November 15, 2014 – Woody Harrelson / Kendrick Lamar (S40 E6)

Segments are rated on a scale of 1-5 stars

DRINKS AT THE WHITE HOUSE
Barack Obama (JAP) & Mitch McConnell (TAK) get drunk after election day

— I’m enjoying the structure to this, with all the time jumps.
— This is getting more and more fun the increasingly drunk and loose Jay and Taran’s President Obama and Mitch McConnell are getting.
— A very funny high-pitch shriek from Taran when the phone rings after his crank call.
— Love Taran’s delivery of “Oooooh, you’re in trouble!” after the tense exchange Obama has with his wife.
— This overall cold opening was not only strong, but it alone had a better energy and flow than almost anything in the preceding episode (Chris Rock).
STARS: ****


MONOLOGUE
Josh Hutcherson, Liam Hemsworth, Jennifer Lawrence [real] visit host

— Yet another musical monologue, but this one is more forgivable, given the fact that Woody Harrelson’s previous two monologues, both of which were good, were guitar songs like this one is. It also helps that I really like the conceit of his guitar song tonight, reminiscing about 1989, the year he first hosted SNL.
— One of Woody’s lyrics about 1989: “I think I had a mullet.” Indeed he did (screencap of him from his 1989 hosting stint below).

— This suddenly turns into another one of those cameofest monologues, which I’m rarely crazy about when it occurs in recent seasons like this. I at least don’t mind seeing Josh Hutcherson on SNL again, as I found him to be a likable host the preceding season.
— A good laugh from Woody initially thinking Jennifer Lawrence is Taylor Swift.
— Great ad-lib (“You’re always so stoned!”) from Jennifer Lawrence when she has a hard time getting a line out while quoting Woody. This ad-lib sets off an infectious and endearing stretch of giggling from all four of the performers that almost sounds like they really are stoned.
— Overall, for both a musical monologue AND cameofest monologue, two of my least favorite monologue tropes, this was surprisingly not bad at all, was actually pretty fun, and had a nice charm.
STARS: ***½


THE DUDLEYS
viewer feedback prompts changes to sitcom; Uzo Aduba cameo

— Very strong and clever satire here, with all the frequent and increasingly desperate PC changes this sitcom makes as their answer to the various social media complaints they’ve received.
— Another surprisingly fun cameo tonight, as the appearance of “Crazy Eyes” from Orange Is The New Black is adding well to this.
STARS: ****½


MATCH’D
horny contestants contend with bachelorette’s (CES) dad (host)

— When the guys are each giving their response to Cecily’s first question, I love Beck’s affable delivery of his very sleazy line, “I would take you back to my house and show you my special ingredient: my penis.”
— Absolutely priceless twist of Cecily being Woody’s daughter, after all of the raunchy, horny things the guys had just said to her in front of him. Love how the guys all suddenly change their tune immediately after this twist, by awkwardly forcing themselves to give Cecily’s questions very proper, gentlemanly answers in order to not upset Woody.
— An absolutely killer and classic moment, with Cecily’s “Can’t shake hands with a ghost!” line about her mother.
— Another excellent twist, with the casual reveal that Woody is an ex-marine. This must be a Chris Kelly/Sarah Schneider-written sketch, because, as I said in some previous episode reviews, those two writers seem to have a knack for throwing great shocking twists into their sketches.
— Very funny bit from Kyle about “Veteruss Day, the day we celebrate our veteruss”, delivered perfectly in that trademark oddball Kyle Mooney delivery.
— Hilarious crotchless panties bit with Taran.
— Great ending with Woody revealing he’s about to watch footage of the moment he had just given the guys and Cecily alone together, where the guys crassly let Cecily know how extremely horny they are right now.
STARS: *****


NEW MARIJUANA POLICY
end of pot possession arrests sends NYC stoners out-of-doors

