November 16, 1996 – Robert Downey Jr. / Fiona Apple (S22 E6)

Segments are rated on a scale of 1-5 stars

DOLE IMPRESSION
Bob & Elizabeth Dole [real] convince NOM it’s time to stop his impression

— This feels like Part 2 of the piece from the last episode where Norm’s Bob Dole sketch was interrupted by Lorne telling him that SNL no longer has any use for his Dole impression.
— A cameo from Bob Dole, fresh off his election loss.
— When telling Norm and Dole he’s leaving, Lorne uncontrollably starts cracking up for whatever reason. It’s quite a funny visual.
— One of the better instances of SNL’s “cast member meets the celebrity they impersonate” trope.
— Some really funny and charming back-and-forths between Norm and Dole. And you can tell Norm is having a good ol’ time during this.
— Great line from Dole telling Norm that his Dole impression is merely an impression of Dan Aykroyd’s Dole impression.
— Even the cliched “celebrity talks like their impersonator while complaining that their impersonator sounds nothing like them” trope is coming off okay here.
STARS: ****


MONOLOGUE
RDJ’s slide show documents his summer vacation run-ins with the law

— Boy, it feels weird seeing an older Robert Downey Jr. hosting SNL about half a year after I had reviewed his unsuccessful season 11 stint as a cast member.
— Robert mentions that he was invited back as part of SNL”s “Distinguished Alumni” series.
— Some good self-deprecating humor with Robert showing slides from his “summer vacation”.
— A funny brief dig at Kelsey Grammer.
— Overall, short and sweet.
STARS: ***½


BOWLING TOURNAMENT
Craig dissuades Arianna from stuffing her bra to just to attract (RDJ)

— What’s with the dead silence from the audience during the Cheerleaders’ entrance? I thought these characters were popular.
— I like the Ike and Tina Turner cheer from Craig and Arianna.
— I love Will’s delivery of his repeated exclamations of “You’re not the boss of me!”
— I’m surprised by how much I’m actually kinda enjoying this Cheerleaders installment.
— Pretty funny sequence with the Cheerleaders beating up Robert.
— Nice turn that Robert’s character takes with his emotional breakdown.
— Overall, I surprisingly enjoyed this better than most Cheerleaders sketches.
STARS: ***


CLINTON THANKS AMERICA
Bill Clinton (DAH) thanks the very few Americans who truly supported him

— Feels odd seeing a President Clinton address-to-the-nation sketch airing in the middle of an episode. I’m sure this normally would’ve aired as the cold opening, but SNL understandably wanted to put Bob Dole’s huge cameo up front.
— Pretty funny how Clinton uses mathematics to whittle the number of people who actually voted for him down to one person.
STARS: ***


PRESS CONFERENCE
Evander Holyfield [real] takes over Don King’s (TIM) press conference

— Good to see the return of Tim’s insanely-tall-haired Don King impression. I still don’t know how they’re able to keep that tall wig in place without it tipping over whenever Tim turns his head even slightly.
— Also good to see the return of Tracy’s hilarious Mike Tyson impression.
— A lot of big cameos tonight, with us now getting an appearance from Evander Holyfield, fresh off his heavyweight championship win.
— Funny bit with Tim’s Don King immediately changing his tune about Holyfield after noticing Holyfield is standing right behind him.
— A lot of laughs from Tim-as-Don-King’s backing statements throughout Holyfield’s speech, especially Tim’s King saying “supercalifragilisticexpialidocious”.
STARS: ***½


TV FUNHOUSE
“Fun With Real Audio” by RBS- players from the O.J. trial are interviewed

— After the opening scene with Mark Fuhrman trying to put the moves on Diane Sawyer, we get a funny turn in the second scene, with Barbara Walters being the sexual predator during her interview with Robert Kardashian.
— Hilarious part with a white Bronco being seen driving past the house after bullets shoot through Robert Kardashian’s window.
— This cartoon is as priceless as these Fun With Real Audio cartoons have typically been so far.
STARS: ****


MR. MUSIC
deejay Mr. Music (RDJ) plays inappropriate songs at a wedding reception

— Interesting casting of Jim as a middle-aged father, as he doesn’t usually play that type of role, probably due to his youthful looks.
— I like Robert’s passing mention of having his name changed from Knife Tit to Mr. Music.
— An overall pretty short sketch, but funny enough, and there were some laughs from all the inappropriate music being played at the wedding reception.
STARS: ***


STREET GANG
(NOM) doesn’t go for his fellow gangmembers’ West Side Story-like antics

— An all-time memorable sketch and one of Norm’s best performances.
— I love Norm’s “What the hell was that?!?” after Robert first randomly breaks out into song.
— Another great questioning from Norm, with him asking “How’d you come up with a song so fast?” after Robert and Will perform a perfect number that was supposedly unrehearsed and spontaneous.
— Hilarious sarcastic song title suggestion from Norm: “While You Were Singing, I Got Stabbed In The Head By A Puerto Rican”.
— Why did Colin Quinn not receive his featured player credit during the opening montage earlier tonight? He has a prominent role in this sketch. Maybe they only credit him when he does an Update commentary or stars in his own sketch.
— I like Cheri as the little boy.
— During his solo confrontation with the rival gang, I love Norm’s panicked reactions when each of his fellow gang members enter the fight one-by-one doing a little dance.
STARS: *****


