey, are they (insert bad thing here)?” and Jason looks out the window and then happily responds “Nah, they’re just (insert even worse thing here).”
— An odd theme I’ve noticed in the post-Weekend Update half of this episode: this is the third consecutive comedy segment to end with someone saying an angry “Dammit!” or “Damn!” Charles said it at the end of the Haney Project sketch when he couldn’t get the door open, Alicia Keys said it at the end of the Digital Short when Andy canceled their booty call, and Jason said it at the end of this sketch when the delinquents admitted they didn’t learn their lesson.
STARS: ****


BARKLEY’S BANK
host’s financial plan for your money is double or nothing

— Funny premise of Charles owning a bank and admitting he will either double your money or lose it all.
— I got such a big laugh from such a little Christopher Walken-esque detail of Charles delivering the word “motto” in an odd manner, stiffly pronouncing it as two separate words in an emphasized manner with a very hard “t”.
— After Charles shows the “You win some, you lose some” motto on the wall, SNL suddenly cuts to an SNL bumper photo of Charles (the even odder thing about that is that the cutaway to the bumper is done as a hard cut instead of the usual crossfade) while a now-un-mic’ed Charles can faintly be heard still speaking, then SNL suddenly goes to a commercial break. The show has obviously run long and they had to cut this sketch off halfway through. The full dress rehearsal version of this sketch would be shown in reruns (I can’t remember what, if anything, was removed in that rerun version to allow the full version of this Barkley’s Bank sketch to fit into the show, but I would guess it was the Thomas Peepers Insurance commercial), and it features a second testimonial from another married couple, played by Andy and Abby. If this portion of the sketch hadn’t got cut from the live show at the last minute, it would’ve been Abby’s ONLY live appearance of the night. Just her luck that her ONE scheduled live appearance of the episode, buried all the way at the end of the show, ended up getting cut at the last minute due to the show running long.
STARS: N/A (too much of the sketch got cut off for me to rate fairly)


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A solid episode, and deserves its reputation as one of the better episodes of this not-very-well-liked season. Most of the episode had a consistently good quality, and there were a few standout memorable pieces (the MacGruber shorts and the Barkley portions of the Reel Quotes sketch). Charles Barkley was a fun host in a strange way. To make another Christopher Walken comparison, Charles has a bit of a Walken-like quality as a host, in that something about his natural oddness and stiff, monotone manner inherently makes the material he’s performing funnier.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
MacGruber 1-2 (tie)
MacGruber 3
Monologue
Reel Quotes
Thomas Peepers Insurance
Scared Straight
Booty Call
The Haney Project
Weekend Update
Ski Retreat
Inside The NBA
The Situation Room with Wolf Blitzer


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (James Franco)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Former one-time host Sigourney Weaver makes her return 24 years(!) after hosting the inaugural episode of the Phil Hartman/Dana Carvey/Jan Hooks era

Posted on

December 19, 2009 – James Franco / Muse (S35 E10)

Segments are rated on a scale of 1-5 stars

THE LAWRENCE WELK SHOW
Dooneese creeps out a Mexican singer (host)

— So now this usually-post-monologue sketch has “graduated” to the cold opening slot? At least we’re getting a non-political opening.
— A rare host appearance in the cold opening.
— Blah. The same-old, same-old Dooneese routine that only worked for me the first time. Nothing to really say about it here.
STARS: **


MONOLOGUE
host pulls acting gigs for the new year from a bin of career ideas

— I like the fake-out with James Franco mentioning the title of a movie he was recently in, which the audience gives their obligatory applause to, only for him to reveal the movie doesn’t even exist.
— James: “Unlike last year, I don’t have a movie to promote. But SNL doesn’t have an election this year, so we’re all gettin’ by with a little less.”
— An okay idea of James pulling career suggestions out of a bin.
— Ugh at the suggestion of James picking a town and having sex with every woman in it, a joke that hasn’t aged well.
— After reading a suggestion about James making this the best SNL Christmas show of all time, I chuckled at James responding “Not a chance!” At least SNL’s not getting anyone’s hopes up, given how this episode turns out (not very good, IIRC).
STARS: **½


WHAT UP WITH THAT?
Mike Tyson & Jack McBrayer [real] on holiday episode

— Unlike previous What Up With That installments, in which Will does his announcements while standing next to the backup singers (Jenny and Nasim), Will does his announcements tonight from a separate set, which would go on to be a regular thing for him and future What Up With That announcer Taran Killam in all subsequent installments of this sketch…or at least all subsequent installments I’ve seen. I have yet to see the recent SNL At Home edition of this sketch from 2020, so I don’t know who, if anyone, played the announcer in that one. Thanks in advance if anyone lets me know who it was.
— Holy hell, Mike Freakin’ Tyson!
— For some reason, the gold chain that Jason usually wears in these sketches is being held in his hand when he and Fred first pop up in tonight’s installment.
— Ah, now Jason is wearing the gold chain the second time he and Fred pop up. I wonder why he held it in his hand in his earlier appearance in this sketch.
— It’s always hilarious in these What Up With That sketches whenever Jason gradually slows down his dance when the music slows down while Kenan introduces the character played by that night’s SNL host.
— This sketch is feeling more and more routine each time it appears, but as always, it’s a lot of fun.
— I love Andy as a dancing John Stockton.
— Jason is going particularly wild with his dance moves tonight, which is, of course, a plus.
STARS: ****½


AFFECTIONATE FAMILY
girlfriend (ABE) warms to intimacy of (host) & rest of Vogelcheck family

— OH, GOD. Figures that SNL would follow one of the most fun recurring sketches of this era (What Up With That) with one of the most miserable recurring sketches from this era.
— For some reason, it feels kinda odd seeing Kenan participating in the usual man-on-man kissing in this recurring sketch.
— As always, this is fucking insufferable.
STARS: *


THE TIZZLE WIZZLE SHOW
kids program has host, jammies, knives, pills

— Spot-on spoof of typical pre-schooler shows that air on channels like Nick Jr.
— Hilarious dark turn with the sudden involvement of knives, pills, and a glow-in-the-dark murder spree, all being presented in an upbeat, kid-friendly manner.
— Perfect ending, and I love James’ emotional breakdown.
— Overall, short but sweet. A very strong and funny display of dark and disturbing humor.
STARS: ****½


THE MANUEL ORTIZ SHOW
Latin rhythm eclipses infidelity revelation

— The debut of a recurring sketch that I’ve never liked. Damn, between the Affectionate Family and now this (and even The Lawrence Welk Show, as Fred plays the title role of that), how many bad Fred Armisen-starring recurring sketches can one episode feature?
— Only a minute into this sketch, and SNL has already run the “every guest’s entrance and exit features everybody dancing, to the exact same song each time” gag into the fucking ground.
— Something about the way Kenan looks in his walk-on is actually making me laugh, which is more than I can say for the rest of this sketch.
— Ugh, these one-joke dance routines are so increasingly unbearable.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “Uprising”


WEEKEND UPDATE
Jersey Shore’s Snooki (BOM) & The Situation (BIH) are cartoonish Italians

unprepared Garth (FRA) & Kat (KRW) make up holiday songs on the spot

— The debut of Bobby’s memorable Snooki impression.
— Despite being the cliched brash-guy-plays-a-woman trope, and despite the material being thin at some points, Bobby, in typical Bobby Moynihan fashion, is making this role a lot of fun.
— Funny walk-on from Bill as The Situation.
— OH. FUCKING. NO. NOOOOOOOOOO!!!!! In tonight’s night of debuts, we get the debut of one of THE absolute nadirs not only of this SNL era, but of SNL history: fucking Garth and Kat. (*groan to end all groans*) And I had to open my mouth earlier in this review when I asked “how many bad Fred Armisen-starring recurring sketches can one episode feature?”
— Such self-indulgent bullshit with Fred and Kristen, the designated stars of this season, being given free rein to waste so much airtime with this painfully unfunny improv game routine that’s just an excuse for them to crack each other up on the air. Save this shit for behind the scenes.
STARS: **½


FRAT PLEDGE
mentally-slow fraternity brothers haze pledge (ANS) to learn basic facts

— For some reason, I’m cracking up at the horror music playing at the beginning of this sketch, during the fratboys’ hazing of Andy.
— Feels kinda like they’re revealing the main joke too early, but it’s still making me laugh.
— I love Jason’s performance as a loud, angry, deep-voiced fratboy, another example of Jason perfectly pulling off a Will Ferrell-esque role.
— When this originally aired, I remember it being pointed out by some online SNL fans that James seemed to be drooling throughout this sketch. That’s supported by the fact that, when James claps his hands a single time at one point, Andy has an awkward facial reaction, then, in an ad-lib, wipes something off of the side of his face while smirking out of character. James’ drool apparently got on Andy’s face when James clapped. I’m completely lost on how or why any of this happened. Does James have some kind of drooling disorder or something?
STARS: ***


VINCENT PRICE’S CHRISTMAS SPECIAL
James Dean (host) visits Vincent Price’s (BIH) 1954 Christmas Special

Marilyn Monroe (ABE) quickly shills for Asbestos

— The usual opening gag with Bill’s Vincent Price being the victim of a special effects failure came off kinda half-assed tonight.
— Kristen reprises her Katharine Hepburn impression from the second installment of this sketch, way back in season 31. Her Hepburn is being utilized much more in tonight’s installment, given that the previous installment her Hepburn appeared in was back when SNL was still experimenting with the format of these Vincent Price sketches and opted to have each guest in that installment make a separate appearance and then immediately leave.
— Unlike in the previous appearances Fred’s Liberace made in these Vincent Price sketches, the gay jokes involving him aren’t working much for me in tonight’s installment, but I always absolutely love Bill-as-Price’s reactions to him.
— They repeat a gag from the very first installment of this sketch, where the commercial break that Bill’s Price throws to ends up being very short, which he angrily questions afterwards.
— I got a big laugh from Kristen’s Hepburn cracking the neck of the raccoon biting her.
— The ending jump scare with a rabies-infested Kristen suddenly popping up in front of the screen while screaming was awfully similar to the ending of the Game Time With Randy And Greg sketch earlier this season.
— This overall sketch was good, but I sadly didn’t find it to be as strong as usual.
STARS: ***½


TREE LOVER
(host) is emotionally attached to evergreens on his Christmas tree lot

— I’m iffy on this premise of James engaging in increasingly detailed conversations with his Christmas trees, though there is something strangely kinda endearing about it. Maybe I’d like this sketch more if it was performed by a host far more adept at pulling off oddball roles, like, say, John Malkovich, Christopher Walken, or Steve Buscemi.
— I remember an online SNL fan back at this time in 2009 saying this sketch had a very season 6 feel. Not sure if I agree with that or not nowadays.
— Kinda tired of all the reaction shots of the straight man characters throughout this sketch whenever James is talking to a Christmas tree. Maybe I wouldn’t mind it if this wasn’t an SNL era that relied too heavily on cutting to people’s silent reaction shots whenever someone is doing something weird.
— Don’t care for the gag at the end with a tree actually talking back to James.
STARS: **


MUSICAL PERFORMANCE
musical guest performs “Starlight”


OFFICE CHRISTMAS PRESENTS
businessmen Carl, Jerry, (host) choose dildos for office Christmas gifts

— The third and final appearance of Will and Bill’s Carl and Jerry characters, a.k.a. the Fart Face guys.
— Is James supposed to be playing the same character Alec Baldwin previously played in the second installment of this sketch? Both James and Alec’s characters are named Troy, and both hosts wear the same wig.
— The visual of that ridiculous tiny toupee on Will’s forehead always cracks me up in these sketches.
— I always love Will’s delivery of “Carol, hold my caaaallllls!” in these sketches.
— All the dildo talk is very dumb, but is having me laughing out loud due to the solid execution and delivery. While this, to me, still doesn’t compare to the original Fart Face sketch these characters appeared in, it’s still better than their appearance from the preceding season’s Alec Baldwin episode.
— What the hell happened to the camera all of a sudden? While James is angrily saying “What a freakin’ fart face!”, the camera accidentally cuts to a close-up of a silent Bill instead of James, then the screen malfunctions and turns green, then turns gray, then cuts to a random close-up of a silent Will. Very odd.
— Fred has appeared in almost EVERY SINGLE SKETCH tonight.
— What was with the very abrupt ending? Was that even an ending??? This sketch just randomly faded to black after Will, Bill, and James yelled a whole bunch of stuff at Fred.
STARS: ****