— I am loving the wordless, excellently-shot sequence with Pete and his stoner neighbors all simultaneously exiting their houses with bags of weed.
— Another scene-stealing appearance from Leslie, as her mere facial expression as she exits her pot smoke-filled car in slow motion is hilarious.
— Perfect appearance from Woody, who’s obviously a natural for this short film’s subject matter.
— Another great little Leslie moment, with her proudly yelling “DEBLASIO, BABY!!!”
— A very fun, memorable, and oddly beautiful sequence of the whole town happily marching in the streets in pot-related unity.
— Lots of funny little details throughout this short.
— Excellent twist with it turning out that, while the new policy allows people to openly possess marijuana in public, they can’t actually smoke it in public.
STARS: *****


FOOTBALL HALFTIME SPEECH
football coach (host) relays overcautious safety measures to players

— A lot of good laughs from the sequence with Woody using Jay to demonstrate the extremely gentle new tackling technique. I especially love the phrase, “Back of the head…” “PUT YOUR PRINCESS TO BED!!!”
— Kenan’s brain-damaged, nonsensical rambling is classic and steals the entire sketch. Among some great lines from him are “Who said sumpin’ about some rings?!?” and “This one’s for ALL the Marlboros!”
STARS: ****


YOUNG TARTS & OLD FARTS
duets album pairs established & rising musicians

— A cheap laugh from the title of this album.
— I had mis-remembered this as being a Christmas-themed album that aired in one of the December episodes of this season. I was probably confusing this with one of the Christmas duets album ads from the previous two Jimmy Fallon-hosted episodes. Minus the Christmas theme, those ads have a very similar style to this Young Tarts & Old Farts ad.
— Oh, there’s that awful Macklemore impression from Kyle that I mentioned in a previous episode review. Actually, watching it again right now, Kyle’s impression isn’t as bad as I had remembered.
— I like Sasheer’s Diana Ross saying, in regards to Kyle-as-Macklemore’s lyric about homophobia in hip-hop, “I don’t need him educate me about gay people. I invented gay people!”
— Love the James Taylor/Sam Smith duet, especially Woody’s Taylor telling Taran’s Smith, “Lighten up, dude” and “It’s a happy song!” Also, the decision to cast Woody as James Taylor feels very fitting.
— Oh, I did NOT need the return of Kate’s terrible and baffling Lorde “impression” from the preceding season.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “i”


WEEKEND UPDATE
LEJ argues that it’s appropriate for women in relationships to be crazy

host’s True Detective co-star Matthew McConaughey (TAK) is a little loopy

 

— A classic opening to this Update, with the running “But dat ass, doe” gag in regards to Kim Kardashian’s famous Paper Magazine cover photo.
— Leslie in her first Update commentary as a cast member.
— A memorable moment, with Leslie repeatedly yelling at Colin, “LOOK AT MY BREAST!”
— Good ad-lib from Leslie after both she and the audience simultaneously giggle in response to a funny line of hers.
— As usual in her Update commentaries, Leslie is absolutely KILLING it tonight.
— Love the Lorne joke from Michael, despite his clumsy delivery of the set-up.
— Colin’s theme park/pedophiles joke is another early display of the great ballsy jokes he would often do on Update years later.
— Great to see Taran’s Matthew McConaughey impression back after that very funny commentary he did the preceding season. Also nice to see him paired up with McConaughey’s True Detective co-star Woody this time.
— Like last time, some very funny “deep” ramblings from Taran’s McConaughey, and I particularly love the Super Mario Bros. bit, especially the line, “Hop on a turtle’s back, send him into the abyss.”
— Overall, the first really strong Update of the Jost/Che era.
STARS: ****


OLD NEW YORK
at a bar, only (host) is wistful about the good old days of NYC crack

