April 12, 1980 – Burt Reynolds / Anne Murray (S5 E16)

Segments are rated on a scale of 1-5 stars


COLD OPENING
host claims not to be upset over not being nominated for an Oscar

   

— Laraine to Burt: “You’re still number 1 in my box office.” Nice little double-entendre there.
— Garrett’s comment about Burt being “the [n-word] of Hollywood” was freakin’ hilarious.
— What is up with Burt always amusedly repeating the cast’s funny lines after they say it?
— I got a pretty good surprised laugh from Burt slamming Gilda’s head against the locker door and then stuffing her into the locker. Burt’s taking a page out of John Belushi’s playbook, I see.
— I like how Gilda delivered LFNY from inside the locker.
STARS: ***


MONOLOGUE
during chat with audience member, host’s preferred topic is himself

 

— I like the home base stage’s latest addition of a graffiti-covered black wall with a red gate in front of it, which, IIRC, becomes the new spot where the hosts do their monologues in front of for the remainder of the season.
— Was Burt’s “no open nasal passages” line a cocaine-snorting joke? Also, he repeated that line in a louder tone after it failed to get a big audience reaction. Man, what’s with his bad habit of repeating punchlines tonight?
— Audience member: “Go Gators!” Burt: “I didn’t bring you up here to do any of that kind of crap.”
— Burt playing off of the audience member’s “slowness” has a few laughs, but Burt making every conversation topic about himself isn’t working for me and he’s not coming off very likable.
STARS: **


FAN
(BIM) & (JAC) allow young daughters (LAN) & (GIR) to sleep with host

  

— Gilda’s funny as the younger sister.
— I’m not sure about this sleazy premise. I suppose it’s fitting for Burt Reynolds, but didn’t we just HAVE a sketch dealing with a host being in a creepy sexual relationship with an underage girl? (the “Manhattan” parody with Rodney Dangerfield)
— Overall, I didn’t care for this sketch. Too easy a premise to do with Burt, and something about this sketch felt like it was made to stroke his ego.
STARS: **


ROMAN VOMITORIUM
in ancient Rome, (host) tries to pick up women in a vomitorium

     

— Oh, boy, here’s an infamous sketch that I’ve always been morbidly curious to see. I think it’s widely considered a prime example of how far the writing had fallen this season.
— Bill doing his reliable talking-out-the-corner-of-the-mouth routine.
— Man, is Burt going to be playing the same type of sleazy, skirt-chasing role in EVERY sketch tonight? Almost makes me feel like I’m watching a rerun of the season 3 Hugh Hefner episode, where a lot of sketches had a Playboy theme with Hef playing himself.
— Good lord at this sketch so far…..
— Laraine playing a character named Anorexia, a role she fits like a glove. I don’t know whether to find that funny or sad.
— Al Franken’s walk-on makes me wonder, is this a Franken and Davis-written sketch? Their writing IS said to have gone downhill this season, which would certainly explain this sketch.
— I admit, Harry’s off-camera froggy-sounding vomiting just now had me laughing out loud.
— Was Burt’s “Toga toga toga” line an Animal House reference? It received light applause from some audience members.
— Boy, that ending with Bill scooping up vomit from one of the tubs and putting it into a basket…..
— Overall, the only words I can find to say is: Jesus Christ. Also, this feels like something that would’ve aired in any of the three infamous “disaster seasons” of the show.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “Lucky Me”


WEEKEND UPDATE
Father Guido Sarducci dislikes animals’ lack of gratitude toward mankind
BIM selects Oscar winners in his trademark style

     

