May 2, 1998 – Matthew Broderick / Natalie Merchant (S23 E19)

Segments are rated on a scale of 1-5 stars

THE LADIES’ MAN
Leon Phelps takes calls & puts Viagra to the test

— This sketch’s growing popularity has gotten to the point where the sketch is now appearing as the cold opening for a change.
— This is the first of what will be quite a number of Viagra mentions in tonight’s episode, which serves as a reminder of just how big a story Viagra was when it first came out around this time.
— I like Leon Phelps singing a brief “Old man’s penis” jingle.
— Fun premise with Leon downing an entire bottle of Viagra to see if it has any effect on him.
— Hilarious how Leon is using a “butt-ugly” picture of Sally Jessy Raphael to de-arouse himself, which ends up not working for him.
— I was about to say that it’s not necessary for them to repeat the joke from an earlier Ladies’ Man sketch where Leon gets disgusted when hearing about an old couple having sex, but we end up getting a nice twist this time with Leon actually being aroused by that due to the Viagra he took.
— I love Tim’s very intense delivery of “Live from New York…” at the end of this cold opening. One of my personal all-time favorite LFNYs.
STARS: ****


MONOLOGUE
TRM & JMB favor host with their rendition of Godzilla sound effects

I feel kinda bad for how Tracy’s entrance was met with dead silence, with the audience not giving him any of the usual applause that cast members in this era typically seem to get when they walk onstage as themselves in a host’s monologue.
— There’s a backstory about how this monologue is at least partly responsible for Jim getting fired after this season. Jim went into great detail about it in an interview I saw years ago on YouTube. My memory of it is pretty fuzzy, and the story is too lengthy for me to go into detail about here. Someone in the comments section of this review can probably dig up a link to the interview. If so, thanks in advance. I’ll just say that the backstory Jim tells about this monologue heavily involves Adam McKay and the negative tension that’s always existed between Adam and Jim. Adam is painted in a very negative light in the story.
— Ehh, this monologue is pretty much just a knockoff of the monologue that Jim did with Jeff Goldblum the preceding season, which itself was only mildly funny. Not sure this rehash was worth Jim getting into such a heated confrontation with Adam McKay over, jeopardizing his own job security.
— I do like the addition of Tracy to Jim’s routine. Tracy’s imitation of the Godzilla theme is fairly funny.
STARS: **½


FLEX
hormones & steroids included in Flex Speed Stick give you an animal edge

 

— I love the visuals of various cast members turning into scary beasts and going wild on innocent bystanders and animals.
— A huge laugh from Will letting out a spray of urine onto his victim.
STARS: ****


THE VIEW
the ladies fawn over George Stephanopoulos (host)

— For once, a View sketch has Debbie Matenopoulos being played by Ana instead of the blonde female who’s hosting SNL that night.
— I like Cheri-as-Barbara-Walters’ angry one-liner outbursts towards Ana’s Debbie Matenopoulos throughout the sketch, especially when Cheri’s Barbara follows one outburst of hers by putting her hand over her own mouth in a shocked “Oops!” manner.
— A good laugh from Molly’s Meredith Viera casually giving us way too many details of her sexual desire for George Stephanopoulos.
— Very funny part with Barbara forcing Debbie to go inside a cage.
— Tracy seemed to kinda botch his line “I would beat you on a cracker” (or whatever that was he was trying to say).
STARS: ****


SPARKS
Zimmermans take offense when neighbor (host) tries unambiguous foreplay

— The Zimmermans officially become recurring characters. Unlike their first appearance, where they were by themselves, they now have another couple to play off of, which would go on to be a regular thing for these sketches.
— I like Molly’s sour hint that she and Matthew aren’t very sexually active with each other.
— Some pretty good laughs from Chris repeatedly banging his hand on the table while sexually-aggressively telling Cheri where to place the painting.
— Tonight’s installment of this recurring sketch is definitely working better than the first installment, now that the Zimmermans have a normal couple to play off of.
— Good turn with Cheri using her sexual flirtatious method on Matthew, with Matthew eventually getting really into it until he makes a raunchy statement that offends everybody.
STARS: ***½


PRETTY LIVING
joyologist Helen & her seashell craftsman boyfriend (host)

