October 7, 1989 – Rick Moranis / Rickie Lee Jones (S15 E2)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Jackie Mason (host) apologizes & endorses Ronald Lauder for NYC mayor

— Hilarious Jackie Mason impression from Rick Moranis.
— Lots of rapid-fire funny lines.
— Strange how both cold openings this season so far have a meta segue into “Live from New York” with the speaker (George Bush, Jackie Mason) having an exchange with someone off-camera who keeps urging him to say “Live from New York”, which he initially refuses to do.
STARS: ***½


MONOLOGUE
host plays with SNL Band, works around the studio, delivers a baby

— Love the immediate deviation from a normal monologue, with Rick excitedly rushing over to the SNL Band to play with them. This is only the beginning, folks.
— Yes! Now he’s gone completely wild, going from playing with the SNL Band to riding around on a camera crane seat, dancing his way backstage, ironing Jon Lovitz’s pants, displaying special camera effects from the control room, applying Nora Dunn’s make-up, and even helping a woman give birth! And all of this occurs while the SNL Band plays a very extended version of SNL’s theme music. This is easily the longest the theme music has ever been continuously played in an SNL episode, clocking in at around 4½ minutes.
— Words cannot express how much I’ve always loved this overall monologue. Extremely fun, out of the ordinary, and easily one of my absolute all-time favorite monologues ever.
— For some reason, later airings of this episode would remove a portion of the scene where Rick is riding around on the camera crane seat (the fourth screencap above with Rick high in the air on the crane isn’t shown in reruns). The reruns would also replace the applying-Nora’s-make-up and delivering-a-woman’s-baby scenes with the dress rehearsal version. The most noticeable difference is that the dress version of the Nora scene has a smaller and completely different group of people standing in the background (which humorously includes a still-pantsless Jon Lovitz) than the live version has. (side-by-side comparison between dress and live below)

STARS: *****


THE BIG BITCH BULLDYKE BUSTOUT OF ’89
Leona Helmsley (NOD), Zsa Zsa Gabor (VIJ), Bakkers (JAH) & (host) go nuts

— Wild beginning with the prison fight involving Nora’s Leona Helmsley, Victoria’s Zsa Zsa Gabor, and a heavyset black woman.
— Excellent Zsa Zsa make-up on Victoria.
— From what I remember of my old viewings of Comedy Central’s 60-minute version of this episode back in the day, I swear they cut the part showing the “The Big Bitch BullDyke Bustout of ’89” title. I had no idea that off-color title for this sketch even existed until I was surprised to later see it during NBC’s airing of this episode on “Classic SNL” in 2002. I’m guessing Comedy Central removed the title of this sketch for censorship reasons, due to the combo of the words “bitch” and “bulldyke” (which probably seems fairly tame for Comedy Central standards today in 2019, but remember, their edited version of this sketch was made sometime back in the 90s).
— I love the sudden entrance from Rick as Jim Bakker. Also, if you’ve ever seen a picture of the real Jim Bakker, you’d agree that casting Rick Moranis as him was a no-brainer.
— Great to see the return of Jan’s Tammy Faye Bakker.
— Love the banjo music playing during the map footage screen transition.
— The beginning of the convenience store scene has a funny little part with Jon’s purchases: a Playboy, a Penthouse, a large coffee, and a No-Doz.
— Always a very funny visual of Jan’s Tammy Faye having mascara running down her face whenever she cries.
— I’m loving all the insane intensity of this sketch.
— Ha, the car-driving-off-a-cliff stock footage is the same one that was used in the Toonces sketch that debuted in the previous season’s finale and would famously go on to be used in future Toonces sketches.
— A very strong overall sketch and featured great performances from all involved.
STARS: ****½


HONEY, I SHRUNK HANS & FRANZ
the tiny musclemen deal with a mouse

— I really like this idea of a crossover between Honey I Shrunk The Kids and Hans & Franz.
— Funny visual of Hans and Franz lifting a lemon and pistachio nuts.
— I like how their guest is an obviously-greenscreened mouse.
— An unintentionally amusing blooper when Hans and Franz say that their mouse guest has left even though the greenscreen is still showing the mouse behind them, which they then kinda acknowledge with an ad-lib.
— Hans, to a sucking-up Rick Moranis: “Don’t be kissing our tiny buttocks now.”
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Satellites”


