February 5, 1983 – Sid Caesar / Joe Cocker & Jennifer Warnes (S8 E12)

Segments are rated on a scale of 1-5 stars

COLD OPENING
cast wonders how to prove show’s live, host explains “now-was-gonnabe”

   

— Gary being berated for his idea is a funny continuation of the running gag with him being the SNL punching bag.
— Why does the “Saveco” logo hanging on a banner on the background wall seem so familiar to me? (you can see it above Sid Caesar in the second screencap above) Was it used in a previous sketch?
— A good laugh from Eddie’s idea of proving the show is live by just bluntly saying into the camera “It’s crap and it’s live”.
— A VERY strong audience reaction to Sid Caesar’s entrance, which eventually leads to a standing ovation.
— The cast (especially Julia) seems to be really honored to be working with Sid.
— Sid’s whole complicated “when now is over” philosophy is freakin’ hilarious.
— Love the “Let’s pull Kroeger’s teeth out” mantra.
STARS: ***½


MONOLOGUE
(no synopsis available)

— Very short, but it was nice to see sincerity from Sid and he managed to get his usual laughs.
STARS: ***


FUNERAL IN A CAB
(EDM) pitches the inexpensive burial alternative

      

— Eddie’s doing a good job as another fast-talking pitchman, after the Popeil prophylactic commercial from earlier this season.
— The concept of this is funny, and the whole sequence demonstrating the dead body’s journey is hilarious, especially how it ends with the body getting thrown in a garbage truck.
STARS: ****


HOTEL
hotel room time-warp demonstrates 30 year change in male-female relations

     

— Whoa, sudden black-and-white shift.
— Oh, I see what they’re doing, showing how much times have changed between 1953 and 1983 by showing the huge difference in how Sid interacts with his respective love interest in both time periods. I love the clever concept of this.
— Nice touch with 1953 Eddie being a stereotypical Rochester-from-The-Jack-Benny-Show type of servant after we just saw 1983 Eddie as a respectable businessman who seems to be on the same level of importance as Sid’s character.
— I love how they’re constantly going back-and-forth between the 1953 and 1983 scenes.
— This is fantastic so far.
— LOL, is Mary biting Sid’s bare skin while she’s tearing his shirt off?
— Loved Sid’s final line into the camera.
— Overall, that was terrific, and really appealed to me as someone who’s always been fascinated in seeing how much social norms have changed from how they were several decades earlier. I can’t help but kinda wonder what an updated version of this sketch would look like, showing how much times have changed from 1983 to 2019.
STARS: *****


MUSICAL PERFORMANCE
musical guests perform “Up Where We Belong”


WHINERS
a hospital patient (host) is stuck next to ex-hostage Whiners

   

— Damn, they fooled me at first into thinking this was going to be a funny original sketch centered around Sid as a recovering hospital patient, until I recognized Joe’s off-camera whines and realized this is the dreaded continuation of the previous week’s Whiners sketch that ended with a cliffhanger. Putting up with the Whiners in one episode is bad enough; having to watch them in TWO CONSECUTIVE EPISODES is unspeakable torture.
— Sid’s facial expressions alone are almost saving this sketch.
— Satisfying ending with Sid wrapping his medical tubes around the Whiners’ necks in an attempt to strangle them.
STARS: *½


SATURDAY NIGHT NEWS
Patti Lynn Hunnsacker (JLD) tells her parents “I’m sexually active”
spittin’ mad MAG tells us which federal agencies should be done away with
Dr. Jack Badofsky lists types of suicide

      

— Julia’s overall commentary did absolutely NOTHING for me. And worse, I think this teen character of hers eventually becomes recurring. Can’t say I’m looking forward to that.
— This is the first time during a “Spittin’ Mad Mary Gross” commentary where she actually describes herself with the words “spittin’ mad”.  Until now, I had kinda been wondering why I’ve always seen SNL fans use the specific title “spittin’ mad” for these commentaries of hers.
— I got a good laugh from Mary’s suggestion to replace the surgeon general with a “chiropractor colonel”.
— Unfortunately, the rest of Mary’s commentary was a step down from her usual angry rants.
— Ugh, ENOUGH with this Dr. Jack Badofsky character already.
— Man, Badofsky’s puns are particularly bad tonight. I cannot believe so many of these groaners are getting big laughs from the studio audience. I guess this shows how different times were back in the early 80s, because I’m trying to picture modern-day SNL in 2019 having a Weekend Update character like Badofsky (I’m not sure who in the current cast would play him), and I don’t see it going over well at all; I can’t picture those corny old-fashioned puns getting laughs from today’s audience.
— Overall, a really bad Saturday Night News tonight, with NOTHING knocking it out of the park.
STARS: *½