— (*sigh*) Oh, god. Now this sketch officially becomes recurring. I don’t have a shred of the goodwill towards this sketch that I have towards the Zimmermans sketches.
— This sketch is really missing something without Julianne Moore as Ana’s co-host, who provided my only laughs in the first installment of this sketch.
— What happened just now? Why did Ana and Matthew both go off-script to pick something up off the floor and hand it to Molly’s Helen Madden? I guess Molly accidentally dropped something when doing one of her many leg-stretches, but I can’t tell what it was.
— As usual, the audience is eating up Molly’s endless “I love it!” leg-stretching routine while I sit completely stone-faced through the entire sketch.
— Okay, I finally got a laugh, from Ana bitterly letting us know what crappy gift she got when her fiancee went to Hawaii. However, that kinda felt like a line that would’ve been more fitting for Julianne Moore’s co-host character from the first installment of this sketch.
STARS: *½


VIAGRA
Regis Philbin [real] & men on the street angrily say “no Viagra for me”

— I love how the men being interviewed on the street about Viagra are played by the entire male cast, Matthew Broderick, and some male SNL writers and staff members.
— Hilarious seeing Leon Phelps as one of the men being interviewed about Viagra, especially given the cold opening he did earlier tonight. Weird seeing Leon with a goatee, though. I guess this was filmed earlier this week before Tim shaved for tonight’s episode.
— Akira Yoshimura! (the third-to-last above screencap for this sketch)
A rare non-Update appearance from Colin.
— Regis Philbin’s message is hilarious, especially him telling us with a calm smile “You can go straight to hell.”
— A very fun and fast-paced segment.
STARS: ****


WEEKEND UPDATE
COQ wants to see Bill Clinton exercise executive privilege to the max

— During Colin’s obligatory opening straight-to-camera rant, I like his whole side bit about people at SNL running up the show’s bill and stealing things from the show.
— Ooh, a Joe Piscopo joke. And as expected, the punchline is about him being a washed-up has-been.
— Some strong jokes from Colin so far in this Update.
— Colin’s Jerry Springer joke reminds me that I recall once hearing there was a Jerry Springer Show sketch that got cut after this episode’s dress rehearsal. In the sketch, Matthew Broderick played Jerry Springer, and his guests were Darrell and Ana as the Clintons. I believe I also heard that Darrell suffered a real-life injury at one point in the sketch (which may be the reason for the sketch getting cut), when he got hit by a chair thrown in the air as the performers were acting out a typical Jerry Springer Show fight.
— Holy hell, Update is over already? This Update was seriously only about 3-4 minutes long. I kid you not, people. This may have topped the Update from the Roma Downey episode as the shortest Update in recent memory.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Kind & Generous”


THE CELINE DION SHOW
Shania Twain (MOS) & Gloria Estefan (host)

— Yet another talk show sketch tonight? And has EVERY SINGLE SKETCH so far tonight been recurring?
— At least the segment with Darrell as Celine’s husband is something that wasn’t done in the first installment of this sketch.
— Another difference from the first installment is that all the guests are brought on together instead of one-by-one.
— A cheap laugh from how unfeminine Matthew looks in drag.
— I’m getting bored with the repetitive joke of Ana’s Celine always singing over her guests whenever each of them try to sing a solo song. I like Ana’s Celine impression, but I’m glad this ends up being the last time we ever see her in her talk show sketch (I recall her appearing in some good non-talk show sketches later on).
STARS: **½


PRIME MINISTER’S QUESTIONS
Tony Blair (host) hears British MPs’ questions on Teletubbies & more

— Kinda surprised they’re bringing back this sketch from over a year ago when Mike Myers hosted. Oh, and by the way, that makes this yet ANOTHER recurring sketch tonight, keeping alive tonight’s streak of all recurring sketches.
— A second rare non-Update appearance from Colin tonight.
— I love Will’s voice in this.
— Hmm, I see Will’s Oasis obsession from the first installment of this sketch has been replaced tonight with a Teletubbies obsession. I admit, there’s more comedic potential in this Teletubbies obsession of his.
— A funny out-of-place appearance from Tracy as an American tourist.
— It was unnecessary for this sketch to end the exact same way the first one did, with the host repeatedly punching Will.
STARS: ***


PROM LIMO
(CHO), (host), (MOS), (WIF) think their prom limo ride is the coolest

— Finally, an actual ORIGINAL sketch tonight. Unfortunately, I never cared for this particular musical sketch during my previous viewings of tonight’s episode. I’ll try to keep an open mind this time.
— I do always enjoy Will’s portrayal of young, fratboy-ish, overconfident guys.
— The musical that the prom teens are singing kinda has its charm, but otherwise, I’m a little bored during this.
— A funny random ending gag, in which Will gets beheaded by an overpass. I’m surprised by how fast they were able to switch Will with a headless body double.
STARS: **½