WEEKEND UPDATE
Mr. Subliminal comments on Manuel Noriega & the situation in Panama
PHH gives George Steinbrenner Health Watch update for hopeful Yankee fans
detestable stereotype Frenchy (JOL) offends & disgusts during commentary

— I really liked Dennis’ opening bandaged middle finger bit regarding a picture of Bush.
— After sounding fairly low-energy in the previous week’s season premiere, Dennis’ delivery is back to its usual self.
— Kevin’s Mr. Subliminal makes his very first Weekend Update appearance.
— An unintentional laugh from Kevin’s accidental Noriega/Norwegian line flub.
— Another overall great subliminal routine from Kevin.
— Loved the rowdy audience response to Dennis’ Ben Johnson/horse joke.
— Great idea of a segment called the George Steinbrenner Health Watch, featuring a rare Update appearance from Phil Hartman.
— A funny new Jon Lovitz character: Frenchy, “the man you love to hate”.
— I love Jon’s constant “I’m Frenchy!” and “Didn’t mean to offend anybody”.
— Kinda feels like they’re setting up Frenchy to become a recurring character, but we end up never seeing him again.
— Loved Dennis’ Jim Bakker joke at the end.
STARS: ****


RESORTS INTERNATIONAL HOTEL
Merv Griffin (host) does all the work at his money-losing hotel

— Can’t judge the accuracy of Rick’s Merv Griffin impression, but he’s coming off very funny, especially the laugh he keeps doing.
— I like how it’s gradually being revealed that Merv Griffin is doing all the work in his casino, even being the parking valet.
— The laundry bit is really funny.
— An appearance from Phil’s Donald Trump impression.
— Much like the first time he played him, Phil’s Trump doesn’t sound as good as it would sound in later appearances his Trump makes. In these early Trump appearances, Phil’s just doing a generic fast-talking, somewhat-high-pitched New York accent, not really capturing Trump’s voice or cadence.
STARS: ***½


WILD HORSE
(PHH), (host), (MIM), (NOD) unsuccessfully try to ride a wild horse

— This sketch has a goofiness that I’ve always really liked. Despite this being a very repetitive, thin sketch that mainly consists of a close-up of each character bouncing out-of-control on the back of a wild horse and then a dummy of that character being thrown to the ranch fence, I’ve always found this sketch funny. This cast is just always good at pulling off silly sketches like this.
— I wonder why Mike was the only performer who didn’t get a dummy of himself thrown into the scene. Mike did his own stunt instead.
— Good ending gag with a male horse being thrown to the ranch fence like the humans were.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Ghetto Of My Mind”


NEW COMMISSIONER
new commissioner (PHH) alters baseball rules in memory of Bart Giamatti

— I’m getting a lot of laughs from the increasingly ridiculous and over-the-top new baseball rules created as a dedication to the recently-deceased Bart Giamatti. I also like how the people at the conference are giving increasingly more hesitant applause at each insane new rule that’s announced.
— The already-funny dialogue is being made that much funnier by Phil’s fantastic low-key, mock-serious delivery here, which is tickling the hell out of me. This is one of the best displays of Phil’s ability to make absurd dialogue sound hilarious by delivering it completely straight.
— Phil: “From now on, everyone in this room, including myself, will be known as A. Bartlett Giamatti.”
— Love Phil’s angry response to Kevin’s reasonable objection to the new baseball rules.
— Great ending with everybody singing the new “Bartball” anthem.
STARS: ****½


BABY TALK
in a bar, (JAH), (NOD), (VIJ) bother a cute guy (host) with baby talk

— Some pretty good laughs from the ladies’ increasingly baby-ish gushing over Rick’s cuteness. Jan is especially funny at doing the baby voice.
— Reminds me a little of a bar sketch they would later do the following season with Jeremy Irons.
STARS: ***


