March 12, 1983 – Bruce Dern / Leon Redbone (S8 E15)

Segments are rated on a scale of 1-5 stars

COLD OPENING
a drunk GAK laments his lack of inclusion in sketches

   

— Nice to see a cold opening centering around the running gag of hapless Gary Kroeger always getting a raw deal on SNL.
— Tim: “Hey, Gary, what’re you doing here? Did ya come to watch the show?”
— Hilarious how increasingly worse Gary’s situation keeps getting.
— Nice passionate angry outburst from Gary (“The only joke on this show is MY CAREER!!”).
— Great fake-out at the end, with Gary seeming like he’s about to commit suicide via gunshot to the head while starting to say “Live from New York…”, only for the gun he fires to pop out a flag with the words “It’s Saturday Night” (in the same font as the then-current SNL logo; nice touch). Fun way to change up LFNY as well.
STARS: ****


MONOLOGUE
host blames the moviegoing public for his psycho reputation

 

— WTF at his opening “I almost had to swim here” joke?
— Hmm, after calling himself out on the lameness of his aforementioned joke, he adds an earnest “We almost lost our house a couple of weeks ago.” Did his house recently have a severe flood?
— I like him specifying each of his disturbing movie roles.
— Great dark turn this has taken with his menacing “It’s you!” realization as he points to us viewers.
— His whole psychotic viewer-blaming rant as the camera is slowly zooming closer and closer to him is hilariously creepy. I’m loving his violent threats to us.
STARS: ****


BUCKWHEAT JEANS
they’re “O-Tay”

  

— Good twist with the person in the jeans the camera is slowly panning up to turning out to be Buckwheat. Funny to see him doing a commercial like this (especially when you know what’s going to happen to him later tonight).
STARS: ***


THE CLAMS
— Boy, they’re STILL falling back on this often-reaired commercial from season 7?


DONNY & MARIE ST. PATRICK’S DAY SPECIAL
brotherly love on Donny (GAK) & Marie’s (JLD) St. Patrick’s Day Special

 

— A very pregnant Marie…
— They mention their famous appearance on Gumby’s Christmas special from earlier this season. I always like whenever SNL makes a passing mention of a previous episode or sketch.
— A rehash of the gag where Donny and Marie’s song gradually turns into them incestuously making out with each other. It was hilarious the first time, but is it REALLY necessary to repeat? Though they did kinda up the ante this time by having Julia jumping on Gary during the makeout session, which she didn’t do last time.
— This sketch suddenly gets “interrupted” by a special report, leading us into our next segment.
STARS: not sure if I should rate this, since it’s an incomplete sketch that got “interrupted” as a set-up to the following segment, but I’ll give it a ** rating


SPECIAL REPORT
Ted Koppel (JOP) reports- Buckwheat’s been fatally shot; Texxon sponsors

         

— Ah, this is it, folks…
— There’s the now-legendary “Buckwheat has been shot” announcement & subsequent footage of the incident.
— I criticized Joe’s Ted Koppel impression in some of my earlier reviews (essentially calling his impression just “Joe Piscopo in a wig”), but his Koppel voice seems to have noticeably improved tonight. Or maybe it’s just grown on me.
— Unseen Assassin: “Hey, Mr. Wheat!” (*gunshots fire*)
— Love the wide-eyed, teeth-gritting look on Buckwheat’s face when he gets shot. Good subtle acting choice from Eddie, when most performers would’ve just made a generic anguished face when “getting shot”.
— I like the “America Stunned” graphic.
— Yet another use of SNL’s fake sponsor “Texxon” from earlier episodes.
— Excellent inclusion of Mary as Alfalfa reacting to the tragedy.
— You gotta love how they’re going all out on this whole thing.
— LOL at how Joe’s Koppel is using every excuse in the book to replay the same clip of Buckwheat getting shot. That’s a dead-on spoof of typical news coverage of tragedies like this. I also like how with each repetition, the Buckwheat assassination clip is played in increasingly slower motion.
— Joe’s Koppel has now announced the official death of Buckwheat. Wow.
— A big laugh from Texxon’s addendum to their usual “Life goes on, and Texxon is there” slogan: “Because Buckwheat would have wanted it that way”.
— A funny memoriam montage of Buckwheat.
— Overall, this epic sketch was a masterpiece and flawlessly executed. Truly deserving of its reputation as one of the best pieces in SNL history.
STARS: *****