— Hilarious turn with how, after the other guys reminisce about normal, wholesome city things that are no longer around, Woody’s only contribution to the conversation is “Remember the crack?”
— A one-note premise, but it’s a damn funny one-note premise, and Woody is executing it very well.
— Kenan randomly deciding to use a loud and exaggerated voice when blurting out the line “I MISS THE RESPECT!!!” was very amusing, and clearly wasn’t in the script, given the fact that, when the camera cuts to a shot of Taran and Bobby immediately after that line, Taran’s smirking and Bobby’s stifling his laughter HARD.
— Priceless reveal of Woody’s “police badge” actually being a “Vote For Nader” button.
STARS: ****


CAMPFIRE SONG
(host) can’t get friends to help with apple song at a campfire singalong

— This feels like the most in character we’ve seen Woody all night, as he’s speaking in a different voice than his own.
— Oh, no. Our very first of way-too-damn-many James Anderson/Kent Sublette-written sketches with the premise of “A character sings a non-existent song that they expect their friends to join in and sing along as if it’s a famous song, but they’re not familiar with it”. Ugh, I’ve always strongly disliked this recurring concept, and never understood Anderson & Sublette’s fascination with it.
— As unfunny as Woody’s “Apples” song is, I do at least find it to have a catchy sound, I admit.
— I did get a laugh just now from the incongruously large amount of water splashing just from Woody throwing his guitar pick in the lake.
— Ugh, there’s that corny twist where “Hey, the main character’s friends actually DO know the song after all, and happily join in on the singalong!”, which would also become a staple of some (if not all) of the subsequent Anderson/Sublette sketches with this premise.
— Overall, leave it to Anderson & Sublette to ruin this episode’s perfect streak of segments ranging from pretty solid to excellent. That being said, as much as I didn’t like this sketch, I don’t find it to be as awful as some of the subsequent sketches with this same premise.
STARS: **


MUSICAL PERFORMANCE
musical guest, Chantal Kreviazuk & Jay Rock [real] perform “Pay For It”


LAST CALL
sex-starved (host) & Sheila Sovage necessarily lower their standards

— A little odd how this is the second post-Update sketch tonight that takes place in a bar.
— I always love that “Ha-HAAAAAA!” laugh that Kate’s Sheila Sovage does in an early moment of each installment of this recurring sketch.
— Woody’s “Eyebrows, eyebrows, eyebrows” line was very funny.
— A huge laugh from Sheila Sovage revealing her occupation: “I re-plaster unpopular glory holes!”
— Woody has even better chemistry with Kate here than previous hosts had with her in prior installments of this sketch.
— I love Woody’s “STDetroit” line.
— Another great Woody line, with him assuming CDC stands for “Center For Doin’ It Correctly”.
— Kenan’s way of saying “That’s for my fruit!” absolutely SLAYED me. (He’s been killing it with his line deliveries tonight in general.) He pronounced “fruit” in such an odd, comical manner with such a goofy voice that it caught me off-guard and has me in absolute stitches. I honestly cannot stop laughing at it right now. His pronunciation of “fruit” is hard to spell out phonetically, but here’s my best attempt at the spelling: “fruuuT” with a very hard ‘t’.
— Excellent ending with how, while Woody and Sheila Sovage are nastily making out with each other through plastic wrapping in front of their faces, Kenan begins dousing the whole bar with gasoline and says, “Well, I gotta kill us ALL, I guess.”
STARS: ****½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A fantastic episode. Not only is it easily my favorite episode of this season so far, but it honestly may even be one of the best episodes I’ve ever reviewed. (Can’t wait to see the rating average my review of this episode has when commenter Vax Novier tallies up the averages of each of my season 40 reviews.) Not only did this episode impressively go by with almost no bad segments at all, but almost every single one of this episode’s segments was great, receiving a rating in the 4-5-star range. And some of those great segments were particularly memorable or had at least one very memorable moment, and a few of tonight’s great segments are even classics. There was also an infectious energy in the air all throughout the episode, partly due to Woody Harrelson’s always-likable presence. Overall, a terrific episode, and, man, what an amazing turnaround from the troubled (though not as bad as its reputation) episode that preceded this.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Match’d
New Marijuana Policy
The Dudleys
Last Call
Weekend Update
Drinks at the White House
Old New York
Football Halftime Speech
Young Tarts & Old Farts
Monologue
Campfire Song