MARK WAHLBERG TALKS TO CHRISTMAS ANIMALS
Mark Wahlberg (ANS) talks to a sheep, a partridge, a snowman, Rudolph

— Adding to my confusion over how abruptly the preceding Office Christmas Presents sketch faded to black, it’s immediately followed by this Mark Wahlberg sketch opening with a taped(?) Don Pardo voice-over saying “This has been Mark Wahlberg Talks to Christmas Animals”, as if the sketch is ending instead of beginning. What the hell is going ON?!? Tonight’s episode has gotten really sloppy these last two sketches.
— The first installment of this sketch is a classic, but, yeah, not sure we needed a follow-up. This doesn’t seem like that type of thing that’ll work as a recurring sketch.
— Andy’s execution is still solid, like it was in the first installment of this sketch, but the material is leaving a little to be desired.
— Hmm, all of a sudden, Andy now seems to be rushing through this. He’s also blatantly staring at the cue cards this entire sketch, which he didn’t (noticeably) do in the first installment.
— The ending almost got cut off, and they seemed to be in a big hurry to fade to the SNL bumper photo of James Franco. Yeah, they definitely rushed through this sketch. The show must be running long. I wonder if this is also the reason why the preceding Office Christmas Presents sketch ended so abruptly. I also wonder if this is why Andy blatantly stared at the cue cards all throughout this Walhberg sketch, as perhaps a lot of lines in this sketch were removed at LITERALLY the very last minute so they could squeeze this sketch in.
STARS: **½


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A pretty meh Christmas episode, despite some good things. Further hurting this episode was the fact that we got quite a number of wretched recurring material (The Lawrence Welk Show, Affectionate Family, The Manuel Ortiz Show, Garth and Kat), all of which just so happened to star Fred Armisen and/or Kristen Wiig.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
The Tizzle Wizzle Show
What Up With That?
Office Christmas Presents
Vincent Price’s Christmas Special
Frat Pledge
Mark Wahlberg Talks To Christmas Animals
Monologue
Weekend Update
Tree Lover
The Lawrence Welk Show
The Manuel Ortiz Show
Affectionate Family


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Taylor Lautner)
a very slight step up


My full set of screencaps for this episode is here


TOMORROW
We enter a new decade. Charles Barkley hosts the first SNL of the 2010s.

Posted on

December 12, 2009 – Taylor Lautner / Bon Jovi (S35 E9)

Segments are rated on a scale of 1-5 stars

ADULTERERS PRESS CONFERENCE
Mark Sanford (JAS) & other unfaithful officials sidelined by Tiger Woods

— A fairly funny idea of officials being desperate to bring up their own sex scandals while the nation is obsessed with Tiger Woods’ sex scandal.
— I’m getting tired of Will-as-John-Edwards’ constant love child mentions in this cold opening.
— Overall, some laughs, but this cold opening was nothing too great as a whole.
STARS: **½


MONOLOGUE
host belatedly stands up to Kanye West in Video Music Awards reenactment

— Funny callback to Kenan as Reba McEntire.
— Do we really need a monologue focused around the then-overexposed Kanye West/Taylor Swift VMAs incident, months after it happened? Not to mention how Taylor Swift herself took the high road in her SNL episode earlier this season by relegating the obligatory VMAs reference to a small bit towards the end of the monologue.
— Two monologues in the past three episodes to feature the host doing backflips? Has this become a requirement for ALL male hosts at this point?
— Impressive moves from Taylor Lautner here, though this lacks the excitement that Joseph Gordon-Levitt’s moves had in his monologue.
— Ha, I like how, after TWICE botching his attempt to kick the Kanye West mannequin’s head off, Taylor ad-libs by straight-up punching the mannequin’s head off instead. Nice save.
STARS: **½


ROSE BOWL PROMO
(host) can’t relax during pre-taping of Rose Bowl player introductions

— Very fast costume change for Kenan, considering he had less than a minute to do a costume change between his Reba appearance towards the very end of the monologue and his appearance as a football player in this sketch, which is appearing immediately after the monologue, with no break in between.
— Speaking of Kenan, I’ve been noticing around this time that he’s been losing weight. It’s particularly noticeable in this sketch. His gradual weight loss would continue both this and the following season, only for him to eventually gain all the weight back sometime after 2010. From what VERY little I’ve seen of Kenan in 2019 and our current year, 2020 (as I’ve mentioned in some previous reviews, I’ve been on a still-ongoing hiatus from watching new SNL episodes, ever since December 2018), it seems like he’s lost more weight than ever. I’ve never seen him so thin.
— A little chuckle when Taylor first makes dumb faces at the camera during his intro taping, before you realize this is going to be the ONLY main joke in this four-minute sketch.
— Lately, Bill seems to be trying to make “D’ohhhhhh, boyyyyyy” his catchphrase, as he said it in both the Secret Word sketch from two episodes prior and now this sketch. That “D’ohhhhhh, boyyyyyy” groan of his also matches my fatigue over this tiring, badly-written sketch.
— Ha, I actually got a big laugh from Taylor’s bad dancing and singing during the most recent take, as stupid as it was. The way his voice went in an upwards pitch at the end of his stretched-out, goofy-voiced utterance of his name Phil (“phiiiiiiIIIIILLL!”) made me lose it, and I almost hate myself for laughing so hard at something THAT dumb.
— Andy steals this sketch with his walk-on at the end, easily the funniest part of this poor sketch.
STARS: *½


SURPRISE
imminent pregnancy announcement puts surprise-loving Sue through the roof

— Oh, god. If you’re familiar with my reviews, you’ll know my reaction to seeing Surprise Sue appear.
— At least it’s been over a year since this character’s last appearance. I didn’t realize until very recently that Sue only appears a handful of times during Kristen’s SNL tenure. She only appears once per season from seasons 33-35, completely skips season 36 (I think Kristen announced around that time that she retired the character, because she was sick of playing her), and then makes a return once in season 37, Kristen’s final season. After that, Sue makes one more appearance years later in a 2016 episode that Kristen hosts. It feels like this character appeared a lot more often and more frequently than that, but perhaps that’s me just getting her mixed together with certain other Wiig recurring characters who I don’t like (a lot of those characters run together in my mind).
— Two-and-a-half minutes into this, and I can’t find anything to say about the content of it. This sketch is featuring the same old, same old stuff that didn’t even work all that much for me in this character’s first sketch, yet has STILL suffered diminishing returns for me in the follow-up installments.
— Sue trying to keep herself from revealing the surprise by shoving pieces of a gingerbread house into her mouth and climbing up a chimney feels like a downgrade from her trying to keep quiet by smashing a bottle over her head and jumping out the window in prior installments of this sketch, but at least they tried something a little different this time, unlike the second installment of this sketch, which copied too many gags from the first installment.
— It’s worth noting that this ends up being Kristen’s ONLY appearance all night. Very surprising, given how very heavily SNL has been typically relying on her both the preceding season and this one (much to the chagrin of some online SNL fans at the time). I remember an online SNL fan back at this time had a theory that the reason for SNL going so light on Kristen in this episode may have been because the Gilly Christmas special was going to air a few days afterwards, which obviously features tons of airtime for Kristen.
STARS: *½


PGA TOUR
PGA Tour commissioner Tim Finchem (JAS) downplays Tiger Woods’ hiatus

— Some good laughs from Jason very unconvincingly attempting to assure us that the PGA Tour is going to be fine without Tiger Woods, and how it has plenty of other golfing superstars.
— I like Jason desperately taking a drink from a flask of liquor.
— Pretty funny walk-on from Bobby removing sponsor logos in the background while Jason is still going on to the camera about how “fine” the PGA Tour is going to be.
STARS: ***½


SHOW CHOIR
middle schooler (ANS) heckles Christmas program of classmates’ show choir

— Will’s role reminds me of the prison warden role he played in the 50’s Ent sketch (in which Will memorably kept yelling “Shut the eff up!” to the off-camera prisoners booing the onstage performers) from the Ashton Kutcher episode all the way back in season 28, Will’s very first season.
— Not caring for this sketch at all. Not even Will is doing anything for me. His role in this sketch pales badly in comparison to his role in the aforementioned 50’s Ent sketch.
— Ha, yet another Andy Samberg walk-on that salvages a bad sketch. He’s playing this particular obnoxious role to absolute perfection.
— Nice singing voice from Kenan during the part where the stage show actually gets legitimately good all of a sudden.
— Bah, a lame ending.
STARS: *½


PGA TOUR
Tim Finchem (JAS) puts on a brave face amidst desperate PGA Tour changes

— Absolutely hilarious how the only sponsors the PGA Tour can now get are things such as Madoff Investment Group and the movie Old Dogs.
— Jason is perfectly selling his character’s increasing desperation and diminishing emotional state.
— A lot of funny new golf rules that Jason lists off.
— In hindsight, a reminder that Jersey Shore was the new hot show at the time, which also serves as a reminder that the debut of Bobby’s Snooki impression (which we’ll be seeing quite a lot both this and the following season during Jersey Shore’s peak of popularity) is right around the corner.
— I love Jason suddenly having second thoughts when realizing the PGA Tour’s new addition of sexy female caddies would be a bad idea.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “Superman Tonight”


WEEKEND UPDATE
Tiger Woods mistress #15 (NAP) wrongly thinks relationship was special

Native American stand-up Billy Smith’s indigenous punchlines fall flat

— Something about Seth’s voice sounds a little odd and slower tonight. Is this another Update in which he has a fairly hoarse throat?
— Nothing much to say about Nasim’s commentary at all. Her occasional sayings of “Oh, fu-huuurrr suuurrre” feels like the only real humor, and even that’s being run into the ground here.
— Wow, Fred’s Billy Smith character, appearing for the first time since way back in 2004, believe it or not. Just to put into perspective how VERY long it’s been, the last Weekend Update commentary Billy Smith did prior to this was during the Fallon/Fey era of Update. (Billy Smith’s actual last appearance prior to tonight was a very brief, silent walk-on in Liam Neeson’s season 30 monologue, which is still a very long time ago from tonight’s episode.)
— Given how badly downhill Fred has been going this season, it’s kinda nice to see the return of an actual funny character from Fred’s actual good years on SNL. Back in those days, he was a master at pulling off Andy Kaufman-esque anti-comedy that this Billy Smith character relies on.
— Sadly, Fred doesn’t even seem to be able to play this character the way he used to. In tonight’s appearance, Fred is mugging up a fucking STORM at the end of each punchline. He never went THIS over-the-top in this character’s previous appearances. It’s completely ruining the character for me, and he’s making the mugging the joke rather than the obscure Native American terms that the punchlines end with. (*sigh*) Just another sign of how bad Fred has gotten this season (and how worse he would continue to get after this).
— Now Fred’s milking the “What else? What else?” gag too much.
— Seth can be heard laughing off-camera at the Billy Smith commentary as loudly as the audience, and certainly louder than me.
— Boy, this Billy Smith commentary is insufferable. Please end this already.
— Hey, Seth? We didn’t need you to explain the punchline of your Amish/“weaving” joke. We got the joke on our own, thank you. As I always say, a comedian explaining their own punchline is one of the biggest comedy sins.
— Overall, the second consecutive subpar Update.
STARS: **


LAB PARTNERS
in science class, tweens (host) & (JES) debate merits of Edward vs. Jacob

