September 30, 2017 – Ryan Gosling / Jay-Z (S43 E1)

Segments are rated on a scale of 1-5 stars

THE CHAOS PRESIDENT
Donald Trump (Alec Baldwin) renews relationship with Jeff Sessions (KAM)

— Ugh. Trumpwin is NOT a sight I want to see right out of the gate at the beginning of a season premiere’s cold opening, but I knew to expect it.
— I did get a laugh from Aidy-as-Sarah-Huckabee-Sanders’ delivery of her line about people listening to her because she’s “no nonsense, but ALL nonsense.”
— Yeah, I’m at the point where my decreasing tolerance towards Kate’s Jeff Sessions impression has officially reached 0%.
— Though it’s just a small appearance at the end of this cold opening, I’m liking Alex’s take on Chuck Schumer, and it’s nice that, instead of giving a political role like this to a non-cast member celebrity, it’s been given to a newer, underused cast member, a choice that’s going to feel increasingly rare as the Trump era progresses.
STARS: *½


OPENING MONTAGE
— Same opening montage from the preceding three seasons, making this the first time since season 19 where an opening montage was used for a fourth consecutive season.
— Heidi Gardner, Luke Null, and Chris Redd have been added to the cast.


MONOLOGUE
host takes credit for having saved jazz in La La Land; Emma Stone cameo

— The “I saved jazz” concept isn’t anything great in itself, but Ryan Gosling is executing it well, especially his “smooth” talk into the camera while playing the piano.
— There’s our first display tonight of Giggling Gosling, a common sight in Ryan’s preceding episode.
— Nice to see the SNL Band get some focus here.
— The “We saved jazz” turn from Emma Stone is pretty funny.
STARS: ***½


ANOTHER CLOSE ENCOUNTER
Ms. Rafferty’s second close encounter wasn’t much of an improvement

— (*groan*) And they obviously only brought this sketch back in this particular episode because of how much Ryan memorably giggled in the first installment of it.
— Mikey has taken over the basic role that the recently-departed-from-the-show Bobby Moynihan used to play in these sketches.
— You know how my comments about this recurring sketch goes: it should’ve stayed a one-and-done classic, it doesn’t work as a recurring sketch, Kate’s delivery as this character remains on-point but still doesn’t stop the template of her lines from feeling increasingly and tiredly by-the-numbers (particularly her anal/vaginal rhyming euphemisms).
— The part with Kate demonstrating on Ryan’s butt while making goofy vocalizations is such a blatant attempt to get more giggling out of Ryan. It’s nowhere near as endearing to me this time because this attempt at getting Kate to make Ryan laugh feels way too forced and try-hard on SNL’s part.
— Okay, Kate finally got one big laugh out of me just now, with the “He’s never gonna forget his 12th birthday” bit towards the end.
STARS: **


LEVI’S WOKES
unoffensively indeterminate Levi’s Wokes jeans are universally wearable

 

— A spot-on, timely, and well-filmed spoof of both woke culture and the typical style of jeans commercial.
— The statements that the Woke Jeans wearers are saying are priceless.
— Parts I particularly love are “Pockets sold separately”, the 180-degree “uni-fly” zipper, and the proudly-made announcement that, instead of being made by Indonesian kids, these jeans were made by white kids.
— Chris Redd is coming off really well and very amusing in his first role.
STARS: *****


THE FLIPLETS
dark (host) dispirits his brothers’ home renovation show

— A fairly simple format for a sketch placed so early in the show, but Ryan is solid as the brother who throws off the rhythm of this light-hearted commercial by saying dark, deep, disturbing, spiritual things. He has plenty of great lines here.
— I like the charmingly cheesy brotherly rapport between Mikey and Alex.
STARS: ****


MUSICAL PERFORMANCE
musical guest & Damian Marley [real] perform “Bam”


WEEKEND UPDATE
newly-reelected Angela Merkel (KAM) still pines for an Obama alliance