TENACIOUS D
Tenacious D [real] performs “The History of Tenacious D” & “Double Team”

— For the first time since way back in 1986, SNL has credited special guest comedians perform their own comedy act on SNL’s home base stage, something that used to be common for SNL. Too bad tonight’s return to this old tradition ends up just being a one-time thing. (However, I think I recall once hearing that Johnny Knoxville’s whole Jackass routine was originally in consideration to be a recurring SNL segment for season 25, a year before Jackass became a big breakout show on MTV. Knoxville and his buddies were going to perform their Jackass comedy act live onstage at SNL, but SNL ended up passing on the idea. I’m not sure of the validity of that whole story, though.)
— Funny opening intro that Matthew is forced to read off of an index card that Tenacious D gave him.
— Interesting seeing a young, pre-famous Jack Black.
— I’m probably not the best person to judge a Tenacious D song, as I’m not all that familiar with their work outside of their later SNL appearances, but I’m aware of the basic gist of their act in general, and I’m enjoying their performance tonight. And I love how out-of-the-ordinary this whole segment feels for this SNL era. It truly does kinda feel like I’m back to reviewing an SNL episode from the 70s and early-mid 80s, back when special guest performers doing their comedy act was common.
— A crazy high note that Jack sang just now.
— I like the turn with Jack acting out a soft conversation with off-camera audience members.
— The “sucking on toes” part of the song right now is very funny.
STARS: ***½


COMIC MINDS
the drug humor of Orbit (WIF) & Larry (TRM) was based on PCP

— The name of Matthew’s character, Matt Peedman, seems to have been based on then-current SNL writer Matt Piedmont.
— Tracy has been getting more airtime than usual tonight.
— Very funny concept of Will and Tracy’s comedy team trying to one-up Cheech and Chong’s marijuana-themed comedy team by making their drug theme PCP, of all things.
— The first sound clip played of Will and Tracy’s PCP comedy act is hilarious, especially Tracy’s panicked repetition of the line “I got the ice in me!” Tracy’s delivery of that line is priceless.
— The second sound clip is also cracking me the hell up. I love Will’s insane panicked screaming.
STARS: ****


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— I don’t feel too crazy about this episode, though it really wasn’t too bad. However, a large chunk of the episode had a bit of a lazy, too-familiar feel, especially with the heavy over-reliance on recurring sketches (which is something that this season had thankfully been moving away from), talk show sketches, and even a rehashed monologue. It didn’t help that some of the recurring sketches were things I didn’t need to see be brought back. There was still a pretty good number of sketches I enjoyed tonight, though, even some of the recurring stuff.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Greg Kinnear)
a mild step down


My full set of screencaps for this episode is here


TOMORROW
Season 23 comes to an end, with host David Duchovny. It’s also the end of the road for Jim Breuer’s SNL tenure.

October 21, 1995 – David Schwimmer / Natalie Merchant (S21 E3)

Segments are rated on a scale of 1-5 stars

HOOTIE’S MILLION MAN MARCH
Darius Rucker (TIM) sings “Hold My Hand” variant at D.C. frat boy march

— I love Darrell-as-Peter-Jennings’ pronunciation of the name “Hootie”.
— Pretty funny premise of Hootie holding a Million Man March.
— Our very first instance of Will’s knack for nailing the role of an idiotic fratboy.
— A good little laugh from Nancy’s “Get your hand off my ass” aside.
— I’m liking Tim as Darius Rucker.
— Did the recently-fired Adam Sandler write this song that Tim’s Darius Rucker is singing? The non-sequitur rhyming lyrics feel like something straight out of a Sandler Weekend Update guitar song.
— Wow, in every episode this season so far, Tim got to say “Live from New York…”. The perks of being one of the few seniors in a mostly-new cast. I love the screentime and attention that Tim’s been getting this season. He certainly deserves it, after spending his first five seasons being underappreciated, overshadowed, and underused.
— I like the way the off-camera SNL Band seamlessly segued from playing music for the Darius Rucker song to playing the SNL theme music after Tim’s “Live from New York…”.
STARS: ***½


MONOLOGUE
host & Lisa Kudrow, Gary Coleman, Barry Williams, Jimmie Walker [real]