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Chris Rock)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Cameron Diaz

January 26, 2013 – Adam Levine / Kendrick Lamar (S38 E12)

Segments are rated on a scale of 1-5 stars

INAUGURATION NIGHT
Martin Luther King Jr. (KET) visits re-inaugurated Barack Obama (JAP) to ask about Beyonce

— An okay concept of Martin Luther King vising President Obama right after his inauguration.
— Kenan’s pulling this off pretty well.
— Kenan-as-MLK’s line about a first black magician gave me a good laugh.
— Nice segue to LFNY.
STARS: ***


MONOLOGUE
ANS, Cameron Diaz, Jerry Seinfeld [real] vie to be host’s comedy coach

— Good to see Andy Samberg in his first cameo after leaving SNL.
— Andy is as funny as ever here, especially his self-deprecating line, “I was in over 100 Digital Shorts as well as 3 live sketches.”
— Adam Levine, to Cameron Diaz, after she suggests he take his shirt off: “When you hosted, did you take your shirt off?” Cameron doesn’t answer that, but she actually did take her shirt off in at least one hosting stint, in the Woo The Musical sketch from her season 30 episode.
— Andy’s even managing to make some of the cheap homoerotic humor that he’s been given here come off funny.
— Jerry Seinfeld is fine here, even if this isn’t quite the way I’d prefer him to be utilized in a cameo.
— Blah at the non-comedic ending with Adam disrobing, not to mention how shamelessly unnecessary and pandering it came off.
STARS: ***


ROSETTA STONE
creeps (BIH), (BOM), (TAK) use Rosetta Stone to prepare for Thailand trip

— Is Bill intentionally doing a thinly-veiled variation of his John Mark Karr impression? He’s using the same voice and is even wearing what appears to be the same outfit.
— Pretty funny conceit with pervs wanting to use Rosetta Stone for their visit to Thailand.
STARS: ***


CIRCLE WORK WITH TRACY ALLSTAR & TODD ANTHONY
advice of (KET) & (host) comes from a homosexual perspective

— Boy, these James Anderson-written gay-centric sketches are so damn tired and cliched by this point of his tenure as a writer. Not that I’m sure there was ever a stretch of time where his gay-centric sketches were consistently good. He’s probably had a few isolated instances of writing actual good gay-centric stuff, but this sketch sure as hell ain’t one of them.
— Ugh at the part with Kenan slowly spelling out the whole “gay goose parade” statement.
— Very cute performance from Vanessa, who’s the only bright spot I’m finding in this mess.
STARS: *½


THE SOPRANOS DIARIES
The Sopranos Diaries reboots the mob drama in a 1980s high school setting

— Funny concept for a The Carrie Diaries spoof.
— I love Tim’s goofy, easy-going facial expressions as the principal.
— A laugh from one of the magazine reviews pointing out how implausible it is for these Sopranos characters to have been in high school in the 80s.
— From what little we can see of the sweater that Fred’s wearing under his blazer, it looks like the same sweater that was previously worn by both Chris Farley in the How Much Ya Bench sketch from season 19 and Bill in the Good Morning Meth sketch from season 31 (comparisons below).