Guy Who Just Bought A Boat & cousin (host) offer oily dating advice

— An awful lot of clapter in this Update so far, even if some of Colin and Michael’s points that induced that clapter are good points.
— Some aspects of Kate’s Angela Merkel commentaries kinda blend together with her Olya Povlatsky commentaries, and I prefer Olya Povlatsky, but Kate’s Merkel commentaries still have some spark left in them by this point.
— As usual, this Merkel commentary is getting good mileage out of the running storyline of her pining for Barack Obama.
— After Michael says, in regards to healthcare horror movies, that he’s worried because we all know who dies first in healthcare horror movies, Colin hilariously ad-libs a quick “Not me!” in response.
— Colin’s joke about White Fudge Ding Dongs also being the name of what Jost/Che Weekend Updates are called in China is absolutely classic. Also great is Michael saying about it afterwards, “I don’t know who that’s more racist to.”
— Colin’s kinda overdoing it tonight with the “That’s a great transition” ad-libs whenever the audience laughs as he begins introducing a commentary right after an outrageous joke of Michael’s.
— Alex’s Guy Who Just Bought A Boat character has officially become recurring.
— Like the previous time this Guy Who Just Bought A Boat character appeared, I’m really liking Alex’s impressively-delivered rapid-fire run of abbreviated slang words, but I run hot-and-cold on the running gag with him subliminally making comments about his small penis.
— Ryan is 2-for-2 in making an Update appearance as a similar counterpart to a preexisting Update character whenever he hosts. (Bobby Moynihan’s Anthony Crispino character being the previous character who Ryan played a counterpart to.)
— Ryan’s a decent addition here, though I found him more fun as Anthony Crispino’s counterpart.
STARS: ***½


HENRIETTA & THE FUGITIVE
in a barn, fugitive (host) opts to remain loyal to fowl Henrietta (AIB)

 

— When this sketch originally aired, I spent most of it unamused, not knowing what to make of it, and repeatedly asking myself “What the hell am I watching???”, before eventually being won over by it towards the end, making me love this sketch as a whole when thinking back on it. Because of that, it’ll be interesting to watch this again for the first time since that original airing.
— I’m loving the unconventional tone of this sketch, as well as the way this silliness is being played so straight.
— Aidy is giving what I feel is one of her best performances ever.
— A funny gaffe with Aidy having trouble grabbing the gun out of Ryan’s pocket, resulting in yet another display of Giggling Gosling.
— I got a good laugh from Kenan’s delivery of “AAH! HENRIETTA, WHY?!?” after getting shot.
— I know some people feel that the “20 years later” scene at the end was unneeded, but I strongly disagree, as that was the part that won me over on this overall sketch during its original airing. Back then, the initial cutaway to Aidy’s scarf-and-sunglasses-clad Henrietta waiting outside of the prison with a suitcase was both very funny and (especially) very charming to me.
— Another funny gaffe with Aidy’s scarf and sunglasses falling off right as she delivers her final line, which was a great way to end this sketch.
STARS: ****½


ITALIAN RESTAURANT
(host) & (CES) feel betrayed by Pizza Hut commercial’s pasta switcheroo

— Even though the concept of Ryan having a very angry overreaction to the mere reveal of his food being switched with another brand is bringing Chris Farley’s classic Hidden Camera Commercials short to mind (right down to a slowly-delivered “You son of a bitch” being the first words out of Ryan’s mouth when standing up after the reveal), this is still standing up on its own legs as a funny sketch.
— Even in just a small role, Chris Redd is cracking me up with 1) his delivery of his worried response to a threatening line Ryan said to him, and 2) him muttering in regret, “I wish I hadn’t told you my name.”
— Ryan’s performance is starting to remind me of his very intense performance in the fantastic Santa Baby short from his previous episode.
— Cecily: “Is this wine even real?!?” Mikey: “You ordered a Diet Coke.” Cecily: “(worried) Then why am I buzzed???”
— Ryan: “I oughta beat the death out of you!”
— Ryan breaking out into his usual giggling fit right now is why I’m so happy the aforementioned Santa Baby short was pre-taped (as I said in my review of that short), though his giggliness in this Italian Restaurant sketch is both brief and late-into-the-sketch enough that it’s not hurting it for me.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “4:44”