— Nice infectious energy from Lisa Kudrow and Jennifer Aniston joining David Schwimmer in his singing of the Friends theme song. Reminds me of Kirstie Alley’s season 17 monologue.
— I love how comically out-of-hand this is getting with stars from unrelated older sitcoms singing their theme songs.
— Ha, Jimmie Walker is butchering the lyrics to his own show’s theme song.
— Very fun monologue overall.
STARS: ****


GRAYSON MOORHEAD SECURITIES
Grayson Moorhead Securities founder (JID) tells his investing philosophy

— This two-part Grayson Moorhead commercial tonight has always been among my favorite SNL commercials of all time.
— Jim Downey’s lines are absolutely priceless, made all the more funny by his trademark dry, soft-spoken delivery.
— Even the black-and-white soft focus used for this commercial is somehow adding to the comedy.
STARS: *****


KIDS VS. GROWNUPS
game show questions are biased toward the adults

— There’s the character name Dale Butterworth, an obvious sign that this is an Andy Breckman-written sketch.
— The clitoris question is hilarious.
— I like Mark proudly answering “Yes” when asked if he’s an expert on premature ejaculation.
— Pretty funny premise and good execution of it, even if it’s far from my favorite gameshow sketch that Andy Breckman has written.
— I love how the prize the adults win is a bunny and a pot to cook it in.
STARS: ***½


GRAYSON MOORHEAD SECURITIES
more common-sense Grayson Moorhead Securities company guidelines

— Downey’s always great at starring in two-part commercials, much like the First Citiwide Change Bank series of commercials from the late 80s.
— Love the bit about what to do if Downey’s wife calls while he’s shagging his secretary.
STARS: *****


FRONT PORCH
Rita Delvecchio (CHO) confiscates kids’ items that land on her porch

— The debut of a Cheri Oteri staple.
— The show continues to push Cheri as the breakout star of the new cast.
— Pretty solid character work from Cheri, and I like the conversations she’s having with off-camera friends. This is a character monologue-type piece that Cheri most likely brought with her from the Groundlings.
— A famous unscripted moment where, when noticing her dress is accidentally caught on the hockey net, Cheri ad-libs “Look at this shit.” I’m guessing she temporarily forgot she’s on live TV and not onstage at the Groundlings, considering how new she is on SNL at this point. The audience has a pretty amusing delayed reaction to this s-bomb incident.
— Right after the s-bomb, you can kinda tell that Cheri realized her gaffe, but she’s doing a great job staying completely in character and not letting it affect her performance at all.
— Ending was a little weak.
STARS: ***


FUZZY MEMORIES BY JACK HANDEY
a seemingly turkeyless Thanksgiving


ELEVATOR
actions of fellow elevator passengers make (host) feel uncomfortable

— I’m enjoying the gradual buildup to this.
— For some reason, I like Schwimmer’s wordy, fast-paced “You’re standing on top of me, why?” rant to Jim and Tim.
— I’m absolutely loving the increasing absurdity of each passenger’s elevator-standing technique.
— New SNL writer and future cast member Colin Quinn makes his very first SNL appearance, playing a non-speaking bit part.

— Overall, though I don’t think this is a particularly well-remembered sketch among SNL fans, I’ve personally always loved this. Just an original, silly, well-done, timeless piece that hits the right spot for me. This is another sketch that shows how vastly different and refreshing the writing style of this season is compared to the preceding season, as I cannot picture this sketch ever appearing in season 20.
STARS: ****½


WEEKEND UPDATE
to re-enact the time he got beat up in a bar, JMB hits himself
Cleveland Indians fan (WIF) pretends to be an upset Native American

— After opening Norm’s previous two Updates this season with the theme songs of then-current NBC shows, tonight’s Update opens with generic music that would go on to be the regular theme music for Norm’s Updates. It’s the same theme music that was previously used for two superhero sketches from the late 80s/early 90s years: Drunk Man with Dana Carvey, and Young Superboy with Macaulay Culkin.
— Nice to see Jim finally getting his very first comedic showcase. (The Braveheart thing from the preceding episode mostly just had Jim playing straight man to Chevy.)
— Some pretty solid physical comedy from Jim beating himself up while re-enacting a bar fight.
— Will’s commentary is pretty funny, especially him saying the Cleveland Indians’ logo is the great Chief Wahoo.
STARS: ****


MUSICAL PERFORMANCE
musical guest sings “Wonder”