— Ugh at the reveal of Taylor in drag, early on in this sketch. I’m already starting to sour on this sketch.
— Unlike the Firelight short from the Taylor Swift-hosted episode earlier this season, which was still able to appeal to me as someone who’s never seen a Twilight movie, this Twilight-centric sketch is going way over my head, can’t hold my interest, and seems like it’s meant to just pander to young Twilight fangirls who may be watching. I also don’t like how this feels like a lame attempt at the “Celebrity makes fun of themselves while playing someone else” trope (which SNL did to better effect even just two episodes prior with Dave Matthews in the Mellow Show sketch).
— This sketch is DEATH so far.
— I finally got an actual laugh, from the cutaway to Bobby’s dumbfounded facial reaction. Good ol’ Bobby.
— Oh, no. Jenny makes a bad gaffe right now (her second bad gaffe of the season, and I don’t need to say what her first one was), where she accidentally reads Bill’s line off of the cue card (“Hey, what have I told you, Marianna?”) when Taylor’s character is making out with a book. You can tell Jenny instantly realizes her mistake and is rather embarrassed by it. To Jenny’s credit, she at least didn’t say the line very loudly, and thus, I’m sure a lot of viewers don’t notice it when watching this sketch. However, this gaffe is still a sign of how green Jenny is as a live sketch performer. Reruns hide this gaffe by replacing the shot of Jenny reading the wrong line off the cue card with a random close-up of Bobby just looking on while doing and saying nothing.
— A very awkward and empty ending.
STARS: *½


PGA TOUR
drunk Tim Finchem (JAS) is angry & distraught over future of his sport

— These PGA Tour bits have been the ONLY things working for me in tonight’s episode so far.
— I love the continued downfall of Jason’s character. We also get a funny visual of a tie wrapped around his head.
— Very funny how one of new sponsors is the letter Q.
— Hmm, this is starting to run out of steam a little. This third PGA Tour ad is starting to come off like this runner has been stretched a little too thin, though as usual, Jason is selling it as best as he can.
STARS: ***


ETERNAL SPARK OF LOVE
(KET) slides in with soulful commentary on young lovers (host) & (ABE)

— Interesting structure to this sketch.
— I like how Kenan’s soulful interjections are now taking a different turn when uncomfortable awkwardness starts happening in Taylor and Abby’s romantic encounter.
— Very funny part with Kenan’s character falling off of the moving platform and then yelling at the crew member responsible.
— This sketch continues Kenan’s growth arc this season, as he is a hoot in this sketch. I particularly love him very briefly popping his head into the screen just to yell an angry, quick “NO!” at the camera, in reaction to something embarrassing Taylor revealed about himself.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “When We Were Beautiful”


DOORBELLS AND MORE
Tina Tina Chanuse (JES) voices custom doorbells to suit all needs

— Bobby has the ability to even make his sarcastic utterance of “Pff! Nice doorbell!” come off very funny.
— Wow, the usually-underused Jenny Slate in ANOTHER big role tonight. This, combined with the fact that the usually-dominant Kristen Wiig has made only one appearance all night, along with the fact that Abby and Nasim have been making a fairly large amount of appearances as well, makes me feel like I’m watching an alternate universe episode from this SNL era.
— I have very mixed feelings on the humor of Jenny’s various doorbells, but I think I’m leaning closer to the “Don’t care much for it” side.
— Bobby continues to get a lot of humor out of the littlest things, as I love his sideways thumbs-up before he exits.
— It’s getting tiring hearing all of these comedic doorbell voice-overs back to back. I’m now realizing that some of these doorbell voice-overs would actually make me laugh if I heard them as an isolated, individual gag rather than hearing all of them one after another.
— Jenny’s reaction to Taylor walking out on her was fairly funny.
— When this episode originally aired, I remember feeling that Jenny had finally “made it”, and I considered this to be her breakout night. However, the reception a lot of online SNL fans at the time had to Jenny’s showing in this episode was very negative, due to 1) the poor Lab Partners sketch Jenny co-starred in, 2) Jenny’s aforementioned bad gaffe in said Lab Partners sketch where she mistakenly read Bill’s line off the cue card, and 3) this polarizing Doorbell sketch. I even remember that, right after this episode originally aired, one online SNL fan made a snarky post that stated “Message from the future: Jenny Slate only lasted one season on SNL.”
STARS: **


IN MEMORIAM
a photo of Heino Ripp marks his passing


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— Not a good episode AT ALL. Mediocrity dominated the night, and the overall episode had a completely forgettable, “nothing” feel. Aside from a (very) few highlights, this episode was a total write-off.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Eternal Spark Of Love
PGA Tour 2
PGA Tour 1
PGA Tour 3
Adulterers Press Conference
Monologue
Doorbells And More
Weekend Update
Rose Bowl Promo
Show Choir
Surprise
Lab Partners


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Blake Lively)
a big step down


My full set of screencaps for this episode is here


TOMORROW
The 2000s come to an end. James Franco hosts the final episode of the decade.

Posted on

December 5, 2009 – Blake Lively / Rihanna (S35 E8)

Segments are rated on a scale of 1-5 stars

WHITE HOUSE CRASHERS
Tareq (BOM) & Michaele (KRW) Salahi photobomb Barack Obama (FRA) speech

— A topical spoof of the infamous White House crashers.
— I like Bill coming on as secret service agent and initially acting sternly towards the crashers, then backing off from them with an “Oh, it’s okay” gesture.
— Funny background antics all throughout this.
— Hilarious random inclusion of Jason’s Joe Biden as a friend of the crashers.
— Pretty funny when the crashers and secret service agents actually ask Fred’s President Obama to stop his speech and take a photo of them, which he does hesitantly.
STARS: ***½


MONOLOGUE
Swedish Chef (ANS) & other Muppets join host onstage for Christmas carol

— A very random excuse for a reprisal of the cast’s Muppets impressions, but I guess this is fun enough.
— Jason’s Fozzie voice sounds even more spot-on than it did in the Muppet Bus sketch from the preceding season.
— Jenny (in her only appearance of the night) takes over the Janice role last played by Michaela Watkins, who herself took over the role from Maya Rudolph. Kinda like the Hoda Kotb role, there almost seems to be a curse with the Janice role, as each individual cast member who has played Janice in this SNL era would end up no longer being on the show by the time SNL does the next Muppets sketch (though unlike Michaela and Jenny, Maya left on her own and wasn’t fired).
— A charming “Hark The Herald Angels Sing” performance from the Muppets.
STARS: ***


CARTER N’ SONS BBQ
Rerun from 11/7/09


VAGISIL SUPERSTARS OF BOWLING TOURNAMENT 1989
Pete Twinkle & Greg Stink cover 1989 ladies’ bowling tournament

— This sketch has officially become recurring.
— I’m getting a little tired of this era’s habit of always following up a “You’re watching (insert channel here)” station ID at the beginning of sketches by inserting a comedic one-liner about people who watch said channel (e.g. “You’re watching (insert channel here), which means you’re asleep and rolled over on the couch.”) Seems to occur about once an episode at this point of SNL’s run.
— Like last time, there’s a lot of fun and fantastic interplay between Jason and Will’s character, and the idiocy from Will’s character is always a hoot.
— Jason: “Vagisil – I scream, you scream, we all scream for vagina cream! (*long pause while the audience laughs*) Vagisiiiiil!”
— I recall hearing that one of the fake audience members in the background is Blake Lively’s real-life father (the man to Blake’s left in the background of the below screencap).

If that is indeed her father, that explains why her character singles him out by aggressively grabbing him briefly while she’s celebrating a strike at one point. I can also see a facial resemblance between the two of them.
STARS: ****


THE SITUATION ROOM WITH WOLF BLITZER
Elin Nordegren (host) abuses untrue Tiger Woods (KET)

— The debut of Jason’s Wolf Blitzer impression.
— Back when this originally aired, I remember not being happy by SNL’s decision to cast Kenan in the Tiger Woods role, as I felt back then that Fred would’ve been far more fitting in the role. All these years later, I now thank God SNL didn’t cast Fred in this role.
— I got a laugh from how Kenan’s Tiger Woods, after another brutal injury from his wife, begins his latest press conference by saying a lighthearted “Talk about a case of the Mondays!”
— Jason’s occasional mumbling as Wolf Blitzer is increasingly hilarious.
— An okay escalation to the scenes with Tiger Woods and his wife.
— I love the beast-like facial expression Blake makes when running after Kenan’s Tiger at the end of the sketch (screencap below).

STARS: ***


SHY RONNIE
musical guest’s duet with Shy Ronnie (ANS) is stymied by his mumbling

— Seemingly one of the most popular music video Digital Shorts in Lonely Island’s repertoire.
— Rihanna’s parts of the song are catchy.
— As someone who, all of his life, has been described as very shy and a low talker, I can really relate to Andy’s character.
— I love Shy Ronnie’s occasional “Ha-HAAAA!”s throughout this, especially after the “He pissed himself” part.
— Great turn with Andy’s Shy Ronnie suddenly breaking out into an audible hardcore rap when Rihanna has left, only to go back to his typical inaudbile shy mumbling when Rihanna briefly returns.
STARS: ****½


GOSSIP GIRL: STATEN ISLAND
less-glamorous borough has its share of drama

— Bill is always perfect at playing Italian wiseguys.
— The stereotypical New York-y wiseguy humor in this sketch in general feels bland, but the performances are pretty fun.
STARS: **½


KICKSPIT UNDERGROUND ROCK FESTIVAL
Under-Underground rock festival subjects attendees to hazards

— The debut of these Kickspit Underground pieces.
— A version of this got cut after the dress rehearsal of the infamous January Jones episode earlier this season, with January in Nasim’s role. Reportedly, that version had a different format from the one airing in tonight’s episode. Not sure if it was live or if it was pre-taped like tonight’s version.
— So many hilarious fake band names and extremely random events; way too many to single out the funniest, as they’re all slaying me. This is made even funnier by the rapid-fire pacing.
— Ass Dan!
— Excellent performances from Jason and Nasim. I can’t even imagine how awful January Jones must’ve been when trying to pull off this type of character in her cut-after-dress version of this (assuming her character was written to be like Nasim and Jason’s character’s in the aired version I’m currently reviewing).
— There’s the first instance of what would go on to be a running joke in these Kickspit pieces, with Ass Dan turning out to be dead.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “Russian Roulette”


WEEKEND UPDATE
gibberish helps make Bill Cosby’s (KET) hip-hop album socially-conscious

recently fired from a movie, Brittany Murphy (ABE) thinks she’s doing SNL

— WTF? Bill Cosby put out a hip-hop album in real-life at this time? How was I never aware of this ridiculousness?
— Kenan’s Cosby impression is always solid. However, given the fact that a certain other guest commentary coming up later in this Update would end up being the victim of very unfortunate timing, it casts a dark shadow over this Cosby commentary in hindsight as well, given what would happen in regards to Cosby’s own future.
— After his Charlie Brown joke, Seth’s ad-lib, “Charlie Brown cannot catch a break. First, that football getting pulled away, and then, uh….AIDS” was very Norm Macdonald-esque, especially the “and, then, uh”, the silent pause afterwards, and then the way he said AIDS in a very deadpan manner while staring down the camera.
— OH. NO. Here comes the aforementioned infamous commentary in this Update: Abby as a loopy, out-of-it Brittany Murphy, in what ends up being just two weeks before the real Brittany Murphy would unexpectedly die. One of the most unfortunate cases of timing in SNL history. Between the Cosby commentary earlier and now this, oof. Tonight’s choices for guest commentators have aged horribly.
— When this originally aired, Abby’s Brittany Murphy impression cracked me up, and I was happy to see Abby get some much-needed airtime, but man, this is now IMPOSSIBLE for me to watch and laugh at in retrospect. All the troubled loopiness in Abby’s portrayal, intended for comedic value, just comes off really sad now.
— Needless to say, the Brittany Murphy commentary would later get removed from all reruns. Can’t remember what, if anything, it was replaced with in the 90-minute NBC rerun. Perhaps a re-airing of a pre-taped ad from another episode?
— I didn’t get the “gay dude’s refrigerator magnet” punchline to Seth’s joke about where you can find a photo of Marilyn Monroe smoking marijuana.
STARS: **½