THE HOME FOR DISGUSTING PRACTICES
host tries to play a “normal” role

     

— Ha, the opening disclaimer (“And now, a scene in which Bruce Dern doesn’t play a psycho”) already has me very interested in this sketch.
— Wow, what an insane concept to this sketch.
— Great individual performance from each cast member playing a mental patient. Everybody’s allowed to shine here.
— Good groaner with Joe’s “They ain’t even been weaned yet” line regarding the puppies in his pants.
— Heh, Bruce is clearly amused by Mary’s performance, as he’s visibly trying not to crack up at her.
— A nice breaking-the-fourth-wall turn, with everyone dropping character and Bruce going back to his menacing viewer-blaming bit from the monologue.
STARS: ***½


THE BUCKWHEAT STORY
a TV movie starring Byron Allen

— A decent quick promo, keeping up tonight’s Buckwheat running premise by showing NBC cashing in on his death by doing a biopic about him.
STARS: ***


SATURDAY NIGHT NEWS
prominent figures express their sorrow over Buckwheat’s death
a new report includes spy photos of Soviet military secrets
Dr. Jack Badofsky lists varieties of venereal disease
Siobhan Cahill gives tips on how to have a great St. Patrick’s Day

         

— I love that tonight’s Buckwheat running premise is even carrying over into THIS.
— Ha, in Joe-as-Ted-Koppel fashion, Brad uses a cheap excuse to replay the Buckwheat gunshot clip once again.
— At first, I thought the pre-taped segment of celebrities addressing Buckwheat’s death was genuine footage filmed specifically for SNL, when the segment started with Charlton Heston and Henry Kissinger. I was about to say “Wow, SNL is REALLY fully committed to this Buckwheat premise”, but then the next two tribute clips were from President Reagan and the Pope, making it obvious that these are all just unrelated clips taken out of context to make it seem like they’re talking about Buckwheat.
— Hilarious how the Pope’s translated message eventually led to him throwing to yet ANOTHER replay of the Buckwheat assassination clip.
— Brad’s long-winded photo montage joke wasn’t that funny and, again, kinda reeked of something Brian Doyle-Murray would’ve done the previous season.
— I got a good laugh from Brad’s joke about cigarette companies now including a malignant tumor in each cigarette pack.
— Maybe it’s because my negative review of Dr. Jack Badofsky’s last commentary from a few episodes ago received several replies on Twitter (including from “That Week in SNL”) defending the character, or maybe because tonight’s episode has put me in a really good mood, but I’m enjoying tonight’s Badofsky commentary a lot more than usual. I’m actually laughing at these corny puns.
— Haha, I got a good laugh from the audience’s groaning reaction to Badofsky’s “Dacron-orrhea” pun. Tim’s doing a great job playing off of their negative reaction.
— A fun Badofsky commentary overall. I’m glad that I’m starting to come around on this character. Again, special thanks to those on Twitter who replied to my review of his last appearance and helped me understand the appeal of this character.
— Heh, immediately after Badofsky’s commentary, Brad has a groaner of his own, with his joke about the Statue of Liberty being “statutory raped”, which, much like some of Jack Badofsky’s puns tonight, receives audible hisses from the audience.
— Mary was okay in her overall performance here, but the commentary itself featured nothing noteworthy.
STARS: **½


MUSICAL PERFORMANCE
musical guest performs “Sweet Sue”