   

— Funny reveal of a pole dancer having been on Tony Soprano and his friends’ cafeteria lunch table all this time.
— Showing how diminished Fred’s airtime has been this season in general, this pre-tape ends up being his only appearance all night. Certainly no complaints from me.
STARS: ***½


FIREHOUSE INCIDENT
drama queen’s (BIH) ex (NAP) leads him to shriek at his fellow firemen

— Hmm, between that Circle Work sketch and now Bill’s super effeminate character here, I’m sensing a theme in tonight’s episode.
— An extremely over-the-top performance from Bill to end all extremely over-the-top performances. But, dammit, he’s making me laugh my ass off. It helps that we pretty much never see Bill go THIS over-the-top, thus making it a novelty. It also helps if you imagine that this over-the-top performance is Bill basically channeling his inner Jim Carrey, and not channeling his inner Kristen Wiig (the latter of which I recall some online SNL fans implying back at this time in 2013, saying this felt too much like a typical annoying, over-the-top Wiig performance). Yet another thing helping this sketch is the fact that it thankfully never becomes recurring, because as much as I’m enjoying this as a one-time sketch, there is NO FUCKING WAY I would ever want this to become a recurring sketch.
— Ha, even the extremely-deep-voiced “Release the beating” (or whatever that voice said) at the beginning of the song that Bill dances to is cracking me up.
— The part with the dog attack is absolutely killing me. Man, this sketch is freakin’ INSANE.
— I love Bill’s way of saying the name “Rula” throughout this sketch.
— An actual punchline at the end. Not sure if it worked for me or not, though.
STARS: ****


YOLO
ANS, Akiva Schaffer, Jorma Taccone [real], host & musical guest promote extreme caution; Danny McBride cameo

— The first Lonely Island Digital Short after its retirement with Lazy Sunday 2 in Andy’s final episode as a cast member.
— Ha, random Danny McBride sighting, snorting coke in a club.
— The usual fun and catchy Lonely Island song, funny visual accompaniment, and excellent production values, even if 1) this particular one is far from a classic, and 2) the presence of Lonely Island Digital Shorts wasn’t exactly missed this season, with all the strong short films SNL’s been doing without them.
— “There’s no such thing as too much Purell”? Boy, that lyric hits differently in 2020 than it did when I originally watched this in 2013.
— The visual of Andy randomly getting choked by a flying blanket gave me an especially good laugh.
— Nice interlude from Kendrick Lamar, and I especially like the brief cutaway to him dressed as a middle-aged financial advisor.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Swimming Pools”


WEEKEND UPDATE
Arianna Huffington (NAP) supports Hillary Clinton & women in combat

before the Super Bowl, emotional Ray Lewis (KET) sees divine influence

— Despite some funny lines, tonight’s overall Arianna Huffington commentary unfortunately wasn’t anywhere near as strong as usual. I did like the Wives With Knives bit towards the end, though.
— Meh, not much funny material in Kenan’s Ray Lewis commentary, despite a good performance from him.
— Hmm, interesting touch at the end after Seth’s sign-off, where Kenan returns to continue doing the Ray Lewis dance in front of the Update desk.
— The guest portion of tonight’s overall Update was pretty disappointing, and a few of Seth’s jokes didn’t do much for me either.
STARS: **½


RUMBLE
in a bar, host rumbles musically with Pat Monahan (TAK) & other crooners

— At the beginning of this sketch, did I just hear an off-camera voice cue an extra to leave by whispering “Go”?
— Pretty funny premise of a bar fight between Maroon 5 and Train.
— Good bit with the old guy who Taran’s Pat Monahan is trying to make look like him.
— I think I remember someone once saying that Aidy’s brief appearance being used as a human shield in this sketch was rather demeaning and was a sign that she wasn’t “making it” as a cast member.
— Jason’s entrance as Jason Mraz is hilarious.
— Adam’s timing is off during a lot of portions of this sketch, with quite a number of long delays before he speaks.
— Not sure how I feel about Vanessa’s intentional overacting throughout this sketch.
— Meh, I’m starting to get tired of all the entrances from various similar singers. This sketch in general is beginning to somewhat fizzle out for me, after having a promising start.
— Okay, Kenan is pretty funny right now as Darius Rucker, at least.
STARS: **½


CATFISH: THE TV SHOW
Nev Schulman (host) proves that (AIB) was duped by (JAP) online