SKIRT SHOPPING
Virginiaca supports her stepdaughter (host) in an upscale clothes shop

— OH, GOD. And I had (mercifully) completely forgotten about this wretched Virginiaca character, given the fact that her last appearance was all the way back in season 33. Thankfully, tonight’s sketch ends up being her final appearance.
— And, of course, we have our 10,000th different white stepdaughter of Virginiaca’s, despite how we’re always told Virginiaca is married to the same man in every sketch.
— Not caring much for Blake’s attempt at an urban voice. It sounds too forced, especially compared to how natural Jaime Pressly and Scarlett Johansson sounded doing an urban voice in earlier installments of this sketch. At least this isn’t as cringey as seeing Ellen Page attempt a character like this.
— As usual, not a single laugh from me during this sketch. Also as usual, my only reaction is lots of groaning and cringing at all the awful attempts at urban humor and drag humor.
STARS: *


UPS
Andy Azula (BIH) ensures UPS will be identified with a man in a lady wig

— I vaguely remember the real UPS commercials this is spoofing. I remember finding this to be such a spot-on and funny spoof back when it originally aired.
— Solid performance from Bill, even if the material itself is merely okay.
STARS: ***


LATE NIGHT WITH CHRIS HANSEN
celebs get ambushed a la pedophiles

— Interesting how the Weekend Update-only Seth Meyers does the voice-over in the opening “You’re watching MSNBC” gag. Oh, and the fact that this “You’re watching MSNBC” gag is YET ANOTHER example of a station ID inserting a comedic one-liner about people who watch the channel just further proves a point I made earlier in this review about how this SNL era overuses this gag. Twice in the same night, SNL?!?
— Despite my well-documented fatigue towards the talk show sketch format, the idea of a Chris Hansen-hosted talk show being done in the style of To Catch A Predator is fun.
— Jason’s Philip Seymour Hoffman impression is always good to see.
— Amusing seeing Andy as Keanu Reeves.
— Funny visual of Bill’s Chris Hansen hiding behind his desk in a silly-looking crouching position.
— I love Andy-as-Keanu’s delivery of “What’s going ON?”
STARS: ***


UPS
Andy Azula (BIH) feels in command with his UPS whiteboard & lady wig

— A follow-up, making fun of how insanely frequently the real UPS ads were aired around this time.
— Again, like the first ad, I commend Bill’s solid execution of average material.
— Ah, we actually get funny material, with the ending gag involving Bill smugly adding a stick figure erection on the stick figure drawing of his body.
STARS: ***½


MUSICAL PERFORMANCE
musical guest & Young Jeezy [real] perform “Hard”


POTATO CHIP THIEF
at NASA, astronaut candidate (JAS) admits stealing (WLF)’s potato chip

— Oh, here comes a sketch that’s rightfully beloved by many SNL fans, and is rightfully considered one of the biggest highlights of this otherwise not-very-well-liked season.
— Will’s (and Blake’s) pronunciation of “potato chips” is legendary.
— Fantastic voice and delivery from Jason, coming off like a prototype to his also-well-loved Maine Justice character from later in his SNL tenure. On a similar note, Will’s character in this Potato Chip Thief sketch seems kinda like it could be the same character he previously played in the Dr. Uncle Jimmy’s Smokehouse & Outpatient Surgical Facility sketch, as he has a similar look and voice.
— I love the finger dance Jason does with his hand when reaching for a potato chip in the bowl.
— Another hilarious little detail, with Jason actually dusting himself off when he sees that Will’s about to return right after Jason has eaten one of the potato chips.
— A fantastic insane and intense turn this sketch suddenly takes when Jason is accused of being a potato chip thief.
— When Will is angrily telling Jason things he will never do now that he’s been exposed as a potato chip thief, I love how one of things an off-camera Jason yells is “Take it back!”
— Oh, hell yeah! Now we’re getting a dose of Will’s classic purple-faced screaming routine, this time complete with him crouching on top of a desk.
— The commitment to this sketch is incredible, and the fact that none of the performers are breaking is adding to the amazing execution of this.
— I love Jason’s teary, emotional breakdown when finally admitting he took the chip.
— Blake, who’s giving a great supporting performance in her own right, delivers her “You don’t take people’s potatuh chiiiips” line perfectly.
— And there’s the moment that, for me, propels this already-classic sketch further into a classic: Jason hawking back up the potato chip he ate and spitting it into Will’s hand.
— Seeing the aforementioned Jason-spitting-into-Will’s-hand part reminds me that the dress rehearsal version of this sketch would later be aired in reruns of this episode. (I wonder if the reason was to fill in the extra time left over from the removal of the Brittany Murphy commentary from Weekend Update.) The biggest differences I can remember in the dress rehearsal version are that 1) when Jason’s about to hawk up the potato chip, he stretches out the bit where he repeatedly looks back and forth between Will’s open hand and Will’s face a lot longer and more exaggeratedly than he did in the live version, and 2) unlike the live version in which all the performers keep a perfect straight face for the entire sketch, Blake helplessly cracks up when Jason spits up the potato chip into Will’s hand.
— Jason: “Well…this certainly did not end the way I had imagined it…in my un-dried dreams.”
— Man, even the ending of this sketch is epic, with the unique blocking of the performers during the mock-dramatic ending shot.
— Overall, such a masterpiece. In a season where Will has sadly been pretty invisible, and a season that also ends up being his final one, it’s great to see at least one more live sketch that focuses on Will’s trademark delightfully oddball humor.
STARS: *****


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A decent episode. There was a lot of average material, and a few meh or flat-out bad things, but the show’s quality was given a boost with three standout very strong pieces: Shy Ronnie, Kickspit Underground Rock Festival, and (especially) Potato Chip Thief.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Potato Chip Thief
Kickspit Underground Rock Festival
Shy Ronnie
Vagisil Superstars of Bowling Tournament 1989
White House Crashers
UPS 2
Late Night with Chris Hansen
UPS 1
Monologue
The Situation Room with Wolf Blitzer
Weekend Update
Gossip Girl: Staten Island
Skirt Shopping


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Joseph Gordon-Levitt)
a slight step up


My full set of screencaps for this episode is here


TOMORROW
Taylor Lautner

Posted on

November 21, 2009 – Joseph Gordon-Levitt / Dave Matthews Band (S35 E7)

Segments are rated on a scale of 1-5 stars

CHINA PRESS CONFERENCE
Hu Jintao (WLF) expects to be screwed by debtor Barack Obama (FRA)

— Some funny sarcastic comments from Will as Hu Jintao, translated into English by Nasim.
— The out-of-nowhere sardonic “I like to be kissed when SOMEONE IS DOING SEX TO ME!!!” bit cracked me up, especially with how unexpected it was.
— Blah, now they’re overdoing the hell out of the “DOING SEX TO ME!!!” outbursts.
— Boy, this cold opening is going on freakin’ FOREVER, with increasingly less laughs along the way. Any of the goodwill I had towards it earlier on has been long forgotten and tarnished by this point.
STARS: *½


MONOLOGUE
host performs “Make ‘Em Laugh” from Singin’ In The Rain

— Joseph Gordon-Levitt, regarding plans for his monologue: “I figured, why not open with a big number?” Normally, that would have me groaning out loud, but I’m aware in hindsight what an epic monologue this turns out to be.
— I like the running bit with Joseph’s “If you haven’t seen it, your girlfriend/grandma has” whenever he mentions a movie.
— We’re early on into Joseph’s “Make ‘Em Laugh” performance, and it’s already coming off very solid and committed.
— When Joseph asks Bobby if he can believe SNL is letting him perform “Make ‘Em Laugh”, I love Bobby’s sarcastic “No, I can’t believe it” response. I’d like to think that’s a self-deprecating dig at SNL’s over-reliance on musical monologues.
— Very funny running gag with the slaps/punches Bobby randomly gives Joseph.
— Joseph’s already-great “Make ‘Em Laugh” performance is now getting full-on amazing, as he’s doing a whole bunch of great physical actions during it.
— Now he’s doing VERY impressive backflips off of walls, on live TV! I remember how absolutely shocked and impressed I was by this when this originally aired, and I’m still impressed today.
— Love the way the performance ended.
— An absolutely fantastic overall monologue, and with this one piece alone, Joseph Gordon-Levitt has proven he will be miles better of a host than the infamous preceding host – January Jones.
STARS: *****


PALIN 2012
Democrats’ recut 2012 trailer gives vision of disastrous Palin presidency

— A surprising return of the “An SNL Trailer Re-Cut” segment, several years after the Apocalypto one. This ends up being the final one.
— Funny idea to mix a hypothetical future Sarah Palin presidency with apocalyptic footage from the movie 2012. This is being executed well.
— “From the mind of Keith Olbermann…”
— Hilarious reveal of Glenn Beck being vice president.
STARS: ***½


SECRET WORD
actress Mindy Grayson (KRW) is useless on classic game show

— The debut of a sketch I’ve always despised.
— Part of Kristen’s opening line is a delighted “LOOK AT ME!!!”, a line that perfectly sums up so many of the badly-written attention-starved characters Kristen’s been given over the years of her SNL tenure. Only three seconds into the debut of this particular Secret Word character of Kristen’s, and I already hate the character.
— Given how underused Will has been in this final season of his, it feels sad seeing him relegated to playing a boring straight man to a bad Kristen Wiig character.
— A very weak and one-note gag with Kristen’s character always immediately revealing the exact same secret word (drape) she’s supposed to give hints of.
— I like Bill’s goofy-voiced aggravated delivery of “D’ohhhhh boyyyyy”.
— Another funny line from Bill, with him hesitantly and passive aggressively telling Kristen’s character, “I’ll…tell ya…when…to start”, after she tries to start one of the rounds herself. Bill’s providing my only real laughs of this sketch, though I do like Joseph’s characterization of his Latin crooner character.
STARS: *½


TWO WORLDS COLLIDE FT. REBA MCENTIRE
ANS loves man pretending to be Reba McEntire (KET)

— Yet ANOTHER highly-acclaimed and well-remembered music video from Lonely Island, who have been on a hot streak with these music videos lately.
— The idea of Kenan, of all people, randomly playing Reba McEntire is fucking priceless.
— I guess I could say my usual “Kenan In A Dress alert”, but at least this short is putting the Kenan In A Dress trope to good use. This is also putting Kenan’s penchant for bug-eyed mugging to good use, given the fact that he’s imitating Reba here.
— I love Kenan’s goofy redneck-voiced singing, and it’s a funny contrast to Andy’s typical hardcore rapping.
— When this originally aired, back in the days when I couldn’t stand Kenan and viewed him as one of the weakest links of this cast, I was impressed by him in this short and felt it was by far one of the better things he had ever done on SNL. Looking back on this short years later, especially after I’ve softened a lot on Kenan and gained a lot of respect for him, I now view this short as a continuation of Kenan’s growth arc that officially started with the What Up With That debut earlier this season.
— Kenan throughout this short: “Ahhhh’m Reba!”
— Even the juvenile and crude conceit with “Reba” secretly being a man is absolutely working for me in this context.
STARS: ****½


THE MELLOW SHOW WITH JACK JOHNSON
Ozzy Osbourne (Dave Matthews) now likes to take it easy

— The somewhat surprising return of a one-off sketch from two seasons prior.
— Kinda interesting now having Bill’s Dave Matthews be the co-host of tonight’s Mellow Show installment, after he was just a guest in the previous installment.
— I like the random statements of mellow-centric things Andy’s Jack Johnson says into the camera (e.g. “Ultimate frisbee”) as a non-sequitur. I can’t remember if he did the same thing in the first installment of this sketch.
— Andy and Bill giving each other a foot-five, ala a high-five, was hilarious. You can also tell Andy is holding back a laugh afterwards.
— Pretty good Jason Mraz impression from Joseph.
— A fairly memorable Ozzy Osbourne impression from the real Dave Matthews.
— Our obligatory tongue-in-cheek bit with Dave Matthews, while in character as Ozzy, insulting Bill’s Dave Matthews. I don’t mind the sometimes-groanworthy “celebrity confronts a cast member impersonating them” trope as much when the celebrity is playing another celebrity, such as here.
STARS: ***