JERRY LEWIS SCHOOL OF MANNERS
Mr. Flang (EDM) & Mr. Caca (JOP) in charge

    

— Good use of Eddie’s great Jerry Lewis impression. This is the third episode in a row that has done a sketch centered around a dead-on impression that Eddie does of a white celebrity, after his Elvis and Humphrey Bogart sketches from the last two episodes.
— Here’s the return of Joe as bitter older Jerry Lewis. Last time he did this impression (that “Two Faces of Jerry” horror movie trailer from last season’s Donald Pleasence episode), he nailed older Lewis’ demeanor, but (much like my former complaint about his Ted Koppel impression) the problem was the voice sounded too much like Joe’s real voice.
— Joe’s impression is coming off okay enough in this sketch. Maybe it’s because I’m in good spirits during this episode that I’m less critical towards his impression.
— Ha, Eddie seems to be trying to crack Joe up.
— It worked. Joe’s visibly smirking out of character now. Gotta love the chemistry that Eddie and Joe always have.
— A decently goofy sketch overall.
STARS: ***


GUMBYS
Gumby interrupts Gumby impersonator’s (host) St. Patrick’s Day story

 

— Hmm, Bruce as Gumby.
— He’s not even doing Eddie’s Gumby voice, instead doing a different type of character voice.
— Ah, here’s the “real” Gumby. Eddie has been absolutely DOMINATING tonight’s episode, even moreso than usual.
— Eddie’s noticeably wearing a lot less face paint than he usually wears as Gumby. I’m guessing they didn’t have enough time to apply the usual full amount of Gumby make-up due to all the various sketches that Eddie’s in tonight.
— At the end of the sketch right before Eddie and Bruce walk off, Eddie randomly breaks into his Jerry Lewis voice that we just heard in the preceding sketch.
STARS: ***


OLD NEGRO BEER
(JOP) & (EDM) are beer-loving stereotypes

 

— Wow, Eddie continues to be ALL OVER tonight’s show. Feels like he’s had a lead role in practically every single sketch tonight.
— I like Eddie’s sudden realization about his “negro” friend Joe: “Hey, you a white cracker!”
— Joe’s facial expression when he and Eddie simultaneously went “Aaahhhh” into the camera slayed me.
— An overall fun silly bit.
STARS: ***


SONGWRITERS
Schleimer & Laub create tunes for (host)’s Depression musical

 

— The return of Joe and Tim’s Vaudeville-esque songwriting team.
— Interestingly, the previous time they did this sketch also happened to be in a Bruce Dern-hosted episode, though Bruce himself didn’t appear in that installment of this sketch. Maybe he liked what he saw that night and asked Joe and Tim if he could appear in the sketch this week.
— I like Joe and Tim’s song “The Window Ledge Polka”.
— Not much to say about the overall sketch, but this was another enjoyable appearance from these characters.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “When You Wish Upon A Star” & “I Ain’t Got Nobody”


RUBIK’S GRENADE
— Rerun


OLD JEW BEER
(JOP) & (EDM) are another pair of beer-loving stereotypes

 

— I oddly love how they’re making this a runner, with Eddie and Joe playing different ethnicities/cultures in each one.
— More fun voices and chemistry between Eddie and Joe.
STARS: ***


OLD CHINAMAN BEER
(JOP) & (EDM) are another beer-loving stereotype duo

 

— Wow, this one is going FULL-OUT goofy and over-the-top with the stereotypes.
— I can see why these racial stereotype beer sketches, ESPECIALLY this Old Chinamen Beer one, wouldn’t sit well with a lot of people, but to me, they’re just silly fun, and are helped a lot by Eddie and Joe’s always-great way of playing off of each other (which we’ve been seeing tons of tonight).
— During the “Old Chinaman Beer” title screen at the end of this, it sounded like Eddie broke out into his Jerry Lewis voice ONCE AGAIN tonight.
STARS: A very guilty ***