PAPYRUS
lazy font choice for Avatar logo obsesses & infuriates (host)

— Ah, yet another Julio Torres classic.
— A priceless reveal of what’s bothering Ryan so much: the movie Avatar using the papyrus font for its logo.
— I love Ryan getting up and flipping over the table in response to Kate revealing that the font used for the Avatar sequel’s logo looks similar to the papyrus font.
— Chris, on the possibility of Avatar using the papyrus font: “Maybe that was the starting point, but they clearly modified this.” Ryan: “Well, whatever they did…IT WASN’T…ENOUGH!!! (*smashes a glass in anger*)”
— Chris, on the papyrus font: “Where else do you even see this font?!?” Ryan: “Hookah bars…Shakira merch…off-brand teas.”
— Ryan, while looking at Kyle through a window in Kyle’s house: “I know what you did. I KNOW WHAT YOU DIIIIIIID!!!
— An absolutely perfect ending with a simple screen of the word “papyrus” being displayed in the comic sans font.
— Overall, such a masterpiece. And Ryan is now 2-for-2 in giving an absolutely fantastic intense performance in a pre-taped short in an episode he hosts, after the aforementioned Santa Baby short from his previous episode.
STARS: *****


DIVE BAR
flautist’s (host) mysterious personal drama leaks into Treece Henderson’s gig

— The Treece Henderson sketch (a.k.a. the “Tweedle-do-twee! Tweedle-do-twow!” Kenan singing sketch) has officially become recurring after THREE YEARS, believe it or not. Its previous appearance was in the Martin Freeman episode from season 40.
— Ryan’s usual giggliness (which he isn’t even trying to hide in this sketch) is apparently contagious here, as Kenan is quite giggly himself throughout this sketch.
— The formula of this recurring sketch is so copy-and-paste that SNL has even plugged new cast member Heidi Gardner into the same role that the recently-departed-from-the-show Vanessa Bayer played in the first installment of this sketch, and they even keep Beck as the husband.

— Speaking of new cast members, let me just take the time right now to mention this: poooooor Luke Null. It’s the man’s first episode, and he has made NO APPEARANCES in it at all. AT. ALL. My goodness. You really gotta feel sorry for him. The writing is already on the wall for the poor guy’s SNL future.
— Kyle’s delivery of his one-liners is great. Much like with the first installment of this sketch, I’m torn. Kyle and Kenan’s delivery of their lines (especially Kenan’s occasional mentions of his “good jeans”, and his yell of “Durtricia! It was yooouuuuu!”) are making me laugh, but I’m not caring much for the actual material in this sketch.
— Another amusing gaffe, this time Leslie’s difficulty in tearing Kenan’s “good jeans”.
STARS: **½


IN MEMORIAM
a photo of Hugh Hefner marks his passing


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A good season premiere. When this season originally aired, I noticed worrying signs of a big decline for this SNL era right from the first three episodes of this season, but in my rewatch just now, I found this episode to be fine. Two five-star segments (Levi’s Wokes and Papyrus) and a lot of other good segments. Certainly not much to complain about.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Papyrus
Levi’s Wokes
Henrietta & The Fugitive
Italian Restaurant / The Fliplets (tie)
Weekend Update
Monologue
Dive Bar
Another Close Encounter
The Chaos President


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING SEASON (2016-17)
about the same


My full set of screencaps for this episode is here


TOMORROW
Gal Gadot

December 5, 2015 – Ryan Gosling / Leon Bridges (S41 E7)

Segments are rated on a scale of 1-5 stars

A CHRISTMAS MESSAGE FROM DONALD & MELANIA TRUMP
Donald (TAK) & Melania (CES) Trump list who’s naughty & who’s nice