WORD BUSTERS
contestants have to come up with the correct pain response

— Mike’s cheesy facial expression as Mark Linn-Baker (from Perfect Strangers) is dead-on.
— Love the format of this gameshow sketch, with contestants getting hit until they utter the correct pained response they’re supposed to.
— Mark Linn-Baker, during a long-winded answer to the question of how he’s so good at this game: “…a vast medical knowledge, nerve endings, pressure points and the like. I could go on.” Phil (deadpan, but with a fake smile): “Please don’t. I was asking out of politeness.”
— I particularly like the segment with Jan and Kevin, culminating in Jan’s collapse to the ground producing a “crash” sound instead of the correct “thud” sound.
— Kevin’s silent cocky facial expression throughout this sketch always makes me laugh.
— The speed round with Jon and Mike is hilarious.
— Nice touch with Jon’s bleeding lip at the end.
STARS: ****


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A very strong episode, and a nice bounce back after the a-little-too-average season premiere. The quality was very consistent tonight, nothing was weak, a lot of the sketches were exceptionally solid, and we got one of my personal favorite monologues of all-time.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Bruce Willis)
a fairly big step up


My full set of screencaps for this episode is here


TOMORROW
Kathleen Turner. Random thought: the musical guest in the episode I just reviewed, Rickie Lee Jones, strongly resembles Kathleen Turner. They should’ve had Jones as the musical guest for Turner’s episode, just so we could be treated to the freaky sight of them standing side-by-side during the goodnights.

January 29, 1983 – Rick Moranis and Dave Thomas / The Bus Boys (S8 E11)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Bob Hope (Dave) & Frank Sinatra (JOP) pressure Woody Allen (Rick)

   

— Nice to see tonight’s two hosts front-and-center doing fun impressions right at the start of the show.
— Some funny lines from Rick-as-Woody-Allen’s asides to the camera.
— The Mia Farrow line was great.
— Whoa at Joe-as-Sinatra’s sudden “f**gots” line.
— Good bit with Joe’s Sinatra affecting the outcome of the Super Bowl with one phone call.
STARS: ***½


MONOLOGUE
Bob & Doug McKenzie are mad at DOP for giving their hotel address
the McKenzies visit NYC landmarks

     

— Rick and Dave make their monologue entrance in character as the McKenzie Brothers. Oh, this is gonna be fun.
— I like their summing up the history of SNL’s quality as “It was good, then it went downhill, then it got good again, then it– etc.”. Fellow SCTV alum Martin Short would later say something similar about the timeline of SNL’s quality in his 1996 monologue.
— The bit with them getting revenge on Don Pardo is funny.
— A cutaway to a pre-taped segment with the McKenzie Brothers out in the city. I’m loving this.
— Funny part with them suddenly leaving the clothing store as soon as an employee asks them if they need help.
— This kinda ended abruptly. I had hoped this would go on a lot longer.
STARS: ***½


WHINERS
Doug & Wendy Whiner are taken hostage during a bank robbery

   

— Oh, god, here we go…
— For once, I got an actual laugh from one of the Whiners themselves (usually my only amusement in their sketches comes from the straight man characters playing off of them), with Joe wimpishly telling Brad “I’ll make mincemeat out of you”.
— Unusual ending: after Gary and Brad go nuts and start firing their guns all over the place, the camera does a freeze-frame with the words “To Be Continued Next Week” being displayed onscreen. I’m aware that they DO follow through on this by continuing the sketch in next week’s episode, where we see (I think) Doug Whiner in the hospital recovering from his gunshot wounds (I guess Gary and Brad’s bullets somehow missed Wendy Whiner). While I normally would admire the fact that this is a rare instance of SNL doing a two-part sketch over the course of two episodes, I’m certainly not looking forward to having to put up with the Whiners for the second episode in a row.
STARS: *½


I’LL BE THE JUDGE OF THAT
Tyrone Green on Dick Cavett’s (Rick) game show

     

— After becoming familiar with the blandness of Dick Cavett when I reviewed the original SNL era (Cavett hosted twice in 1976), I’m getting a big kick out of seeing Rick do an impression of him.
— Rick is really good here and is perfectly capturing Cavett’s aura, though the voice isn’t quite as dead-on as I hoped it would be.
— Rick begins his introduction to his next guest with “one of the angriest poets…”, which must mean it’s gonna be… Tyrone Green!
— Yep, I was right.
— Tyrone’s back to having his usual short hair after suddenly sporting long dreads last time we saw him (the famous “Kill All the White People” sketch) . Heh, I guess we’re to believe that in the universe of that last sketch, Tyrone’s dreads were just a wig.
— Robin is really cracking me up in her scenes as Oriana Falacci, and the random sponsors she’s announcing are funny.
— Some good laughs from Eddie’s angry threats to the orchestra.
STARS: ***½