WHAT UP WITH THAT?
panelists spectate; Al Gore & Mindy Kaling cameos

— I see SNL ain’t wasting any time, as they’ve brought back What Up With That a mere THREE EPISODES after its debut.
— This is following the exact same same formula as the first installment of this sketch, but it’s certainly still loads of fun.
— Awww, yeah! Here comes Jason and his red tracksuited dancing!
— I love Andy suddenly jumping into the scene as a dancing hip-hop clown. His dancing is very funny.
— Absolutely hilarious inclusion of Bobby as a tap-dancing Jake “The Snake” Roberts.
— The camera hasn’t been showing Jason’s epic dancing quite as much as usual tonight.
— Kenan’s final lyric about having “the egg burp” is cracking me up.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “You & Me”


WEEKEND UPDATE
to effect environmental change, Al Gore [real] will start acting crazy

— Another appearance tonight from Al Gore, who’s always fun on SNL.
— A good laugh from Gore bluntly revealing his backup plan: “I’m gonna start acting crazy.”
— I like Gore’s various insane-but-oddly-clever ideas.
— Great sarcastic comment from Gore about his “excitement” over having a bully pulpit on a fourth-place network.
— I really like Seth’s delivery of his George W. Bush joke.
— Wow, an actual fairly short Update with only one guest commentary! Feels incredibly rare to see a one-guest Update in the solo Seth Meyers era of Update. Wish it happened far more often.
STARS: ***½


DYSFUNCTIONAL THANKSGIVING DINNER
family tensions have everyone on-edge at contentious Thanksgiving dinner

— Oh, no, what are you doing, SNL?!? The Dysfunctional Christmas Dinner sketch from the preceding season’s Hugh Laurie episode was a near-classic the first time, but it has no business being made into a recurring sketch. It’s not at all something that’ll work nearly as well in a rehash. On top of that, you’re going to re-cast Abby into the general role that the recently-fired Casey Wilson played in the first installment, an installment of which Casey HERSELF co-wrote (with Kristen), by the way? Really, SNL?
— When I first reviewed this sketch in my original 2009 review of this episode (link here), I went into a HUGE rant, where my point was basically “What was the point of SNL firing Casey Wilson and Michaela Watkins if the show’s going to continue doing sketches Casey and Michaela were prominent in, and re-casting roles of theirs?” I was also upset over SNL’s decision to continue doing the Casey Wilson-co-written Dysfunctional Christmas Dinner sketch AFTER Casey’s firing, as it seemed like a slap in the face to her.
— In my current review, I’ll try to judge this sketch with a less-bitter mindset, but I still can’t help but feel it will pale badly in comparison to the almost-untouchable Dysfunctional Christmas Dinner sketch.
— Kristen has the ability to get laughs just from simply sipping a drink and eating from her fork in a subtly-tense manner.
— So far, despite some laughs I’m getting, this has been such a carbon copy of the original Dysfunctional Christmas Dinner sketch. The “Sit down, Judith!” running bit in particular is not working as well as last time, and it feels like they’re relying a little too heavily on it this time.
— Now they’re even copying the bit where the tense family suddenly unites by singing together. Doesn’t even make much sense to me in this Thanksgiving-related context, whereas the family singing together on Christmas was far more fitting.
— Overall, while I admit this rehashed sketch was not quite as worthless as I previously made it out to be in my afore-linked 2009 review, I still didn’t enjoy the sketch much. Too much unnecessary and inferior copying of the first installment of this sketch.
STARS: **


WOMAN TO WOMAN
insensitive sub Rodger Brush (FRA) is ill-suited adviser

— The debut of these Rodger Brush sketches starring Fred.
— Back in the original era, SNL had a Gilda Radner-starring recurring talk show sketch with this same title (Woman To Woman).
— A fairly funny reveal of Fred as a bald, overweight, brash-looking man sitting in for the female host of this tender female-oriented advice show.
— Ugh, only two minutes into this sketch, and I’ve already gotten extremely sick of the redundant running bit with Fred asking the female guests to speak louder.
— The joke of Fred’s bad, generic advice to the guests is another thing in this sketch that’s getting old fast.
— Though he has no comedic lines, Joseph’s performance is very solid.
— Overall, ugh. Not a good sketch at all, and I dread having to cover subsequent installments of this sketch.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “Shake Me Like A Monkey”


SAY ANYTHING
Lloyd Dobler’s (host) “In Your Eyes” boombox strategy bemuses (JAS)

— Between the spoof of the movie 2012 earlier tonight and now a Say Anything spoof, John Cusack’s filmography is getting a real workout in tonight’s episode.
— When Jason initially walks on and sees Joseph standing in a bold, still position while holding up a boombox, I got a big laugh from Jason just responding to that with a hesitant-but-accepting “Alright…” and then immediately exiting the shot.
— Interesting concept for a Say Anything spoof, and I like this idea of Jason as a random character interrupting an iconic movie scene. (Now that I write that, it almost sounds like something that could’ve been made into a solid recurring sketch, with Jason interrupting an iconic scene from a different movie each time.) This is a great showcase for Jason’s general performance style.
— A funny “This kid loves cassettes” comment from Jason when Joseph takes a break from holding up a boombox to speak into a tape recorder.
— The “Genesis is back together!” ending was hilarious.
— Overall, a strong Jason Sudeikis showcase.
STARS: ****


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A mixed episode. To me, this episode feels better than it actually is, due to how solid, fun, energetic, and likable of a host Joseph Gordon-Levitt was, and how he had a monologue for the ages. He was EXACTLY the type of host SNL needed after January Jones’ horribly-received hosting stint. However, when I think back on the quality of tonight’s episode itself, I’m recalling quite a number of things I didn’t like. We also got the debuts of two awful recurring sketches: Secret Word and Rodger Brush (no surprise that one of them stars Kristen Wiig and the other one stars Fred Armisen, because, as I’ve mentioned in a somewhat recent review, a number of online SNL fans seem to consider those two performers to be the usual culprits of the worst sketches from these 2009-2012 years), two sketches that we’ll be seeing too often within these next few seasons. However, tonight had some pretty good things and a few VERY strong pieces, balancing this out to an overall fairly-watchable-though-shaky episode.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Monologue
Two Worlds Collide ft. Reba McEntire
What Up With That?
Say Anything
Palin 2012
Weekend Update
The Mellow Show with Jack Johnson
Dysfunctional Thanksgiving Dinner
China Press Conference
Woman To Woman
Secret Word


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (January Jones)
a definite step up (needless to say)


My full set of screencaps for this episode is here


TOMORROW
Blake Lively

Posted on

November 14, 2009 – January Jones / Black Eyed Peas (S35 E6)

Segments are rated on a scale of 1-5 stars

BIDEN FIXES HEALTH CARE
Joe Biden (JAS) aims to solve health care reform while Obama is away

— Jason’s always-funny Joe Biden impression is one of the few people who I don’t mind seeing do a straight-to-camera address-to-the-nation cold opening. It’s sure as hell a lot more preferable to seeing one from Fred’s President Obama.
— Pretty funny how the only choices Jason’s Biden has on “easy” things to resolve are Afghanistan, the economy, and healthcare.
— Jason-as-Biden’s harsh “fat girl” analogy was very funny.
— A laugh from the “Stimulus is working” bit.
— A very odd and sloppy delivery of the word “hardliners” from Jason.
— I like Jason’s Biden following his statement, “Some of you out there are asking, ‘Joe, how are you going to pay for a $1.2 trillion plan by cutting taxes?’”, by pausing in a deadpan manner for a while and then moving on to the next topic, not even answering the question he just asked.
STARS: ***½


MONOLOGUE
Mad Men fans (JAS), (FRA), (BIH), (ABE) sing theme song to host

— Hoo, boy. January Jones’ stumbly delivery right out of the gate is already a worrisome sign of things to come.
— I like the idea of Mad Men fanatics being called Mad Mennies, ala Trekkies. Jason, Bill, and Fred are pretty fun in these roles.
— Fred’s “I like Peggy” line is obviously a wink-wink reference to Fred’s real-life then-relationship with Peggy’s actress, Elisabeth Moss. Unfortunately, this reference hasn’t aged well, given how badly Fred and Moss’ relationship would eventually sour.
— Seeing Abby as Mad Men’s Joan just makes me miss Casey Wilson, who previously played this role to perfection even in just a small appearance. This is one of way-too-many examples of Abby, Nasim, or Jenny taking over a role previously played by the recently-fired Casey Wilson or Michaela Watkins.
STARS: ***


TODAY
Kathie Lee Gifford’s (KRW) singing freaks out musical guest

— Geez, as soon as I complained about Casey and Michaela’s roles being replaced, we already get another example, with Jenny taking over Michaela’s Hoda Kotb impression. IIRC, SNL announced before the start of this season that Nasim would take over the Hoda impression (and she eventually would, but it wouldn’t happen until two seasons later, long after the firing of her castmate Jenny), so I’m not sure what made them change their mind between that announcement and tonight’s episode.
— As expected, Jenny seems kinda out of place in this role, and is lacking the certain understated spark and likable professionalism that Michaela brought to the role.
— Kristen-as-Kathie-Lee-Gifford’s detailing of her lovemaking routine with her husband is fairly funny.
— An often-mentioned bad gaffe as soon as the camera first shows January in this sketch: she, out of character, LITERALLY ASKS “Which camera???” in a whispery voice to someone off-camera in SNL’s studio, then pauses awkwardly when realizing the camera caught her asking that, then proceeds to deliver her scripted dialogue. My god.
— (*sigh*) And even after proceeding to deliver her scripted dialogue after the aforementioned gaffe, January’s delivery seems fairly halting.
— I’m kinda meh on this “Everyone Has A Story” segment.
— (*sigh*) And now January has begun tripping over her lines, much like at the beginning of the monologue.
— The bit with the Black Eyed Peas suddenly beating THE HELL out of Kristen’s Kathie Lee in the middle of her song had me howling with laughter back when this originally aired (probably because I couldn’t stand Kristen’s Kathie Lee impression back then, and thus, was delighted to see her get the beatdown I felt she deserved), but something about this beatdown sequence rubs me the wrong way nowadays. Reportedly, and unsurprisingly, it rubbed the real Kathie Lee the wrong way, too, as I recently learned that she complained about it shortly after the original airing of this episode.
STARS: **


REAR WINDOW
Grace Kelly’s (host) nonstop flatulence disrupts filming of Rear Window

— Pretty funny Alfred Hitchcock impression from Bobby, and I also like Jason’s Jimmy Stewart impression.
— Aaaaaaaand there goes all of my goodwill, as we get the first fart of this sketch. (*sigh*) This is going to be a looooooong sketch.
— Yeah, two-and-a-half-minutes into this, and I fucking hate this. Is SNL kidding me with this? SNL has actually done a few well-executed fart sketches in the past, but this sure as hell ain’t one of them.
— While not enough to come remotely close to salvaging this sketch, Jason’s delivery of “That’s because you’re sick, Grace! You’re sick!” amused me. It clearly amused January, too, as it makes her crack up out of character, which makes yet another gaffe from her tonight.
— What an awful, lazy ending.
STARS: *


WIIX NEWS
Michelle Dison clumsily woos Dairy Queen employee (host) during live shot

— Wow, a surprising return of a recurring sketch that hasn’t appeared since way back in season 32. What inspired them to bring this sketch out of the mothballs this week? The fact that they had such a weak host?
— This is going the EXACT SAME route as the previous two installments of this sketch. Even though Kristen is still selling this well and is getting some laughs from me, this sketch feels a little too old hat, even after its three-season absence.
— Very solid straight man performance from Jason in the news studio, and I’m liking the cutaways to his dumbfounded, silent facial reactions. January’s straight man performance, on the other hand, is as bland as bland can be.
— Kristen’s Michelle Dison to January: “You look like a mannequin.” A perfect unintentional description of both January’s performances in tonight’s sketches in general and her demeanor in this particular sketch.
— Pretty funny ending with Michelle Dison accidentally removing her shirt and revealing her bra on live TV in an attempt to get bees away from her.
STARS: **½