VEGGIE BURGERS
nerdy (GAK) finds his equally geeky parents but doesn’t realize it

 

— Strange sketch so far. I get what they’re hinting at with Gary’s character, but I’m not sure where the humor in the sketch is supposed to be coming from.
— Okay, this is starting to get charming.
— I like these characters’ interesting way of speaking, where they precede some of the things they say by declaring what kind of sentence it is ( e.g. “joke”, “question”).
— Overall, a cute, charming, low-key 10-to-1 sketch. The studio audience wasn’t into this AT ALL, though. I feel that this sketch was better than the crowd gave it credit for.
STARS: ***


GOODNIGHTS

 


IMMEDIATE POST-SHOW THOUGHTS:
— A consistently very fun show. I came into this episode expecting the epic “Buckwheat gets shot” storyline to overshadow everything else as the reason to tune in, and while it was by far the best part of the night, the rest of the show was no slouch, either. The overall episode was pretty solid and flowed very nicely, with a lot of fun to be had throughout the whole night. Even some of the lesser segments had an infectiously silly, enjoyable vibe.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Beau and Jeff Bridges):
— a huge step up


My full set of screencaps for this episode is here


TOMORROW:

Robert Guillaume

February 20, 1982 – Bruce Dern / Luther Vandross (S7 E12)

Segments are rated on a scale of 1-5 stars

COLD OPENING
host advises TIK to be realistic about his movie prospects

— Nice to see a backstage cold opening this season.  Also interesting to see what the door that the hosts make their entrance through for the talent entrances/monologues looks like from the inside.
— Bruce’s negative comments about Tim’s looks are pretty funny.
— Weak LFNY substitute with Tim starting the show by halfheartedly saying “Roll the montage” into the camera.
STARS: ***


TALENT ENTRANCE

 

— Love the way this transitioned into the next sketch with the camera panning over to the next set as Bruce walked over to it.


SKI DATE
(host) accidentally agrees to take (MAG)’s dog on a ski trip

— The set-up to whatever the main joke is going to be sure is long.
— Some of the reveals about Mary’s dog are fairly funny.
— Not sure whether to find that “I guess you couldn’t call her a complete dog” ending funny or weak.
— Not too great of a lead-off sketch, overall.
STARS: **


WHO DO YOU HATE?
people on the street answer the question “Who do you hate?”

   

— The debut of the man-on-the-street segments, which would go on to be recurring throughout the Ebersol era.
— Some laughs from the celebrities, politicians, and TV shows that people are saying they hate.
— Very funny part with the black guy’s argument that black people and Puerto Ricans have more fun than blondes.
— Some more good laughs from one guy saying a whole bunch of bad things about his mother-in-law.
STARS: N/A (not a rateable segment)


FOCUS ON FILM
Raheem Abdul Muhammed denies that his buddy is homosexual

 

— First time Raheem Abdul Muhammed has been used outside of SNL’s news segment.
— Also the first appearance of Eddie’s real-life friend Clint Smith, who would become a frequent SNL extra in this era.
— Eddie’s constant gay panic when catching himself saying ambiguous things about Clint is pretty funny.
— The “Clint I’m sorry I thought you were a homosexual” mail address at the end was great.
— For some reason, I find it amusing in itself how Clint didn’t say a single word during the whole sketch.
STARS: ***


THE BIZARRO WORLD
NBC programming is unchanged in the backward dimension

     

— I’m surprised to see another installment of this sketch at this point of the season, because I thought the recently-fired Michel O’Donoghue was the writer behind the earlier installment of this.
— The opening narration bit doesn’t work as well with Bruce in the role; Mr. Mike was much more suitable for it.
— The scene with Bizarro Alan Alda was very funny.
— Amusing how Bizarro NBC is the same as real-life then-present NBC, as a pointed satire of the network’s troubles and asinine decisions at the time.
— Funny in hindsight seeing the execs talk about how absurd the idea was of giving David Letterman a late-night show (which had debuted very recently at the time) after the infamous failure of his morning show. If they only knew……
— Another good comment making fun of the absurd practice of hiring Jewish writers for black sitcoms.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Never Too Much”