MUSICAL PERFORMANCE
musical guest & EDM perform “The Boys Are Back In Town”

 

— Very interesting to see Eddie participating with the Bus Boys. I may be forgetting something, but I believe he’s only the third individual cast member in SNL history who got to sing with a musical guest during a musical performance (the first two were Chevy Chase in a Carly Simon performance from season 1 and Bill Murray in a The Amazing Rhythm Aces performance from season 5). I’m not counting the times where a cast member sang with a musical guest while in character as someone, like several instances of John Belushi as Samurai or Joe Cocker.
— You can tell Eddie’s having a lot of fun here.


HITCHCOCK HYGIENE
a suspenseful reminder to see your dentist regularly

     

— This is doing a great job of recreating the aura of a typical 1940s/50s thriller.
— The dentist reveal at the end was a good twist.
— This overall film had almost a Tom Schiller feel to it, though I doubt it was him behind this one.
STARS: ***½


GUY TALK
Liberace (Dave) & Michael Jackson (EDM) recount macho exploits

  

— Fairly funny concept with Liberace and Michael Jackson being the guests on a manly talk show.
— Eddie’s exaggeratedly high-pitched voice is kinda making me laugh, but his general portrayal of Michael as possibly gay would probably be seen as weird nowadays. I guess in hindsight, Eddie’s impression here is serving as a snapshot of a time before Michael became known for a lot of the quirks and oddities that you would later always see in an MJ impression.
— Eddie and Joe seem to be cracking up together during some portions of this sketch.
STARS: **½


PORTA-DISH
Gerry Todd (Rick) recommends a portable satellite dish made of fine china

     

— The satellite dish being a simple dinner plate is KINDA amusing, but I hope that’s not the main joke here.
— Okay, this sketch is getting pretty funny, with the strange channels being displayed.
— I especially got a good laugh right now from the “Dyslexia Channel” which has badly-spelled closed captioning.
STARS: ***½


SATURDAY NIGHT NEWS
JOP predicts the outcome of Super Bowl XVII- Dolphins by 9
Dr. Ruth Westheimer (MAG) talks about how to deal with male impotence
EDM solicits viewer letters asking Ronald Reagan to support MLK holiday
Walter Cronkite (Dave) criticizes BRH’s anchoring style

       

— Immediately after the top story, Brad ALREADY throws to Joe doing an SNL Sports commentary. It’s weird how some of this season’s Saturday Night News quickly go to the first guest commentary after Brad has done only one or two jokes. That’s unheard of in other eras of SNL’s news segment.
— Joe’s fast-talking Spanish outburst was pretty funny, though he already did that in an earlier episode.
— Very quick SNL Sports commentary from Joe, with him basically just predicting the Dolphins will beat the Redskins by 9 points in tomorrow’s Super Bowl.
— The Barbie Hitler pre-taped segment was weak.
— The debut of Mary’s Dr. Ruth impression, which would go on to be a big recurring role for her.
— The ending of Mary’s commentary with Brad stopping her from doing the finger-in-hole sexual gesture was pretty funny, but the rest of the commentary wasn’t really noteworthy. I hope her future appearances are an improvement.
— First time we’ve seen Eddie doing a news commentary as himself in a good while.
— Eddie’s kinda stumbly with his delivery here, but he’s making lots of fantastic and hilarious points during his rant against President Reagan’s refusal to make Martin Luther King’s birthday a national holiday. I especially love Eddie’s line about how Reagan probably thinks Mother’s Day is a black holiday, and the whole part with Eddie asking viewers to mail him letters supporting the idea of an MLK holiday so Eddie can televise himself dropping the letters onto the White House front lawn with a truck.
— They seem to be going really light on the number of news jokes from Brad. Tonight’s SNN is spending far more time on the guest commentaries than Brad’s jokes. No big loss there. At this point, I’m not even sure if I can consider Brad Hall an improvement over Brian Doyle-Murray’s dreadful run as an SNL news anchor anymore. Brad had a somewhat promising start in his early SNNs this season where he seemed to be trying to leave his mark by doing lots of unique side segments (e.g. yelling at James Watt on the phone, singing the bad news of the week in an upbeat folk song, etc.), but it didn’t take long for his SNNs to devolve into stagnant blandness. Supposedly, Dick Ebersol is to blame for this drop in quality, as word has it that he forced Brad to drop his more politically-charged material and interesting side segments in favor of just doing simple “picture gags” all the time.
— Dave’s Walter Cronkite segment is pretty fun, and a good way to close tonight’s SNN.
STARS: **