— Father Guido Sarducci’s pigeon/statue comment was fairly funny.
— I kinda like the idea behind Sarducci delivering a message to dogs at home.
— Overall, Sarducci’s commentary wasn’t TOO bad; I’ve seen worse from him this season. But man, they still need to cut back BIG-TIME on the number of his appearances.
— Yes, the return of Bill’s annual Oscar predictions! I always enjoy this segment, and judging from the instant audience applause when Bill brought out his board of predictions tonight, the audience does too. Considering Bill (and everyone else in the cast) is going to leave SNL a few episodes from now, this ends up being his final time doing this Oscars segment as a cast member. He would bring it back in a few of his future hosting stints, however.
— The Flying Nun comment about Sally Field was really funny.
— Bill continues his tradition of giving short-shrift to the supporting actors/actress categories.
— Overall, another great Oscar predictions segment from Bill.
STARS: ***


DELIVERANCE II
undercover cop (host) looks for homosexual hicks

       

— Now we get a gay camping sketch tonight? Geez, what’s with all the lowbrow sketch premises in this episode?
— Ha, the inclusion of Anita Bryant in a sketch like this is automatically funny.
— What was with the collapsing light that was being shone from off-camera?
— Jane’s outburst over Burt turning down a glass of orange juice is great.
— Jane as Anita Bryant: “I don’t know who I hate more: homosexuals or the scum who only think orange juice is for breakfast.”
— “Deliverance II”. Ah, I should’ve seen that twist coming, considering Burt’s involvement. I’m now more excited about this sketch’s premise, as Deliverance is usually always good parody material.
— Several technical errors in this sketch so far.
— Heh, that chroma-keyed boat-rowing effect looks incredibly fake.
— LOL at Paul Shaffer’s make-up as the inbred banjo player.
— Harry’s San Francisco comment was really funny.
— Eh, that ending with all the guys going in the tent together…
— Of course, we get a Village People song to close out the sketch.
— Overall, not too great as a whole, despite some individual laughworthy parts here and there.
STARS: **½


THE BURT BOOK
The Burt Book’s pics of host get women through those lonely nights

   

— Decent concept.
— Burt saying one of his turnoffs is people with large runny boils in their neck was really funny.
— Heh, Laraine being shown moving her hand under the bed covers while eagerly reading the Burt Book……
STARS: ***


STREET SCENE
by Andy Aaron- off-screen director coaches pedestrians

   

— Hmm, a non-Tom Schiller film.
— Ha, holy hell at the building actually collapsing.
— The aggressive director’s voice is making me laugh.
— Overall, a strange film, but kinda funny. Felt like something that would’ve appeared on the show in the early 80s. Maybe I feel that way because this reminds me of the later “Push Button to Explode Building” short with Tom Davis. That one WAS from the early 80s, right?
STARS: **½


PEPPERS
daughter (LAN) & other Peppers convince (BDM) & (JAC) to join the cult

     

— I’ve always heard good things about this sketch.
— Bill’s cheesy teenage delivery is funny.
— Loved the brief part with the teens’ rhythmic walking in unison (which I’m assuming is based on the choreography of a then-current Dr. Pepper ad).
— Good ending with everybody singing a Dr. Pepper commercial jingle together while dancing their way off the set.
— Overall, this was pretty strong. Feels like the first sketch I’ve felt highly about all night.
STARS: ****


ARGUMENT
party etiquette breach gives couple (host) & (GIR) a reason to argue

 

— Are we in for a slice-of-life couple sketch?
— I liked Gilda’s grammatical word-by-word breakdown of her sentence “It has nothing to do with you”.
— The heated “listen to me” back-and-forth between Burt and Gilda is weird as hell.
— Overall, this was stranger than the usual slice-of-life pieces from this era, but I guess I liked it enough, though they almost lost me at some parts.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Why Don’t You Stick Around”


BABA WAWA AT LARGE
Marlon Brando (host) pigs out during interview

— Surprised to see this. I had assumed the “Baba Wawa At Large” sketches were long retired by this point. I can’t even remember when the last time they did this sketch was.
— Oh my god at Burt as a huge, bed-ridden Marlon Brando.
— I like seeing Burt in a very un-Burt Reynolds-type role, but his Brando impression doesn’t hold a candle to Belushi’s.
— Someone in the audience can be heard loudly repeating Burt’s yelling of “Stellaaaa!”
— Overall, a forgettable sketch. I really wanted to like this more than I did.
STARS: **