— This ends up being the last time Taran ever plays Donald Trump on SNL, after only three appearances. I have mixed feelings about SNL taking the impression away from him so soon. The impression isn’t very good despite the fact that I definitely see what he’s going for, but on the other hand, given how much SNL hyped the announcement that summer of Taran being SNL’s new Trump impersonator, I’m surprised they gave up on him so fast, and I can’t help but feel he deserved at least a few more chances to nail the impression. Also, I wonder if the impression being yanked away from him so fast is one of the many things that soured Taran’s attitude towards his later years at SNL.
— Like the previous Donald/Melania cold opening from this season’s premiere, I’m actually getting more laughs from Cecily-as-Melania’s lines than from Taran-as-Donald’s lines.
— Can’t find anything else to say about this. A pretty blah cold opening, even moreso than the previous Donald/Melania cold opening.
STARS: **


OPENING MONTAGE
— Why has Darrell Hammond made it a habit lately to always deliver his “It’s Saturday Night Live!” a full second BEFORE the SNL logo even shows up onscreen?


MONOLOGUE
MIM & countryman host sing Canadian Christmas song to show homeland pride

— Decent bit with Ryan Gosling trying to pass his Canadian self off as being from New York.
— Mike Myers cameo, for the second time in two consecutive seasons.
— Mike is fun here as expected.
— Love the bit with Mike insisting Ryan use the Canadian pronunciation of “sorry”.
— Ah, there’s those wild tap-dancing moves that I remember Mike previously doing a few times during his SNL stint, including during a dance routine he and his mom did in SNL’s Mother’s Day special from 1992.
— Even for a musical monologue, this song is actually pretty fun and charming.
STARS: ***½


SETTL
Settl dating app is for women willing to lower their marital standards

— A funny concept for a spoof of dating apps.
— A good laugh from the initial close-up of Taran as Vanessa’s mustached boyfriend.
— Great line from Vanessa, with her upbeat, professionally-delivered “We’re getting married in April, which is before my sister.”
— Aside from the still photos of him shown here, Pete is completely absent in tonight’s episode. He was also barely in the preceding episode, making his only appearance in a small non-speaking role in the final sketch of the night. His airtime has taken a hit lately. (Jon Rudnitsky is also absent tonight, but that’s no surprise. So far, he’s yet to get any noteworthy roles ever since his bad gay-themed roles in the Tracy Morgan episode.)
— Lots of funny little bits all throughout this commercial.
STARS: ****


CLOSE ENCOUNTER
Ms. Rafferty’s (KAM) UFO trip was less transcendent than other abductees’

— This soon-to-be-recurring sketch makes its very noteworthy, memorable debut.
— Even the mere initial visual of Kate’s haggard, laid-back, cigarette-smoking character sitting next to Cecily and Ryan’s more conventional-looking characters is very funny.
— Kate’s characterization, delivery, and general demeanor here are all an absolute riot.
— Kate, regarding the aliens who watched her pee: “I don’t think I was dealing with the top brass.”
— Kate, regarding no longer having her pants at one point of her UFO experience: “I was full Porky Piggin’ it in a drafty dome.”
— Kate’s performance and ridiculous lines have now begun cracking up Aidy, Bobby, and even Kate herself a little (the latter probably only induced by Aidy and Bobby laughing). I can’t blame anyone in this particular case.
— Kate’s descriptions of her UFO experience are getting more and more priceless as this sketch goes on.
— I’ve been surprised to once learn that Mikey Day and Streeter Seidell write these Close Encounter sketches. Could’ve fooled me, as these sketches feel completely different from Day & Seidell’s usual very recognizable style. I would’ve bet money that Chris Kelly and Sarah Schneider wrote these.
— Now Ryan has memorably begun cracking up, in what ends up being our first of several displays tonight of Giggling Gosling.
— Overall, a true classic, a prime example of the greatness Kate could reliably bring during these peak years of her SNL tenure, and was another Kate McKinnon performance from these years that, when it originally aired, had me feeling I was watching a legend in the making. It’s a damn shame that, instead of keeping this a classic one-off piece like they should’ve, SNL ends up needlessly making it recurring, where it would become a textbook case of diminishing returns and trying too hard to recapture the magic of the original.
STARS: *****


SANTA BABY
prospect of meeting Santa overexcites (host) & (VAB)