HARRY ANDERSON
Harry Anderson [real] does a trick involving red rubber balls & handcuffs

   

— Whoa, how’d he do that marked cards trick at the beginning?
— Funny part with a handcuffed Harry somehow getting tangled around the audience volunteer’s arm.
— Great reveal at the end that he did the handcuff trick with a fake hand.
STARS: ***


CRIME AND SELF-PUNISHMENT
troubled inventor’s (host) silent film biography

         

— I’m slightly wary about approaching this, as I recall hearing that this is a VERY long sketch. I have no doubt that Sid will make it work, though.
— This is doing great at mimicking a silent movie.
— LOL at Sid’s blatantly fake speed-reading through the books.
— Very funny part with Sid repeatedly pulling back up a heart-attack-having Tim to keep him from slumping to the ground.
— I like the random detail of Sid pouring the poison he’s about to drink into a fancy wine glass.
— Overall, this was INDEED a very long sketch (easily one of the longest in SNL history; I would guesstimate that this was around 15 minutes long), and I can see why some people may have a lot of problems with it.  While it dragged in certain spots, I personally can’t complain too much because I still felt that the overall film was interesting to watch progress and, as I expected, Sid made it fun and was tailor-made for it.
STARS: ***


A FEW MINUTES WITH ANDY ROONEY
only his books are worth reading

 

— They’re still doing these? Well, at least they’ve recently been cutting back on the frequency of Joe’s Rooney appearances.
— Heh, is that vagina quote from the Helen Gurley Brown book real?
— All the double-entendres with Rooney’s questions about Gurley Brown’s “book” are very funny.
— This badly petered out at the end, with Joe’s Rooney just saying the titles of his own endless number of books.
STARS: ***½


SATURDAY NIGHT NEWS
Professor Helmut (host) touts soap operas as the trade imbalance solution

   

— Wait, what the hell??? A second Saturday Night News tonight? This is insane. What, we didn’t get ENOUGH bad Brad Hall jokes the first time around tonight?
— I really don’t understand Ebersol’s tendency to do odd, unconventional things with SNL’s news segment. (I’m aware he would later start doing particularly unconventional things with the news in seasons 9 and 10)
— Hmm, maybe this might be worth it after all. We’re getting a guest commentary from Sid.
— Sid demonstrating the same soap opera scene in various different languages is hilarious, especially the random brief English interjections he keeps throwing in.
— Overall, while Sid’s commentary was very solid, I don’t understand why they couldn’t have just put it in the first Saturday Night News from earlier tonight instead of creating a separate one for it. Oh, Ebersol, you perplex me.
STARS: ***½


MUSICAL PERFORMANCE
Joe Cocker performs “Seven Days”


GOODNIGHTS
cast makes host an honorary member of SNL

  

— This is wonderful, with Mary presenting Sid with a plaque declaring him an honorary member of SNL. All the genuine joy and emotions being displayed here are infectious.
— Are Eddie’s tears real, or is he just jokingly acting emotional?


IMMEDIATE POST-SHOW THOUGHTS:
— A very enjoyable episode that got all the mileage out of Sid Caesar that they could. He was utilized perfectly tonight, being given lots of showcases for his trademark comedic style, and he delivered in every single performance. Tonight’s episode was far from perfect, but the show as a whole had a strong feel that I really liked. This is probably the most I’ve enjoyed an episode since the  Howard Hesseman one from all the way back in October.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Rick Moranis and Dave Thomas):
— a step up


My full set of screencaps for this episode is here


TOMORROW:

The recent string of impressive comedic hosts continues, as Howard Hesseman makes his return, a mere four months after his last hosting stint

October 2, 1976 – Eric Idle / Joe Cocker, Stuff (S2 E3)

Sketches are rated on a scale of 1-5 stars

COLD OPENING
hospitalized CHC phones SNL to confront his impostor (Richard Belzer)
   
— Who the heck is this guy? Neil Levy?
— Ha, I couldn’t help but laugh at how the audience had no absolutely reaction to him saying the opening “I’m Chevy Chase and you’re not” line.
— The return of “the voice of Chevy Chase”.
— I got a great laugh from Chevy’s deadpan “This is Chevy Chase; who the hell are YOU?”
— It seemed like Chevy missed his cue to say LFNY and it sounds like right as he finally said it, you could hear someone prompt him.
— Overall, a good opening.
STARS: ***½

OPENING MONTAGE
— There seemed to be some slight differences at the beginning of this.