GOODNIGHTS

 


IMMEDIATE POST-SHOW THOUGHTS:
— After a big upswing in quality with the last episode, we’re unfortunately back to the usual season 5 shakiness. Not a very good episode tonight, most of the sketches left me underwhelmed, and one of them was flat-out terrible (Vomitorium). The Dr. Pepper piece was pretty much the only sketch I was crazy about.
— Burt Reynolds had a rough start in the first few sketches, playing the same type of role and having an off-putting habit of repeating punchlines for no apparent reason. He got a little better as the night went on, but he still wasn’t anything great overall.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Richard Benjamin and Paula Prentiss):
— a pretty big step down


My full set of screencaps for this episode is here


TOMORROW:

Strother Martin

January 10, 1976 – Elliott Gould / Anne Murray (S1 E9)

Sketches are rated on a scale of 1-5 stars

COLD OPENING
a chain reaction in The Dead String Quartet causes cellist (CHC) to fall
   
— The inactive, silent beginning of this with the dead quartet just sitting there is giving me a big laugh, and it’s also funny hearing the audience reaction during it.
— Oh, that was absolutely great just now, with the very slow chain reaction of each quartet member tipping to the side while “playing” a slight musical note, culminating in Chevy doing a particularly funny fall at the end.
— Overall, that was brilliant. My favorite cold opening of the season so far.
STARS: ****½

OPENING MONTAGE
— “New talent Franken and Davis”. It looks like this episode is when those two start doing their recurring comedy segment.

MONOLOGUE
host sings “Let Yourself Go” & “Crazy Rhythm” before tap-dancing
GIR tells host that she had a wonderful time with him last night
 
— Kind of a weird beginning to this, but he’s carrying himself well and showing interesting stage presence right out of the gate.
— I guess this counts as SNL’s very first instance of what’s usually my least favorite monologue trope: the host singing and dancing. Since it was a new thing for monologues back at this time, I’ll go easy on this.
— Despite the fact that this is a non-comedic performance, Elliott’s doing a great job and is actually making me get into this song. The studio audience is loving it too. Oh, and now he’s tap-dancing? Impressive.
— Gilda’s back-and-forth with Elliott about “last night” took this into a different direction, and was charming like most sketches with Gilda playing herself are. However, I kept expecting some kind of twist during their conversation, but then it just ended.
STARS: ***

TRY-HARD 1-11
— rerun

INTERIOR DEMOLITIONISTS
interior demolitionists (host) & (CHC) wreck the home of (JAC) & (DAA)
 
— I’m loving this random premise.
— This got even funnier just now with the handheld wrecking ball used to destroy the TV.
— Loved them cutting down the chandelier just to break the table under it.
— Strange when the couch barely moved when it “exploded”. Was there a special effects failure there?
— Dan coming downstairs and reacting angrily to all the mess is great.
— Was it intentional for the vase NOT to break when Jane threw it at the wall?
STARS: ****

GODFATHER THERAPY
support group members Vito Corleone (JOB) & Sherry discuss their troubles
 
— Oh, THIS, the “Vito, you’re blocking” sketch. I’m happy to finally get to see it, after hearing great things about it for years.
— Ah, now Laraine’s Sherry character has the familiar blonde wig that she was missing in her first appearance earlier this season.
— John is doing a fantastic Godfather impression, and his performance is cracking me up a lot. This is another sketch that’s proving to me that he had a lot more range than just the wild performances I remembered most from him.
— Great line just now with the ASPCA going after Vito for “this horse thing”.
— The non-verbal orange-peel-in-the-mouth enactment was insane and very funny.
— Laraine’s doing an excellent job with her whole long spiel.
— Overall, this sketch definitely lived up to all of the hype.
STARS: *****