A LADY’S GUIDE TO THROWING A PARTY
archaic mores in 1952 how-to

— Clearly, this must be an intentional companion piece to the “Don Draper’s Guide To Picking Up Women” short from the preceding season’s episode hosted by January’s Mad Men co-star Jon Hamm.
— Terrific old-timey visual quality of this short, making this look EXACTLY like an authentic 1950s/1960s instructional film.
— (*groan*) Fred making a walk-on in his typical gay stereotype role, I see.
— I love the part with January telling us “If a black person arrives…just kidding.” For the first (and, IIRC, only) time all night, January is clearly in her element in this pre-taped period piece.
— Good ending regarding what women should do if they have to relieve themselves.
— Very strong piece overall, and the first thing all night that feels like it’s worth really bragging about.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “I Gotta Feeling”


WEEKEND UPDATE
Lou Dobbs (DAH) is leaving CNN so he can sustain his paranoid xenophobia

NBC series pairing Bernie Madoff & Khalid Sheikh Mohammed is punishment

Kim Kardashian (NAP) loves her butt more than sister Khloe & Reggie Bush

Jon Bovi’s lyrical inversion requires the use of questionable opposites

— Darrell Hammond in yet another season 35 cameo.
— Some good oh-so-wrong laughs from Darrell-as-Lou-Dobbs’ racist, un-PC comments about the Latin takeover of the news.
— Something about Darrell’s delivery of “He’s got that…Latin…tiiiinge” had me laughing out loud.
— An interesting Bernie & The Shiekh opening title sequence with a Kenan-sung theme song. I’m also always a sucker for what I call the “Jeffersons font” (the font used in the opening and closing credits of the sitcom The Jeffersons) that they’re using for the captioned lyrics on the bottom of the screen.
— The aforementioned Kenan-sung Bernie & The Shiekh theme song is surprisingly the closest to an involvement Kenan has in this entire episode. He’s nowhere to be seen ANYWHERE in this episode. Given this episode’s negative reputation, perhaps Kenan should consider himself lucky he was shut out of this episode.
— The debut of Nasim’s Kim Kardashian impression.
— Odd voice Nasim is using for Kim, but it and her portrayal in general are making me laugh.
— Always a treat to see Jon Bovi.
— This sadly feels like the first big role Will has gotten in quite a while, showing how much his airtime has been reduced this season.
— Jon Bovi begin this commentary by singing the exact same “Good Medicine” song they sang in their last appearance prior to this. In my review of that last appearance, I said that “Good Medicine” song has stuck in my memory over the years. After now seeing that they reused the song in tonight’s commentary, I understand why that song stuck in my memory over the years.
— Hilarious comment from Jason saying his mustache isn’t on his face. Speaking of which, has anybody else ever noticed that, in Jon Bovi’s very first appearance (in a sketch from the season 32 Jaime Pressly episode), Jason’s character actually had a facial mustache (screencap below), but he doesn’t have it in any of the other Jon Bovi appearances?

— A very funny opposite version of the song “Single Ladies” from Jon Bovi.
— Hmm. Some portions of tonight’s Jon Bovi commentary don’t feel as strong as usual, but I’m still enjoying it. I hope these characters aren’t slowly starting to run out of steam, as much as I love them.
— Wait, I just now checked SNL Archives, and this actually ends up being Jon Bovi’s final SNL appearance! Wow. (Then again, I forgot this is Will’s final season.) At least they got out at the right time, before they got too stale.
— I like how Seth, when signing off after Jon Bovi’s commentary, copies Jon Bovi’s “opposite” routine by ending his sign-off with “Good morning!” instead of “Good night!”
STARS: ***


SCIENTIFIC SYMPOSIUM
Dr. Jekyll (BIH) claims Mr. Hyde is to blame for his homosexual episodes

— Bill is always perfect in these old-timey black-and-white sketches.
— (*groan*) OH FUCKING NO. The big reveal of this sketch’s conceit is that…it’s a gay-themed Dr. Jekyll & Mr. Hyde take-off, with Jekyll claiming his Mr. Hyde personality is who he does “gay stuff” as??? Are you fucking kiddi–….. (*sigh*) Between the fart-filled Rear Window sketch and now this, I swear tonight’s episode must be relying on old, unused scripts from the dreary season 30. These Rear Window and Jekyll/Hyde sketches have the exact same sophomoric hyperfocus on horribly-written hacky bathroom and gay-stereotype humor that dominated season 30. This Jekyll/Hyde sketch in particular, had it aired in season 30, would’ve been considered a companion piece to that dreadful Mrs. Dr. Frankenstein sketch from that season’s Kate Winslet episode.
— Aaaaaaaand this sketch somehow gets fucking WORSE, as we now have Fred making his second typical gay stereotype walk-on in tonight’s episode ALONE. I…I have no words.
— Now Bill’s Jekyll is going on and on about the homoerotic-sounding “Fire Island” that he frequents. Ohhh, the end of this hacky-ass sketch cannot come soon enough. This is AWFUL.
STARS: *


GET OUT
(FRA) can’t avoid encountering (ANS) sitting on the toilet

— After getting two season 30-esque juvenile sketches tonight, now we get a toilet short…
— Fred walking in on a toilet-sitting Andy in increasingly out-of-place locations is making me laugh. However, something feels kinda throwaway about this Digital Short compared to most of Lonely Island’s SNL output. This is still certainly better than some of the utter trash that has aired in tonight’s episode, though.
— A very dumb ending, but I chuckled. However, I remember an online SNL fan back at this time in 2009 pointing out that a bottomless Fred sitting on Andy’s naked lap furthers the juvenile, cheap homoerotic vibe of tonight’s episode. Good point.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Meet Me Halfway”


CLOUD GAZING
(host)’s lack of imagination hampers cloud-watching date with (JAS)

— Hmm, interesting setting of this, and the overhead camera angle used for this entire sketch feels very unique for SNL.
— Very big night for Jason, appearing in a majority of the sketches and doing a lot of the heavy lifting in them.
— What’s that off-camera mumbling I’m hearing early on in this sketch? Are those SNL stagehands speaking in the studio? Do they not realize we can hear them?
— Yikes, January’s half-inaudible delivery of her intentionally-corny “Wiz” joke was TERRIBLE, and caused it to bomb with the audience.
— Meh, a lazy premise (in an episode filled with lazy premises) of January playing a dumb bimbo.
— Jason is giving yet another great straight man performance, and is really helping this sketch’s quality. I especially like how, after one dumb statement of January’s, Jason looks around and asks “Am I on Punk’d or something?”
— January actually has some decently funny lines, but her delivery, in terms of quality, keeps coming and going all throughout, and never reaching the solidness it needs to put this sketch over.
STARS: **½


GOODNIGHTS
musical guest performs “Boom Boom Pow”

— So are we just handing out special goodnights musical performances to EVERY musical guest by this point? It doesn’t feel right to me that the Black Eyed Peas get this honor. Perhaps this is a sign of how poorly written and underwritten tonight’s episode is, that SNL possibly had to rely on the Black Eyed Peas to fill up time at the end of the show.

IMMEDIATE POST-SHOW THOUGHTS
— A weak episode that, while not quite as horrible as its reputation, still sucked. (Also known as “The Nancy Kerrigan Episode Syndrome”.) A lot of this episode had an off feel, furthered by January Jones giving such a lousy and sloppy hosting performance. There was also a lazy feel to a lot of this episode, especially with 1) the unnecessary random rehashing of the Michelle Dison sketches from three seasons prior, and 2) the regression with SNL relying on season 30-esque bathroom/gay-stereotype humor. Only one segment in this entire episode stood out as strong (A Lady’s Guide To Throwing A Party). The fact that NBC would end up never rerunning this episode shows that even SNL themselves are of the common opinion that this episode is a flop.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
A Lady’s Guide To Throwing A Party
Biden Fixes Health Care
Weekend Update
Get Out
Monologue
Cloud Gazing
WIIX News
Today
Rear Window
Scientific Symposium


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Taylor Swift)
a big step down


My full set of screencaps for this episode is here


TOMORROW
Joseph Gordon-Levitt

Posted on

November 7, 2009 – Taylor Swift (S35 E5)

Segments are rated on a scale of 1-5 stars

END OF AN ERA
Fox News election coverage prematurely declares the end of the Obama era

— Funny Greta Van Susteren impression from Kristen.
— The debut of Bill’s underrated Shepard Smith impression, probably one of my favorite things Bill has ever done on SNL. That voice and the “I’m a naughty boy” demeanor he always uses as Smith always slays me.
— Funny line from Bobby’s Karl Rove, in regards to President Obama: “And don’t forget, it was under his watch that we lost the King of Pop.”
— Fantastic Glenn Beck performance from Jason, and his segment steals this sketch.
— Great trick Kristen does at the end where she seamlessly switches from speaking out of one corner of her mouth to the other.
STARS: ***½


MONOLOGUE
host plays guitar & sings about topics unsuitable for her monologue

— As a funny variation of a joke SNL previously used with a few young adult hosts in the past (e.g. Christina Ricci, Justin Timberlake), in which they say they watched the show when growing up “way back” in the days when (insert cast members from not too long ago here) were on the show, Taylor Swift goes one step further and says she used to stay up past her bedtime to watch SNL “way back” when [current cast members] Bill Hader and Andy Samberg were on the show.
— Despite being yet another damn musical monologue, Taylor is making it very fun. Her song has a lot of very solid lyrics about what she’s “not” going to sing about, and she’s doing a great job getting me and the audience on her side, especially during the bit about her celebrity ex-boyfriend, Joe Jonas.
— Great bit with Bill and Jason as security guards holding up a police sketch of Kanye West.
— Speaking of the Kayne bit, I remember being relieved back at this time in 2009 that the obligatory reference to the then-overexposed Kanye/Taylor/VMAs incident ended up only being a small bit in this monologue. Unfortunately, a month later, SNL would have Taylor Lautner do an entire monologue focusing on the Kanye/VMAs incident.
— Very strong monologue overall, and it’s given me a lot of confidence in Taylor as a host.
STARS: ****½


CARTER N’ SONS BBQ
Carter (BOM) N’ Sons BBQ restaurant regrets its “swine fever” ad campaign

— Very funny conceit with this innocent “Swine Fever”-themed commercial coming off very unfortunate when airing during the Swine Flu epidemic at this time in 2009. This hits even more nowadays when watching this during a certain pandemic going on in our current times.
— Andy’s brief, lighthearted one-liner about Swine Fever being the death of him is hilarious.
STARS: ****


THE VIEW
attention-hungry Kate Gosselin (host) & Nicolas Cage (ANS)

— Nasim’s not doing the best Barbara Walters impression, but I still like it, and I feel it’s better than the one Michaela Watkins did the preceding season.
— I can’t judge the accuracy of Taylor’s Kate Gosselin impression, given that I’m not familiar with Gosselin’s voice, but Taylor definitely seems to be going for a distinct portrayal here, and her performance is coming off really good.
— Boy, Kristen-as-Elisabeth-Hasselbeck’s constant rants are so grating, and not grating in the funny, satirical way it’s intended to be.
— The debut of Andy’s great Nicolas Cage impression.
— The interview with Andy’s Cage ended up being way too short. I would’ve taken more of that and less of certain other aspects of this sketch.
STARS: **½


FIRELIGHT
Twilight-knockoff movie substitutes Frankensteins for vampires

— Solid idea of a Frankenstein-themed Twilight spoof.
— Much like the High School Musical 4 sketch from the preceding season’s Zac Efron episode, I’ve never seen the source material this Firelight short is spoofing and I can still tell this spoof is very well-done, and I’m enjoying it a lot.
— Good lip-biting mannerism Taylor keeps doing throughout this.
— This is so well-filmed.
— Funny appearance from Andy as a teenage mummy. Speaking of which, when this originally aired, I remember some online SNL fans speculating if that might have been Taylor Lautner making a cameo as the mummy. I guess those SNL fans felt that what little we could see of the performer’s face behind the mummy bandages resembled Lautner. The voice makes it VERY obvious it’s Andy playing the mummy.
STARS: ****