— I like the tense look the other party guests have after the unsettling too-long lovey-dovey stare Ryan and Vanessa give each other after their first kiss in this short.
— Very funny reveal that Ryan and Vanessa still believe in Santa, and very passionately so.
— A lot of good laughs from how even more unsettling Ryan and Vanessa’s lovey-dovey actions with each other are becoming over the course of this short.
— I absolutely love the extremely intense turn this has now taken. Ryan is performing the living HELL out of this, and Vanessa is equally fantastic here. This is just one of many things that make this and the following season Vanessa’s two best seasons. She’s the only example I can think of off the top of my head of a seven-seasons-or-more cast member who peaked during their final two seasons. Very impressive. [ADDENDUM: I just thought of another example: Tracy Morgan.]
— It’s a good thing this is pre-taped, because you KNOW Ryan would’ve broke hard during this if it were a live sketch. Unlike the Close Encounter sketch, a Giggling Gosling performance could’ve potentially hurt Santa Baby. The absolute intense, dead seriousness that he’s playing this material in this pre-taped format is part of what makes it work so damn well.
— The sequence with Ryan and Vanessa dancing on the table to the song “I Will Follow You” is a particularly standout portion of this fantastic short.
— A perfect emotional, helpless expression on Beck’s face during the bit with Vanessa sitting on his-as-Santa’s lap.
— Excellent ending with the real Santa peeking in through the window and fearfully backing away over the horror he’s witnessing.
— Overall, an absolute masterpiece. This is impressively also our second consecutive five-star classic in tonight’s episode.
STARS: *****


BIRTHDAY PARTY
at (VAB)’s 13th birthday party, Melanie yearns for honoree’s dad (host)

— The second and final appearance of this sketch. An odd coincidence how the two times it appeared was with a Canadian host (Drake, Ryan Gosling).
— Ryan is okay here, but he doesn’t compare AT ALL to Drake’s surprisingly masterful portrayal of a corny middle-aged dad in the first installment of this sketch.
— Wait, Aidy’s character says she’s 13-and-a-half here? So are we supposed to just forget the fact that the previous installment of this sketch had a reveal that Aidy’s character is actually in her 20s and had recently awoken from a years-long coma?
— This sketch is just following the exact same formula of the previous installment of this sketch, but it’s still working well, thanks to Aidy’s solid and fun performance. They probably made the right decision, though, to keep this recurring sketch at only two appearances and never do a third installment.
— Great pratfall from Aidy.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Smooth Sailin'”


WEEKEND UPDATE
Glamour Magazine correspondent Jill Davenport (CES) flirts with COJ

third-hand source Angelo Skaggs (host) is downstream of Anthony Crispino

— A pretty solid long-form news story breakdown/rant from Colin and Michael on the topics of congress defunding planned parenthood and President Obama making a statement about ISIS not being a threat to America.
— Hmm, so far, this commentary of Cecily’s is VERY reminiscent of an Update commentary Kristen Wiig once did as a flirting expert.
— During Cecily’s commentary, I like the cutaway to a headphones-wearing Michael casually bopping his head.
— Yeah, this general Cecily commentary is just a big ol’ reprisal of the Wiig flirting commentary, even though, to Cecily’s credit, she’s performing it really well. I’d like this commentary a lot more if it weren’t so derivative.
— Not only a very funny Isis Cosby joke from Colin, but I also love Michael’s ad-lib afterwards about SNL’s decision to have Isis Cosby be represented by a photo of a white baby: “There’s no way Isis Cosby is white.”
— A lot of Bobby’s big Update characters (Drunk Uncle, Anthony Crispino) seem to be on their way out lately, judging from how less and less they’ve been appearing. In fact, this ends up being Anthony Crispino’s final appearance.
— Oh, until now, I had completely forgotten about Ryan’s appearance in this episode’s Anthony Crispino commentary. This ends up being the first of two times in Ryan’s two hosting stints that he would appear as a recurring Update correspondent’s similar-traited friend.
— A huge laugh from the Star Wars/Cool Runnings bit in the Crispino commentary.
— Ryan’s doing a solid job emulating Bobby’s characterization, and, after just playing dull straight roles in all of his previous live appearances tonight (including in his own monologue), it’s good to see Ryan finally get to let loose and play a silly comedic role. He and Bobby are an absolute blast together here. Bobby’s Crispino is going out on a good note here.
STARS: ****