NEW SHIMMER
new Shimmer can be used as both a floor wax & a dessert topping
 
— Ah, and here’s another well-known piece from this era that I’ve never seen for myself until now.
— This is already very funny, with Dan and Gilda’s bickering at the beginning.
— Interesting seeing Chevy play a commercial pitchman.
— All-in-all, a very funny and cute ad.
STARS: ****½

PLAY MISTY FOR ME
by Gary Weis- lounge pianists perform interpretations
 
— Another serious, non-comedic Gary Weis film. This isn’t having anywhere near the same effect on me that his touching “Homeward Bound” short had, but I like the structure of this one, with the back-and-forth cutaways to different performances of the same song.
STARS: ***

GILDA & ELLIOTT
GIR tells host that she meant everything she said to him last night

— Ah, a continuation of the storyline from the monologue. Now I see why the monologue ended so abruptly when I expected there to be a twist.
— This was too short to give a rating to, as it just segued into introducing the musical guest performance, but I always like when SNL does a running storyline throughout an episode.
STARS: N/A

MUSICAL PERFORMANCE

WEEKEND UPDATE, PART 1
CHC again reaches Angelo’s Pizza during attempt to reach Angola
LAN reports from Cape Canaveral on attempt to dump nerve gas into space
 
— “I’m Chevy Chase and you’re not” got absolutely no audience reaction just now.
— The Angola/Angelo’s Pizza bit from the last Update wasn’t really necessary to repeat a second time.
— The gradual explosion of the deadly gas-loaded rocket behind Laraine had a very slow but hilarious build-up.

JAMITOL

— Rerun. Weird that they would re-air this in the middle of Update, since this ad stars Chevy as a character.

WEEKEND UPDATE, PART 2
CHC & wife MOD have a domestic squabble at the newsdesk
as a safety measure, CHC volunteers to test marijuana sent in by viewers
a look at some early designs of the new NBC network logo
as an aid to foreigners, CHC repeats the top story in a foreign language
 
— Ah, the Jamitol storyline is continuing into Update! Chevy and Michael’s argument at the Update desk was funny. Interesting how they played it off like they were actually playing themselves in the commercial.
— Yet another “toyboat” ad-lib when Chevy flubs a joke.
— Good bit with Chevy informing viewers to mail any “killer dope” to his home address.
— Hmm, him doing a “News for the Foreigners” bit. So I take it they finally realized how much they were overusing the “News for the Hard of Hearing” bit. Thank god, because MAN was I getting tired of seeing that in every Update.
STARS (FOR BOTH WEEKEND UPDATE HALVES): ***

THE KILLER BEES
Killer Bees take (GIR) & (CHC) hostage in an attempt to get pollen
LOM finds reason for poor camera work- drunk director Dave Wilson [real]
GIR introduces host to her mother (Paula Kahn)
     
— The random Sandy Duncan ad on the radio gave me a good laugh.
— I’m liking this new variation of the Bees running gag.
— The right end of the “The Killer Bees” logo looked like it was cut off.
— Haha, this is great, with them dropping character and breaking the fourth wall regarding the camera staying on the wrong shot.
— Ah, we have Lorne Michaels’ very first on-camera appearance.
— As the camera’s following Lorne backstage while the cast is talking off-camera about Lorne losing his temper, I got an unintentional big laugh just now from whoever’s voice that was (I think Chevy) mistakenly saying “I’ve seen Elliott mad, but… uh, I mean, Lorne, not Elliott…”
— This is also, I believe, SNL’s very first instance of showing someone walking through the halls backstage.
— Lorne arriving in the control room and finding a drunk Dave Wilson is hilarious! Man, I’m loving this.
— I love John’s mock-dramatic “He’s in there… firing… his own father” speech.
— Right now, this segued back into the Gilda & Elliott storyline, which is pretty funny, though I feel it’s slowing down the great momentum of where this sketch had been going before then.
— I’m assuming that’s just an actress and not Gilda’s real mom.
— Man, this was one jam-packed sketch.
STARS: ****