— A laugh from the photo of Brian Williams’ head photoshopped onto a buff, shirtless body.
— Blah, I’m already sick of the smug demeanor that Adam’s using as the Catfish host, regardless of if it’s an accurate portrayal of the Catfish host or not (I’ve never seen Catfish, the movie nor the TV show). Those long pauses and self-amused laughing he keeps intentionally doing in character are just plain unfunny.
— During the “Coming up next” preview, I got a big laugh from Aidy’s whole “Is this reaction positive or negative? You can’t tell!” bit. While, as I said earlier, I’ve never seen Catfish, I’ve seen enough of certain other reality shows to know that Aidy’s “Is this reaction positive or negative?” bit is a spot-on spoof of “Coming up next” previews on reality shows in general.
— Another solid Aidy moment, as I absolutely love her exaggerated delivery of “Aw, dang! What the heck?!? I got Catfished!”
— There’s something about the pacing or atmosphere of this sketch that I’m not digging all that much.
STARS: **½


MUSICAL PERFORMANCE
musical guest performs “Poetic Justice”


ADAM AND JANET
after a concert, host is the latest unlikely conquest for stocky Janet

— The second and final on-air appearance of Bobby’s Janet Peckinpaugh character. There would later be a cut-after-dress-rehearsal installment from the following season’s Andrew Garfield episode that would be posted online.
— I like the extremely random Law & Order bit at the beginning of the apartment scene.
— Nice continuity with Bobby’s Janet mentioning having a previous encounter with Tom Brady, which is referring to her sketch from the preceding season.
— Like last time, Bobby’s managing to make this potentially-hacky-and-annoying drag role actually work for me. To me, this character is kinda like an actual funny version of Horatio Sanz’s Carol character. What’s NOT working for me is Adam’s performance, as well as his constant little ad-libs. Have I made it obvious enough by this point of my review how much I haven’t been caring for Adam as a host?
STARS: ***


BIDEN BASH
Joe Biden (JAS) is having an unextravagant inauguration bash in Delaware

— A fun-seeming showcase for Jason’s always-fun Joe Biden.
— Great bit with Jason’s Biden imitating Macho Man Randy Savage. Other than that, I haven’t been laughing quite as much at this commercial as I expected to. Jason’s trying his best with somewhat throwaway material that he’s been given.
STARS: **½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A pretty blah-feeling episode as a whole, and easily my least favorite episode of this season so far. The fact that the only sketch that received an above-average rating from me was a very polarizing sketch centered entirely around an intentionally annoying, over-the-top performance (Firehouse Incident) kinda speaks volumes of this episode. Thinking back on it, however, I actually liked most of the stuff in the first half of this episode, aside from that Circle Work dreck. But once Weekend Update began, the show started to have an “off” feel that it sadly never really recovered from. Aside from the Janet Peckinpaugh sketch (and even that had its issues), I didn’t care too much for any of the segments in the second half of this episode, starting with Update. It also didn’t help that that was the half of the show where Adam Levine’s performances started kinda bugging me. I take it he’s better in small doses, as I usually find him decent in the brief sketch appearance or two he typically makes whenever Maroon 5 is the musical guest. Him as a full-on host of an episode, on the other hand? NO. Hell, even something about how his goodnights speech was oddly brief, overly generic, and didn’t thank the cast seemed a little off-putting, but I’m probably looking too much into that.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Firehouse Incident
YOLO
The Sopranos Diaries
Inauguration Night
Rosetta Stone
Monologue
Adam and Janet
Biden Bash
Rumble
Weekend Update
Catfish: The TV Show
Circle Work with Tracy Allstar & Todd Anthony


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Jennifer Lawrence)
a step down


My full set of screencaps for this episode is here


TOMORROW
Justin Bieber hosts in an apparent attempt to give this Adam Levine episode a run for its money in the “My least favorite episode of this season” department