SNL NEWSBREAK
after much prodding, MAG makes public her affair with BDM
novelty of chopper flight dominates CHE’s traffic report
JOP reports on what’s going on in sports- nothing

     

— On-again off-again anchorperson Mary Gross is back at the desk as a co-anchor tonight. I guess they’re doing this as a follow-up to the end of the last episode’s Newsbreak where Mary and Brian fell in love.
— Yep, they’re making Mary and Brian’s romance a story arc. Still not finding it all that funny.
— Is that Tom Schiller as the guitarist? (second screencap above) Between the short film he did earlier this season and now this appearance, I’m confused over his involvement in this season. Is he on the writing staff this season and I didn’t know it?
— Christine’s traffic report was just as big a waste of time as her weather segments usually are.
— Joe’s hyped-up SNL Sports commentary turning out to just be him announcing that nothing is currently going on in sports was good for a quick laugh.
STARS: **


SONGWRITERS
songwriters Schleimer (JOP) & Laub (TIK) have trouble selling their work

  

— Tim and Joe’s song titles that they’re listing off are pretty funny, especially “The Lindbergh Baby Polka”.
— I really liked Christine’s sudden dissatisfied “No, I don’t think so” immediately after passionately singing the whole song she was given.
— A pretty solid sketch overall, with a nice old-timey Vaudeville-esque charm to it.
STARS: ***½


THE MILD ONE
a Zen-inspired biker (host) verbally dissects diner patrons

   

— I liked Joe’s angry “You scum” remark to Bruce after Bruce’s gentle poetic speech about a rose.
— Funny sudden turn with Christine’s “You’re a flop in the sack” revelation about Joe.
— I’m enjoying all the mock-dramatic, mock-tense acting from everyone.
— Overall, not much else to say about this, but a decent sketch.
STARS: ***


FRACAS
by Timothy Hittle- a battle between a man & a claymation foe

— I already covered this in my review of the Bill Murray episode. This was actually originally aired in tonight’s episode.
ORIGINAL RATING: ****


FLYING
an unstable pilot (host) makes his passengers nervous

 

— A good laugh from Bruce’s “dropping acid” comment.
— Was something censored just now? In the copy of the episode I’m watching (the West Coast airing of the original live broadcast), the audio briefly got muted when Bruce said “How long you been (blank) my little mama here?”
— And now, Bruce again got censored when repeating the line. Looks like “screwing” was the muted-out word.
— Overall, while the premise had potential and the performances were fine, the resulting sketch was pretty “meh”.
STARS: **


MUSICAL PERFORMANCE
musical guest performs “A House Is Not A Home”


MELINA’S CAFE
while entertaining at her cafe, Melina (ROD) makes her troubles known

 

— Looks like a good character piece for Robin, which will be refreshing to see considering how underutilized she’s been the last few episodes.
— Haha, her angry heavy-accented quick singing of “I Know What Boys Like ” gave me some good laughs.
— Her whole “I love you, I hate you” bit with Tony is being pulled off well.
— Overall, a pretty good closing sketch.
STARS: ***


GOODNIGHTS

 


IMMEDIATE POST-SHOW THOUGHTS:
— An okay episode, but also fairly forgettable. Barely anything really stood out; almost the entire show hovered around the “average/pretty good” range, and never went above that. That seems to be slowly becoming status quo for the show lately, and I worry that it’ll stay status quo for most of the remaining Ebersol era (or at least until season 10), as my impression of this era has always been that it specialized in bland averageness. Can’t say I’m looking forward to two more seasons of that.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (James Coburn):
— a slight step down


My full set of screencaps for this episode is here


TOMORROW:
Elizabeth Ashley