A FILM BY ALBERT BROOKS
(James L. Brooks) & other audience researchers study Albert Brooks [real]
   
— This is going to be his last SNL short, eh? I’ve actually enjoyed his work this season, aside from whatever that “Sick in Bed” short was supposed to be.
— The visual quality of this is noticeably a lot better than most of his other shorts.
— No big laughs so far, but I’m enjoying this.
— His frustration with the old couple viewing him via satellite is funny.
— Great part with that one guy vehemently going on to Albert about how he hates him.
— If this really was Albert’s last short, he left on a pretty good note. Overall, he added a unique voice to these early SNL episodes.
STARS: ***

GILDA & ELLIOTT
GIR asks host to consider the possibility of marriage

— The “Mr. Gilda Radner” line was pretty funny.
— Another charming continuation of the storyline.
STARS: ***

JIM HENSON’S MUPPETS
affair of Scred & Peuta is jeopardized when Ploobis becomes suspicious

— Neither this nor the preceding episode’s Muppets segment opened with the usual intro sequence. I wonder if it’s because Jim Henson and/or SNL have become aware that a lot of people have been hating these sketches.
— Yet ANOTHER bad ending punchline from The Mighty Favog.
— Overall, this installment wasn’t exactly horrible, but I still didn’t like it at all. I’ve gone easy on the first few Muppets sketches this season, but I knew it wouldn’t be long until I’d start understanding why everybody hated them. The Richard Pryor episode is when I officially reached that point. And to think, I still have the rest of the season to put up with this! Why does Albert Brooks have to leave mid-season, but not THESE guys?
STARS:

BIRTHRIGHT
doctors (DAA) & (host) explain their preferred birth methods
 
— Hmm, the set-up of this is going on so long, I can’t predict where this is headed.
— Okay, after Dan’s calm, conventional birthing technique, I can predict what the joke will be: Elliott’s technique will be chaotic and loud.
— Yep, I was right. Even though I saw it coming, it was still pretty funny.
STARS: ***

MUSICAL PERFORMANCE

FRANKEN AND DAVIS
ALF & TOD present alternate society in which Indians stereotype whites
 
— Nice to see them actually appearing, and not doing another Pong voice-over bit again.
— The ‘alternate universe’ in which Indians won instead of the whites is an interesting concept.
— The racist white team names are all very funny.
— Overall, a good segment, and knowing that “the comedy team of Franken and Davis” goes on to become a recurring feature on SNL this era, this first appearance was a nice way to introduce them to viewers.
STARS: ***

GOODNIGHTS
at closing, a priest (MOD) marries GIR & host
 
— Oh, wow, this sudden “wedding” came out of nowhere and is a funny way to end the show. I like that the Gilda/Elliott storyline built up to this.
— Dave Wilson’s name being crossed out during the scrolling credits is a great reference to his “firing” earlier.

_______________________________

IMMEDIATE POST-SHOW THOUGHTS:
— A very solid episode. The first half was especially strong, featuring some all-time well-remembered pieces like Godfather Therapy, Shimmer, and The Dead String Quartet. There was also a great post-WU Killer Bees sketch that had a fantastic meta turn midway through.
— The impressive long streak of solid shows since episode 4 stays alive.
— The sketches must’ve been longer than what we’ve usually been seeing this season, since there was noticeably a much smaller amount of segments tonight compared to the last few episodes.
— Elliott was a fun and loose host, and the bits with him and Gilda was a nice running storyline that escalated humorously. I can definitely see why he went on to become a frequent host of this era. I can’t recall when his next hosting stint is, but knowing how things were done on SNL back in these days, I wouldn’t be surprised if it’s later this same season. As a side note, I wonder why getting someone to host multiple times in one season eventually fell by the wayside sometime in the 80s. It would be fun if they still continued that to this day.

HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Candice Bergen):
— a slight step up

My full set of screencaps for this episode is here

TOMORROW:
Another future five-timer makes their hosting debut: Buck Henry