MONOLOGUE
host plays guitar & yells “Here Comes The Sun” until JAC interrupts him
   
— Strangely, this begins with Eric already sitting on a stool onstage when Pardo announces him. Reminds me of some of the early monologues from last season, before it became a regular thing for hosts to make an entrance when Pardo announces them.
— This yelled-out song is pretty funny.
— Interesting how this is now segueing into stagehands getting Eric dressed into costume and moving him over to the set of the next sketch.
STARS: ***½

GENETIC COUNSELOR
(DAA) & (GIR) choose their future baby’s traits with doctor’s (host) help
 
— Eric’s delivery is fantastic here, and this has the type of absurd British humor that he always excels at.
— I’m loving all the crazy questions and little details.
STARS: ****

AM-FM
KLOG deejay (DAA) switches personas to match station’s AM & FM formats
 
— I had always heard great things about this sketch.
— LOL at the sudden change into Dan’s mellow FM voice.
— Unsurprisingly, Dan’s doing a fantastic job here.
— Antler Dance reference!
— Overall, another quintessential Dan Aykroyd sketch.
STARS: ****½

THE KILLER BEES
host’s British words blow sketch about Killer Bees & swine flu center
 
— I like the way the preceding sketch segued into this.
— Eric getting called out for his out-of-place British accent is pretty funny.
— Another fourth-wall break in a Killer Bees sketch. This one is good, though not as funny as the Elliott Gould one.
STARS: ***½

ERIC’S SONG
host continues to butcher “Here Comes The Sun” until JAC stops him
 
— Another interruption from Jane.
— I like how they’re doing this as a running premise tonight, assuming this will be concluded at the end of the show.
STARS: ***

MUSICAL PERFORMANCE (JOE COCKER)

FAREWELL
Baba Wawa uses her last moments on NBC to explain why she’s leaving

— A simple but still pretty funny joke with her “w”s diminishing the seriousness of her message.
STARS: ***

WEEKEND UPDATE, PART 1
amateurish TOS drawings summarize the Norton-Ali boxing match
in a GAM interview, rabbi (ALZ) OKs Michelangelo’s David’s circumcision
    
— Jane’s delivery seems even better this week than it did in her debut.
— The return of the childlike “artist’s rendering” drawings.
— I like how the Ali joke was a callback to the Ford joke earlier.
— Garrett’s segment was pretty funny.

EPIFIX
druggist (DAA) touts syringe-based Epifix for super-fast headache relief
 
— I can already tell this will be yet another great Dan Aykroyd commercial.
— Him demonstrating how to use the medicine was absolutely hilarious and gave me the biggest laugh I’ve had in this episode so far.
STARS: ****

WEEKEND UPDATE, PART 2
alleged Carson clip shows Ed Ames (JOB) attacking silhouette with an ax
   
— This Belushi/Tonight Show bit looks interesting.
— The blatantly-fake old-timey audience laughter during John’s bit is pretty funny.
— Loved John going insane on the crotch of the body outline while yelling in a Futaba-esque manner. I remember hearing about the real Tonight Show clip that this bit is spoofing.
STARS (FOR BOTH WEEKEND UPDATE HALVES): ***½

THE RUTLES
LOM recounts how host duped him into giving him the Beatles’ money
British rock group’s music & history mirrors the Beatles’
     
— Another Beatles Offer sequel.
— Oh, is this going to be the well-known Rutles sketch that I’ve never seen for myself?
— It is!
— This Beatles-esque music video is fun to watch.
— The “last a lunchtime” line was very funny.
— I love Eric as the reporter frantically running to keep up with the increasingly-faster-moving camera.
— Overall, a great and very well-done Beatles parody.
STARS: ****½

BEHIND THE LINES
Allied spies (host) & (DAA) make plans at a Nazi hangout during WWII
 