HOMETOWN BAR
(KYM) tries to embarrass boyhood rival host during his hometown visit

— An interesting absurd characterization from Kyle, playing a comically unconvincing bully.
— The more and more this sketch goes on, the more and more Kyle’s goofy, oddball characterization is cracking me the hell up. He’s probably one of the very few people who could make this sketch work with such a goofy and oddball characterization, as the material itself is nothing to write home about and I have a hard time picturing a lot of other performers being able to sell the goofy and oddball characterization that Kyle’s doing so well here.
— Another sketch tonight that sets off a bit of a chain reaction of breaking among the performers, as not only do we get another display of Giggling Gosling throughout this, but one particularly funny line delivery of Kyle’s also causes Cecily and Bobby to lose it.
— I’m really showing myself to be a 90s kid here, but something about the way Kyle’s face looks in that wig (along with the fact that he’s playing a bully) reminds me so much of Skull, of Bulk and Skull, the two bully characters from the original Power Rangers series.
— Nice turn this sketch takes with Kyle’s tearful breakdown.
STARS: ****


NESPRESSO
seeking Nespresso, puzzled Danny DeVito (BOM) trails George Clooney (TAK)

— Second consecutive episode with Bobby’s new Danny DeVito impression. At least he’s wearing a wig here that makes him resemble DeVito more, as opposed to that terrible wig he wore in the preceding episode.
— A laugh from the visual of Bobby-as-DeVito’s tiny legs while he’s being measured for an outfit.
— I don’t think I’m familiar with the actual Nespresso commercial this is spoofing (if I saw it, then I don’t remember it), but I don’t seem to need to be. The sheer oddness of this commercial (which I’ve been told is a very accurate spoof to the real commercial) is making me laugh a lot, Bobby’s a lot of fun in his performance and has a lot of good lines, and I’m enjoying the odd-couple pairing of his DeVito and Taran’s George Clooney.
STARS: ****


THE WIZ LIVE!
The Wiz characters meet Scarecrow (host) from The Wizard Of Oz

— I strangely love seeing Michael in that scarecrow make-up and doing that dance with the others at the beginning, just because it’s Michael Che, of all people, doing that.
— In that scarecrow make-up and with that goofy eager facial expression he keeps making, Ryan looks uncannily like Taran at times.
— Solid characterization and voice from Ryan, and, much like I said about his Update appearance, it feels good to see him get to let loose and play a goofy role, given the number of straight man roles he’s been playing all night.
— Funny bit regarding Ryan wanting to touch Sasheer’s hair.
— I can’t find much else to say, but I’m enjoying this sketch just fine, and it’s a huge improvement over the really lousy previous two times this SNL era attempted a spoof of NBC’s annual live musicals (Peter Pan and The Sound Of Music).
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “River”


SANTA AND HIS MAGICAL ELVES
(host) & fellow masochistic elves try goading Santa (BOM) into discipline

— Ohho, no. Not the return of this.
— What in the world was with that absurdly long, silent pause just now? Who exactly forgot their line? Kenan?
— The only positive I can find in this sketch is that I’m strangely kinda liking Ryan’s typical giggliness and smiliness here, and am finding that it works in this particular role.
STARS: *½


IN MEMORIAM
a photo of SNL wardrobe crew member Jenna Krempel marks her passing


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A solid episode with two absolute classics and lots of other good stuff. There was also a nice and fun vibe to this episode, partly helped by Ryan Gosling, who, even with his constant giggliness and bland straight man roles, had something likable and charming about him as a host.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Santa Baby
Close Encounter
Settl
Weekend Update
Hometown Bar
Nespresso
Monologue
Birthday Party
The Wiz Live!
A Christmas Message from Donald & Melania Trump
Santa And His Magical Elves


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Matthew McConaughey)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Chris Hemsworth