HELL BENT FOR GLORY
WWII movie characters realize deadly cliches are due

     

— Julia’s role as a “blind beautiful French girl” seems like it will be a rare sample of the type of comedic greatness that we would later become familiar with from her throughout her big post-SNL career. I’ve been noticing that Julia’s been pretty tame during her SNL tenure so far, I’m guessing partly because of her very young age at the time (only 21 years old; she probably hadn’t fully developed as a comedian yet) and partly because the writers probably didn’t know how to use her talents properly.
— I was right, Julia’s getting some pretty good laughs here.
— I’m liking the meta-premise of the characters calling out all the war movie cliches that they fall under.
— Tim: “What happens to me, sarge??!?” Dave: “Nothing, you’re just an extra, get out of here.”
— The ending with Dave “hiding” was kinda weak.
— I like the ending credits sequence, showing the cast of characters one-by-one.
STARS: ***½


RENT ED MCMAHON
rent Ed McMahon (JOP) for your next party & your unfunny jokes will work

  

— I remember reading how Moranis and Thomas didn’t like the fact that Joe wears such a heavy amount of make-up for his Ed McMahon impression in this sketch. Joe DOES tend to go overboard with the make-up in quite a number of his celebrity impressions. I think both he and Harry Shearer are the only two cast members in SNL history who were such perfectionists when it came to going all out in trying to make themselves look EXACTLY like the celebrities they play. And then you have cast members like Phil Hartman and Darrell Hammond who were perfectly content with simply using a wig and a dead-on vocal imitation to pull off their great impressions. (Okay, Hammond did sometimes tend to rely on a few minor prosthetics, but not overly so)
— Decent premise of McMahon appearing at your party to laugh at your bad jokes in order to make them seem funnier to other party guests.
STARS: ***


FIVE MINUTES TO REFLECT
a rabbi (Rick) explains origin of Jewish traits

 

— This sketch is already really funny right out of the gate, especially Rick’s fake sideburns coming off with the glasses.
— Okay, after a while, the humor in this has unfortunately kinda died down, but still decently funny.
— I like Rick’s complaints when they tell him to wrap up the show.
STARS: ***


THE BIOLOGICAL WATCH
the Ronco Biological Watch tracks women’s fertility

   

— Here’s Gary taking a shot at playing the type of manic pitchman role that were usually Dan Aykroyd and Joe Piscopo’s forte.
— Pretty funny commercial so far, especially the various famous songs the watch plays for different situations.
— Gary is doing okay in the manic pitchman role, but definitely not up to the same level of Aykroyd or Piscopo.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “New Shoes”


DON’T HITCH-HIKE
— Rerun


GOODNIGHTS

 


IMMEDIATE POST-SHOW THOUGHTS:
— A consistently pretty solid episode. While nothing stood out as particularly great and the overall show was not quite as strong as I was expecting a Rick Moranis/Dave Thomas-hosted episode to be (I should probably learn to start lowering my standards, considering this is the Ebersol era), this was still probably one of the better episodes in a while due to the consistent quality and Rick & Dave’s always-fun character work. Whiners and Saturday Night News were the only two things of the night that I flat-out disliked.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Lily Tomlin):
— a step up


My full set of screencaps for this episode is here


TOMORROW:

SNL’s recent string of impressive comedic hosts continues, as Sid Caesar helms our next episode. The show’s booking of hosts has really done an amazing turnaround from season 7, where we were getting “exciting” names like Robert Urich and Elizabeth Ashley.