HOLLYWOOD DISH
Hollywood Dish anchors (BIH) & (KRW) elicit desired responses from host

— The first appearance of this occasionally-appearing recurring sketch.
— So far, I’m having very mixed feelings on the humor here, and those mixed feelings are leaning closer to the “Don’t like it” side. This seems like just an excuse to have Bill and Kristen make various over-the-top facial reactions.
— Yeah, more and more, I’m seeing that this humor just isn’t for me.
— I do like the part with Taylor being forced to do a very stiff, unnatural laugh, and how the Hollywood Dish show eventually airs it out of context in a cruel manner during a preview of Taylor’s interview.
STARS: **


T.R.A.A.A.P.D.
teen (host) lists parental car sins worse than driving-while-texting

— Lots of solid relatable humor here. I particularly like the “Birds and The Bees Talk” scene, and how it ends with Taylor desperately trying to put an end to it by grabbing the steering wheel and swerving the car.
— This sketch is getting funnier and funnier. The “He’s got a gun! He’s got a gun!” part is especially hilarious.
STARS: ****


MUSICAL PERFORMANCE
host performs “You Belong With Me”


WEEKEND UPDATE
SEM suspects that Nicholas Fehn doesn’t actually have anything to say

Sarah McLachlan (ABE) upsets SEM with plaintive animal-rights crooning

incredulous SEM & AMP say “Really!?!” to Goldman Sachs’ H1N1 vaccine use

— OH, NO. Nicholas Fehn once again.
— Sure, we’ve gotten a long break from Nicholas Fehn since his last appearance, but not even that makes this character come off fresher to me. His initially-funny shtick became officially played-out after his second appearance.
— Much like how the Judy Grimes (a.k.a. Kristen’s “Just kidding” character) commentary earlier this season had a brief, half-assed attempt at a change of pace with her bringing out a chart, SNL does a brief, half-assed attempt at a change of pace in tonight’s Nicholas Fehn commentary by having him try to write down a point he’s failing to say, but it ends up going the exact same route you’d expect it to.
— This Sarah McLachlan commentary is a solid showcase for Abby, and ends up being one of the more memorable things she would do in her forgettable SNL tenure.
— One complaint I have about the Sarah McLachlan commentary is that Seth’s interjections are way too much, and are unnecessary. He’s overdoing it.
— Loved Seth’s “Women with two vaginas” jokes, especially the second one.
— An Amy Poehler appearance out of nowhere, joining Seth in a “Really?!?” segment.
— With the cameo Amy made at the end of the preceding season, her randomly co-anchoring ALL of the Weekend Update Thursdays from earlier this season (a decision from SNL that I still don’t understand to this day), and now her cameo in tonight’s episode, I remember it felt to me back at this time in 2009 like Amy never left the show in the first place. We’re clearly in the era of recently-departed cast members being afraid to cut the proverbial umbilical cord after leaving the show. I take a lot of issue with that. Fred would be one of the absolute WORST at this, making a countless number of unnecessary cameos the season (season 39) after he leaves. I’m pretty sure his total amount of airtime that season is higher than that of some of that season’s featured players (e.g. John Milhiser).
— Hate to say it, but a lot of Amy and Seth’s quips during tonight’s “Really?!?” edition are coming off kinda meh and are washing over me. This is the second consecutive subpar “Really?!?” edition they’ve done together (the first one being in the preceding season’s finale).
STARS: ***


WEDDING RECEPTION
Penelope’s hyperbolic attention-seeking upstages newlyweds at reception

— A fairly funny bit with Penelope wearing horse blinders.
— I’ve been tolerant of Penelope’s shtick for a long time, despite its one-note nature, but it’s actually coming off fairly tiring tonight. Even the audience seems to somewhat agree with me, as they’re usually more responsive during these sketches. I’m still getting some laughs, though.
STARS: **½


SCARED STRAIGHT
joyriding teens aren’t fazed by Lorenzo McIntosh & fellow con (host)

— Feels odd seeing this recurring sketch appearing so late in the show.
— Oh my god at the initial visual of Taylor dressed like…THAT.
— This has to be the shortest that Andy’s hair has looked up to this point in his SNL tenure. This is noteworthy given the trademark shaggy hair Andy was known for having in his preceding seasons.
— Feels a little odd seeing Taylor Swift participating in prison rape jokes, but perhaps that shows what a game host she is.
— I like Jason’s “Gave you guys WAY too much leeway on that one!” line after Kenan and Taylor’s rape-related Sound Of Music song bit.
— There goes Bill’s now-obligatory character break when Kenan and the host gang up on him in these Scared Straight sketches. After recently seeing how badly he lost his composure during the dress rehearsal version of the Shia LaBeouf installment of this sketch, shown as a Bud Light Golden Wheat-sponsored clip in one of the commercial breaks of the preceding Gerard Butler-hosted episode, Bill’s laughing in this sketch seems very tame.
— A big laugh from the “1.21 jizz-a-watts” line during the Back To The Future bit.
— Now we get the also-now-obligatory character break from Bill, Andy, and Bobby when Jason hops up onto his desk in a sitting position in these Scared Straight sketches. This time, even Jason himself cracks up.
STARS: ***


ROOMIES
boyfriend (ANS) feels excluded by (NAP)’s close bond with roommate (host)

— Andy (and his new short hairstyle) is all over tonight’s episode. Talk about making up for his absence in the preceding episode.
— Nice to see such a big showcase for Nasim. I believe this is the first actual sketch she’s had a lead role in, after previously having a lead role in a Weekend Update commentary earlier this season. She’s been fitting in on SNL really well so far. (Fellow newbie, Jenny Slate, on the other hand, made her ONLY appearance of tonight’s entire episode in a pre-taped bit role in the Digital Short.)
— A good conceit with Taylor and Nasim’s overly-clinginess with each other, and how it shuts Andy out.
— I saw it coming a mile away that Taylor (who’s in the other room) was going to be revealed as the person on the other end of the phone call that Nasim receives.
— Much like the T.R.A.A.A.P.D. sketch earlier tonight, there’s a lot of solid relatable humor here. I’m even getting a fair amount of slice-of-life vibes from this, which, as I’ve said other times, is so rare at this point of SNL’s run, even if this particular sketch doesn’t have the semi-dramatic tone that SNL’s slice-of-life sketches from the 70s and 80s had.
— I love the bit with an emotional Nasim being dragged on the floor while grabbing onto the blanket that a walking-away Taylor is holding, made even funnier by how Nasim is also dragging the couch behind her via her feet.
STARS: ****


MUSICAL GUEST INTRO

— Something seemed to go awry during this part. This musical guest intro opens on a typical far-away shot of the musical guest stage while some stagehands are strangely seen in the shot, but there’s nobody in front of the camera to introduce Taylor’s performance (usually in the 90s and onwards, a cast member or special guest introduces the musical performances if the musical guest also happens to be that night’s host), and there’s an awkward stretch of silence with nothing happening. Then the mic’ed, off-camera voice of who appears to be Amy Poehler giggles loudly, then, while still off-camera, shouts out a half-audible “Once again, Taylor Swift!”, then Taylor begins her musical performance. What the hell happened there? Why wasn’t Amy (or whoever that was) onscreen during this intro, and why was there a long delay before it?


MUSICAL PERFORMANCE
host performs “Untouchable”


BUNNY BUSINESS
star-laden soundtrack relegates movie to an afterthought

— The first of a series of occasionally-appearing sketches.
— Funny Randy Newman impression from Fred.
— Absolutely spot-on Natalie Merchant from Kristen.
— I love seeing Taylor doing an impression of Shakira, given the fact that Shakira was the musical guest in the preceding episode, and I’m always a sucker for SNL spoofing hosts or musical guests right after they were on the show. Taylor’s even wearing what appears to be the same outfit Shakira wore in the preceding episode, and is spoofing the “She Wolf” song that Shakira performed in that episode. On top of that, Taylor’s Shakira impression is a lot of fun.
— Yet another sketch appearance tonight from the omnipresent Andy Samberg.
— Bill’s facial expression as Eddie Vedder is very funny.
— Oh, no. Just when I was enjoying everything in this sketch, we get a Kenan In A Dress alert, doing a groan-worthy take on Jennifer Hudson.
— An overall mostly fun sketch, but it went on a little too long, and the Kenan-in-drag bit was a poor way to end this.
STARS: ***½


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A pretty solid episode. While not without its clunkers, this episode was mostly good and had several strong high points, especially in the pre-Weekend Update half. Considering her young age and lack of much acting experience, Taylor Swift did an impressive job as a host, being surprisingly very good in every single sketch, and committing to every single role. She also added well to the atmosphere of this episode, giving the show a fun, likable feel.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Monologue
T.R.A.A.A.P.D.
Firelight
Roomies
Carter N’ Sons BBQ
End Of An Era
Bunny Business
Scared Straight
Weekend Update
The View
Wedding Reception
Hollywood Dish


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Gerard Butler)
a step up


My full set of screencaps for this episode is here


TOMORROW
The notorious January Jones episode

Posted on

October 17, 2009 – Gerard Butler / Shakira (S35 E4)

Segments are rated on a scale of 1-5 stars

THE ROCK OBAMA
health care obstructionists turn Barack Obama (FRA) into The Rock Obama

— An out-of-nowhere reprisal of The Rock Obama sketch from the preceding season.
— This feels a little empty without Andy’s Rahm Emanuel devilishly encouraging Obama to “get angry!” like he did in the first installment of this sketch. Speaking of Andy’s absence, we won’t be seeing him AT ALL in tonight’s episode. He was reportedly feeling under the weather this week and wasn’t able to do the show.
— And with this random sketch reprisal, we now, of course, get a Dwayne Johnson cameo. Always welcome to see him on SNL.
— Bill’s delivery of “He turns into…The Rock Obama!” was surprisingly weak. See, this is why we need Andy in this sketch.
— Funny bit with The Rock Obama clapping and responding “Hahahaha! Me like dog!” when making Bill bark like a dog.
— The arm-ripping/“Better call your insurance!” bit was HILARIOUS.
— After being stuck in Non-Speaking Bit Part Hell for the last two episodes, Jenny FINALLY gets her first speaking role in a live sketch since her notorious F-bomb from three episodes prior.
— The timing seems kinda off during the early portion of Jason-as-Joe-Biden’s conversation with The Rock Obama.
— I like the detail of Jason’s Biden yelling “Geroni-joooeeeeee!” when jumping through the wall.
STARS: ****


MONOLOGUE
host fends off attackers while singing “The Music Of The Night”

— Gerard Butler announces in a VERY excited manner that he’s the first Scotsman to ever host SNL. I recall an online SNL fan back at this time in 2009 pointing out that that’s NOT true. According to that fan, former hosts Alan Cumming and at least one other person (I forget who) are Scottish.
— Musical monologue? Uh-oh.
— Some okay sudden turns with Gerard occasionally fighting with enemies mid-song.
— Kristen’s walk-on noticeably gets big applause from the audience. Back when this originally aired, I took that as a sign of Kristen’s huge popularity, but then somebody online pointed out to me that the applause might’ve just been because Kristen was walking on as a Phantom Of The Opera character.
STARS: **½


FUQUAY SATIN’S GRAND HOOCHIE SKANK ROSÉ
Fuquay Satin’s (KET) skank rosé is ass-pouringest champagne

— An interesting and different-feeling SNL commercial for this era.
— Solid performance from Kenan. In hindsight, this feels like a warm-up for a big breakout moment Kenan will be having later in this episode with a certain sketch.
— Funny line from Kenan at the end regarding the drink tasting funny after being poured down someone’s ass.
STARS: ***


GAME TIME WITH RANDY AND GREG
alien Greg’s tail keeps conversation away from sports topics