SURPRISE PARTY DISCOVERIES
(DAH)’s friends discover his secrets while setting up his surprise party

— I’m getting some really good laughs from all the embarrassing things Darrell’s friends are finding in his apartment, especially the Urkel letter.
— Feels weird in retrospect to see Darrell in such a big role where he’s NOT doing a celebrity impression, a sight that would become more and more of a huge rarity as his tenure progresses. With this being one of Darrell’s earliest episodes, I guess SNL hadn’t decided yet that they were going to relegate him to just doing impressions.
— I love Tim’s delivery of “We read the letter to Urkel, man. WE READ THE LETTER TO URKEL.”
— Funny ending with Darrell dancing to the song Gloria with his blow-up doll of Nancy.
STARS: ****


SPADE IN AMERICA
Jennifer Aniston [real] objects to anti-Friends remarks

— Hey, Spade In America has a new set. It looks great, especially the spade symbols on the background wall.
— Nice change of pace having Jennifer Aniston join Spade this time.
— Our first time seeing Spade do a Hollywood Minute in a year-and-a-half.
— Great dig from Jennifer, insinuating that Spade can’t relate to being on a show that’s really funny, gets great ratings, and is loved by the critics.
— Another great dig from Jennifer to Spade, telling him “You should’ve left with Farley and Sandler.”
— Overall, an enjoyable, fun piece, and the first good Spade In America. I wonder if it’s a coincidence that Spade In America has finally taken off after they gave the segment a new set.
STARS: ***½


SUCH A PRETTY FACE
slim Shannon (NAW) is insensitively rude to plus size clothing customers

— IIRC, this is one of the first sketches (if not THE first) penned by new SNL writer Paula Pell.
— I want to like this sketch, especially since it’s one of SNL’s earliest Nancy Walls showcases, but it feels really dead so far.
— Nancy’s conversation with Mark’s character kinda has a chuckle or two, but maybe I’m just desperate for laughs by this point of the sketch.
— That’s it? The sketch is over? This felt like it was missing a punchline or some kind of satisfying comeuppance for Nancy’s rude character.
— Overall, this sketch just didn’t work. Nancy herself was fine, but almost nothing in the sketch landed and the script felt incomplete. This is the first thing all season that I’m giving a rating lower than two stars to, which at least shows how well this season has been going so far. (Season 20, on the other hand, couldn’t even make it past the season premiere without getting multiple one or one-and-a-half-star ratings from me.)
STARS: *½


MUSICAL PERFORMANCE
musical guest sings “Carnival”


TRIUMPH PERFORMERS
performers remain in showbiz despite severe disabilities

— Wow, two consecutive sketches starring Nancy Walls. I certainly hope she gets better material this time.
— I love Will revealing his paralyzation was caused by getting drunk and breaking into the zoo, looking for rough sex.
— Some nice little laughs from Will’s facial mime act.
— Koechner’s voice-boxed voice is slaying me.
— I love how Koechner’s ventriloquist dummy has a voice box as well.
— Good makeup on a face-burned Darrell.
— Interesting way to work in Darrell being an impressionist. However, since the joke of both Will and Koechner’s bits was how their life-changing injury limits their respective comedy act, I don’t get how Darrell’s burned face is supposed to hinder his impression skills. Is it because people would be too distracted by his burn scars to pay attention to his impression voices? If so, that joke doesn’t quite work.
STARS: ***½


GOODNIGHTS
CHO puts money in the swear jar for saying “shit” earlier in the show

— Great off-the-cuff moment with Cheri having to put money in a swear jar for her s-bomb earlier tonight. This goodnights moment feels kinda like a throwback to how spontaneous the original SNL era was whenever something went wrong, such as when the cast decided to wear a band-aid on their foreheads after Buck Henry accidentally got cut in the forehead during a Samurai sketch, or when SNL used the goodnights to re-do a botched bit earlier in the episode where Chevy Chase was supposed to get hit in the face with a pie.


IMMEDIATE POST-SHOW THOUGHTS
— A solid episode with a very fun atmosphere. I enjoyed almost every single thing tonight (Such A Pretty Face was the only lowlight for me), and there were a few pieces I found particularly strong (Grayson Moorhead Securities, Elevator). Even Spade In America finally took off after a forgettable first two installments. This episode gives me continued confidence in this new SNL era.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Chevy Chase)
a step up


My full set of screencaps for this episode is here


TOMORROW
Gabriel Byrne