— The homebase stage looks interesting set up like that.
— I’m liking how Dan and Eric are seamlessly going back-and-forth between accents.
— I didn’t get the ending with John.
STARS: ***

ERIC’S SONG
host ruins an Australian song until GAM interrupts him
 
— Ha, what in the world is that hanging off Eric’s hat?  Marshmallows?
— Yet another funny continuation of tonight’s running premise.
STARS: ***

MUSICAL PERFORMANCE (JOE COCKER)
  
— Ah, it’s the famous Joe Cocker performance with him being accompanied halfway through by John’s impression, which Cocker himself genuinely wasn’t expecting, from what I remember hearing.
— John’s impression comes off even more dead-on when seeing it right next to the real thing.
— If it’s true that Cocker didn’t expect this, he’s being a great sport about it.

DRAGNET
(host) & Joe Friday (DAA) investigate crimes in women’s clothing
JOB interrupts skit by telling host that drag is not funny to Americans
   
— IIRC, Dan would actually later co-star in a movie version of Dragnet.
— Dan’s narration is cracking me up.
— I like the random absurdity of Dan having a phone conversation, when it was Eric instead of Dan who was holding the receiver to his ear.
— This is hilarious so far.
— There’s the familiar Landshark living room set.
— Very interesting fourth-wall break, regarding telling Eric that drag doesn’t work as well in America.
— Couldn’t help but laugh at John’s “If you do it once…” warning when Dan was going to “accompany” Eric in his dressing room.
STARS: ****½

DRAG RACING TODAY
crossdressed DAA & host sprint against each other

— What the–?
— Haha, a nice continuation of the drag premise of the preceding sketch.
— I liked the “How do you know [the audience is] laughing? We’re on film.” line.
STARS: ***½

MUSICAL PERFORMANCE (STUFF)

THE UNDERSEA WORLD OF JACQUES COUSTEAU
a toy sub explores an aquarium
(host) shows how to feed people food to goldfish
   
— LOL at the “submarine” just being a cheap-looking toy model. I always get a kick out of whenever they do stuff like that on SNL.
— Unexpected turn this took, with this sketch now being a show called “Pets and Petting”.
— Eric is fantastic with his rapid-fire additions of inappropriate food to the fish tank.
STARS: ****

TALENT SPOT
Ken Norton (GAM) claims that he is more talented than Muhammad Ali
 
— Where is this going?
— Garrett singing in an operatic voice again…
— Overall, this came off as kinda-pointless filler.
STARS: **

CUFFLINKS OF THE GODS?
(LAN) displays evidence of alien comic existence
 
— Lots of TV show sketches tonight, it feels like.
— The native chanting on the tape player was pretty funny
— Overall… ehh, not horrible, but I was kinda bored by this.
STARS: **

PONG
Pong-playing college students discuss myriad ways to use a barometer

— Aw, man, I’m not crazy about seeing this return after a long hiatus. I believe this is the first time they’ve done this since last season’s Christmas episode.
— This is slowly starting to get better, with some funny lines from Davis.
STARS: **½

GOODNIGHTS
host & cast shout a rendition of “Here Comes The Sun”
 
— Pretty funny conclusion to tonight’s running premise of Eric’s song.
— Don Pardo: “Also appearing in tonight’s cast: Richard Belzer”. Where was he? Don’t tell me that was him playing Chevy’s replacement in the cold opening. If so, I’m ashamed of myself for not recognizing him. I guess I’m not used to seeing him that young and without glasses.

_______________________________

IMMEDIATE POST-SHOW THOUGHTS:
— A very strong and fun episode; probably one of the best I’ve reviewed so far in this project. This is no surprise, considering who was hosting; Eric fit this show perfectly and his comedic presence definitely added to the proceedings. I’m looking forward to the other episodes he hosted later in this era.
— There was an unfortunate drop-off of quality at the end with the last three segments, but aside from that, tonight had a consistent run of very entertaining sketches, and a good number of all-time well-known SNL moments came from this episode (Dan’s AM-FM sketch, The Rutles, Joe Cocker Meets Joe Cocker).
— This episode also had a lot of fun with the format, doing interesting things like the way they segued from the monologue to the doctor sketch, several instances of sketches overlapping with each other, and the running premise with Eric trying to perform a song.

HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Norman Lear):
— a step up

My full set of screencaps for this episode is here

TOMORROW:
Karen Black