— Odd how this is another sketch tonight that’s brought back from the preceding season’s Dwayne Johnson episode. This time, Dwayne himself has no involvement in this sketch, despite being in the building tonight. The co-host character he played in the first Game Time installment has been replaced with a co-host played by Kenan. As I pointed out in my review of the first installment of this sketch, the interesting thing about Kenan’s new co-host character is the fact that it’s the same character he played at the very end of the first installment of this sketch, who was introduced as the show’s upcoming guest. Nice continuity and attention to detail.
— Despite the “Game Time With Dave and Greg” title from the first installment now being “Game Time With Randy and Greg” in tonight’s installment (as can be seen on the TV screen in the background of most of the above screencaps for this sketch), this inexplicably still opens with the “Game Time With Dave and Greg” title screen by mistake (the first above screencap for this sketch). Wow. I nitpicked the Celebrity Family “Fued” typo in the Ryan Reynolds episode earlier this season, but that’s minor compared to this. How the heck did this “Dave And Greg” gaffe get past SNL’s editors? This would at least later be fixed in reruns.
— Love the bit with Kenan making tongue-clicking sounds to calm Bill’s Greg character down after his tail has appeared onscreen. The very distinct, loud, standout laugh from an audience member during this part makes it even funnier to me.
— While tonight’s Greg rehash is definitely still working, it seems kinda lazy for SNL to reuse the Game Time setting. There was a cut-after-dress-rehearsal sketch from the preceding season’s Zac Efron episode in which Greg, in what would’ve been his second-ever appearance, was put in a completely different setting as the co-host of a children’s show. (A publicity photo of this cut sketch was even shown online somewhere shortly after that episode’s original airing, but after 11 years, I can’t remember where I saw it, nor do I know if it’s still available. Maybe GettyImages has that photo nowadays, though.) So it seems that, at one time, the plan was for SNL to place Greg in different settings in each appearance he would make. However, since SNL deemed that aforementioned Zac Efron sketch not good enough to make it on the air (someone who attended the dress rehearsal of that episode claimed the sketch was actually great), I guess they decided to lazily play it safe by keeping Greg in the original Game Time setting.
— Like the first installment of this sketch, Seth has a rare non-Weekend Update role as the voice of a caller.
— Greg’s freak-out over Gerard grabbing his tail is absolutely priceless.
STARS: ****½


BEAUTY AND THE BEAST
Beast (host) thinks Belle (KRW) isn’t a Beauty since she lacks a big ass

— Great make-up on Gerard.
— I like Kristen’s facial reaction to Gerard’s “I can hardly wait until your transformation” line.
— Funny reveal that Gerard’s Beast is under the impression that Kristen’s Belle is the beast.
— Hilarious turn with Gerard’s Beast bluntly disclosing “I like a big ass.”
— Very funny performance from Bill as Lumiere, and I love his line about once dating a menorah.
— Great line from Bobby’s Cogsworth about a “3:45 ass”.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “She Wolf”


WEEKEND UPDATE
enlisted New Jerseyite same-sex couple won’t tell, prefers you don’t ask

Heene family balloon hovers by SEM in search of additional media coverage

SEM translates host’s Scottish-accented message to his family back home

Persistent Genital Arousal Disorder sufferer (KRW) gets stimulated

— (*groan*) Another appearance from the New Jersey Gay Couple. Thankfully, this ends up being their final appearance.
— Ugh, the New Jersey guys’ joke about gay soldiers being stationed at Fort Dix was groan-worthy enough the first time SNL used it, decades prior in the “At One With…” sketch with Joe Piscopo and Charles Rocket in the season 6 premiere.
— The bit with Seth being interrupted by the balloon from that infamous Balloon Boy hoax (man, does that take me back) is…odd. No idea what else to say about it.
— Very rare to see an SNL host do an Update commentary as themselves.
— Some of Seth’s translations of Gerard’s native Scottish message are pretty funny.
— Meh, an obvious joke with Kristen’s Persistent Genital Arousal Disorder sufferer eventually stifling orgasms during her commentary.
— Continuing tonight’s theme of audience members with a standout loud laugh, one audience member’s very noticeable constant laugh during one of Kristen’s stifled orgasm faces is making me laugh more than Kristen’s stifled orgasm face itself is.
— I did like the “Oh, that doesn’t help” response from Kristen when Seth tries to quell her orgasm-related grief by putting his hand on her shoulder.
STARS: ***


300
Leonidas (host) addresses Don’t Ask Don’t Tell with all-gay Spartan army

— A topical “Don’t ask, don’t tell”-themed 300 sketch? And right after Seth made a cheap joke just minutes ago on Update about 300 being “gay”? (*groan*)
— Another groan from me, at Fred doing his ol’ “lispy gay voice” routine once again.
— Fred and Bill playing another gay couple tonight? Really?
— I got a cheap laugh (my first laugh of the whole sketch) from Bobby in that stomach-baring outfit.
— An actual FUNNY bit right now, with Jason’s revelations of why he did all the homoerotic things he did with Gerard’s Leonidas. Even just the mere smug smile on Jason’s face during this part is cracking me up.
STARS: *½


WHAT UP WITH THAT?
singing & dancing bumps panelists; James Franco cameo

— Ladies and gentlemen, we have a major recurring sketch debut!
— There seemed to be a big audio glitch at the beginning. Funny to see in hindsight that a sketch that would go on to become such an iconic recurring sketch almost opened with huge technical difficulties.
— Feels fascinating to now look back at this What Up With That debut, back when SNL probably had no idea how huge it would become. I also haven’t watched a What Up With That sketch in literally YEARS, so it’ll be fun to re-live this.
— I love Kenan going into SNL’s audience during his singing just now.
— Speaking of SNL’s audience, actress and future SNL host Saoirse Ronan can be seen in the audience (to Kenan’s right in the sixth above screencap for this sketch).
— Oh, now this sketch has REALLY begun to take off! We get our very first sighting of Jason’s red tracksuit dancing character, the true MVP of these What Up With That sketches (which is saying something).
— Kenan is so damn fantastic in this sketch that he even managed to make his accidental flubbing of his intro of Abby (in her only appearance all night) come off funny instead of cringeworthy. I also like Abby’s facial reaction to that.
— An absolutely classic crazy-eyed look on a now-sweaty Kenan (the ninth above screencap for this sketch) when he’s occasionally rhythmically repeating random key words from what Abby’s saying.
— Damn, this sketch is getting more and more infectiously fun.
— Hilarious walk-on from Gerard as “The Sex-ecutioner”.
— I love Will’s announcer character from earlier in this sketch now walking on while doing The Robot.
— Very fun dance from Kristen.
— Ha, we see our very first instance of Bill’s Lindsay Buckingham getting bumped, which, even in this inaugural What Up With That installment, we’re told happened various times before.
— Overall, what a fucking blast. I’m not sure how I’ll react to the (many) subsequent installments of this sketch in proportion to tonight’s first installment, but this first installment was absolutely perfect to me. I’m sure I’ll find the subsequent installments to be very fun, but probably not quite as magical-feeling as this first installment. We’ll see, though.
— This sketch is said to have been an official huge turning point for Kenan. There was a whole article a few years ago featuring people from SNL talking about how this What Up With That debut was the important moment in which Kenan finally found his voice as an SNL performer, and gradually started to become the reliable SNL veteran he’s considered by many to be today.
STARS: *****


COTTAGE CHEESE IDEAS
new secretary Trina unhelpfully interrupts (host)’s meeting with (JAS)

— (*groan to end of all groans*) Kill me. The second (and thankfully final) appearance of motherfucking Trina, a.k.a. the motherfucking “Thomaaassss!” lady, a character that always induces some of the saltiest, most acid-spewing rants from me that I’ve ever given in any of my reviews in my SNL project. How does SNL follow up the classic debut of What Up With That with THIS?!? Talk about mood whiplash.
— Why does Trina always seem to associate with men named Thomas? At first, I thought Gerard was playing the same Thomas that Steve Martin played last time, who was Trina’s husband, and I assumed we were supposed to ignore the fact that Gerard’s Thomas looks ABSOLUTELY NOTHING like Steve’s Thomas, but then just now, Gerard said something about having hired Trina for this job, which shows that he’s NOT her husband like Steve’s Thomas character was.
— Two-and-a-half minutes into this sketch, and man, what the hell am I watching?!? (*sigh*) It never ceases to amaze me how absolutely barren the material for this god-awful Trina character is. Like I said in my review of the first installment, it feels like they seriously threw Kristen out there with literally NO writing at all, just an annoying quirky character that Kristen (who has gone on record saying she herself hates this Trina character) was forced to awkwardly ad-lib her way through, as if that alone is supposed to carry a 4-minute sketch. And also like I said in my review of the first installment, these sketches are a whole bunch of NOTHINGNESS. It’s a fucking joke that these two Trina sketches ever made it on the air.
— The actual Jason Sudeikis/Gerard Butler pitch meeting portions of this sketch, as brief as they are, seem promising enough to make a sketch of their own, without the mind-numbing Trina stuff.
— As I’ve disclosed in my reviews lately, I’ve recently been starting to surprisingly warm up to some Kristen Wiig characters and impressions who I previously hated the HELL out of (Kathie Lee Gifford, Target Lady, Gilly). Well, that sure as hell ain’t happening with this Trina character.
— I got a genuine laugh just now from Jason beginning a statement to Gerard by asking him “Uh…Thomas, is it?”, after Trina referred to him as Thomas a zillion times throughout the sketch. Unfortunately, the laugh I got from that line of Jason’s still isn’t enough to make up for how awful this sketch in general is.
— End my misery, SNL. I am BEGGING you. This sketch is seriously starting to give me a headache. My look while watching this sketch is starting to match how Gerard’s character looks right now (screencap below).

— Ugh. As further proof of how ridiculously lazy the writing of this sketch is, they have Jason, right before leaving, respond to Gerard desperately asking him not to tell anybody about the absurdity he witnessed from Trina by saying “I feel like I will. Just bein’ honest”, which is the EXACT SAME exchange that previously happened between Steve Martin and Casey Wilson in the first installment of this sketch. How are you just going to straight-up reuse that exchange? Man, fuck this sketch.
— What a stupid and lame ending with Gerard and the pen cap. “Ohh. This IS for this!” I bet Gerard felt so dumb having to perform that portion of this sketch (if not the whole sketch).
STARS: * (I wonder if this is the first time in my SNL project that a segment I gave a perfect five-star rating to was immediately followed by a segment I gave a lowest-of-low one-star rating to. I think the closest this happened before is two separate episodes in the late 90s/early 00s era in which a Celebrity Jeopardy sketch I rated five stars was immediately followed by a god-forsaken Pretty Living sketch that I gave a one-and-a-half-star rating to. Right now, Pretty Living is looking almost downright tolerable compared to the Trina dreck I just sat through.)


MUSICAL PERFORMANCE
musical guest performs “Did It Again”


DAVEHEART
movie chronicles William Wallace’s cowardly brother Daveheart (host)

— Odd how this is the second sketch tonight with the male cast playing a group of soldiers and Gerard playing their leader.
— An okay concept with Gerard as a cowardly version of Braveheart.
— Gerard freaking out over the goat made me laugh, but this sketch in general is starting to feel like it’s running out of steam.
— A surprisingly large amount of live speaking roles tonight for Jenny.
— This sketch continues to run out of steam, as I’m not caring much for the scene with Gerard locked up in chains.
STARS: **


GOODNIGHTS

IMMEDIATE POST-SHOW THOUGHTS
— A strong first half (despite two of those strong sketches being rehashes), but the quality really dropped off in the post-Weekend Update half, aside from an epic debut of What Up With That.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
What Up With That?
Game Time With Randy And Greg
The Rock Obama
Beauty And The Beast
Fuquay Satin’s Grand Hoochie Skank Rosé
Weekend Update
Monologue
Daveheart
300
Cottage Cheese Ideas


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Drew Barrymore)
a mild step up


My full set of screencaps for this episode is here


TOMORROW
Taylor Swift