WEEKEND UPDATE
Bob Dole [real] preempts a joke NOM had planned to tell about him

— Huge, and I mean HUGE audience applause for Norm at the beginning of this Update. It goes on so long that it even overlaps into Norm’s first joke. This has been a big night for Norm in general, even before this Update, between his memorable meeting of Bob Dole and the classic Street Gang sketch.
— Some particularly wild jokes from Norm tonight that are getting the audience riled up.
— Interesting ending to this Update with Bob Dole interrupting Norm’s joke about him, and both of them ending up walking off together to have a beer.
— Random observation: this season’s Updates have been really light on guest commentaries.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “Shadowboxer”


THE DELICIOUS DISH
Margaret Jo (ANG) & Terry (MOS) are as bland as recipes on their NPR show

— Ladies and gentlemen, we have a major recurring character debut!
— Between The Culps making their debut in the last episode and Delicious Dish making its debut tonight, newbie Ana Gasteyer is quickly establishing what would go on to be some of her biggest recurring sketches. And both The Culps and Delicious Dish are well-done low-key sketches that I really appreciate, even if they’re not going for laugh-out-loud humor. Both sketches also represent the maturity and classiness that I’ve always felt Ana brought to SNL. A welcome counter to the wild, loud, over-the-top, catchphrase-driven performances that typically dominate this era.
— Some really good laughs from Ana and Molly’s excited soft-spoken discussion about such mundane things.
— I like Mark as a caller saying that he’s going to cancel his trip so he won’t miss the Delicious Dish’s upcoming thrilling two-part episode about salt.
— I’ve been saying this a lot in this episode review, but this overall sketch was short and sweet. (I wonder if the number of short sketches tonight is the reason why this episode feels like it has more sketches than usual.) This debut of Delicious Dish felt a little simplistic compared to most subsequent installments of this sketch (probably because there was no guest being interviewed), but it was still a solid debut.
STARS: ***½


FIRST KISS
at Melanie’s make out party, Mary Katherine Gallagher gets her first kiss

— Needless to say, it feels awkward seeing Mark’s Kids In The Hall character Melanie making her second SNL appearance, after her very notorious first SNL appearance with Chris Elliott.
— Very odd how a Mary Katherine Gallagher sketch is being buried so late into the episode.
— I like Will’s line “7 minutes in heaven! Whoo! I have no idea what that is…”
— Some realistic awkwardness during MKG and Robert’s conversation together inside the closet.
— Wow, a wild and raunchy make-out session between MKG and Robert. Hmm, is that why this MKG sketch was buried in an unusually late spot in the show?
— Overall, this felt very different from most MKG sketches, but was decent enough.
STARS: ***


THE STREETS OF L.A.
(RDJ)’s anti-drug tirade seems directed at someone

— I love Robert’s facial expression when an angry Norm asks if he can imagine anyone needing cocaine to get through the day.
— Ah, this turns out to be a “host spoofs themselves by playing a character who’s the exact opposite” sketch, in a similar vein to the sketch with George Steinbrenner playing a boss who doesn’t like firing his employees, only this one is even more meta.
STARS: ***


MILSFORD SPRING WATER
Milsford Pure Spring Water is so good, you’ll want to form a lynch mob

— I absolutely love the increasing darkness as we see the process of a lynch mob from Milsford killing the citizens of the rival town. A lot of hilarious details here.
— A very funny reveal at the end that this incident happened only 107 days ago, after this commercial made it seem like this incident was from many decades ago.
STARS: ****½


SHOPPING AT HOME NETWORK
Don West (WIF) & Eddy Lewis (CHK) hard sell Shaq Plaque to home shoppers

 

— The debut of a short-lived recurring sketch. I’ve always loved this particular installment of this sketch, and it seems to be well-remembered among quite a number of SNL fans in general.
— Freakin’ hilarious characterizations from Will and Chris.
— Will and Chris’ exaggerations of various things about the Shaq Plaque are killing me.
— Will: “Kirk Cameron just called, and he even can’t get through!”
— Great turn with Will and Chris suddenly advertising the pistol that Chris threatens to shoot himself in the head with.
— Funny running bit with Robert’s character always being shoved out of the scene.
STARS: ****½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— Another pretty solid episode from season 22. What a nice turnaround this season has recently taken, after a shaky first three episodes. I enjoyed every single sketch tonight, and two of my most fondly remembered sketches of the entire season came from this episode alone (Street Gang and Shaq Plaque). Robert Downey Jr. was much better in his performances tonight than he was during his cast member stint in season 11, showing that the problem with him as a cast member may not have necessarily been that he was an ill fit for the show like some of his castmates, but that he was simply too young at the time (20 years old). Makes me wonder how Joan Cusack and Anthony Michael Hall would’ve fared if they, like Robert, had ever hosted the show when they were older and more experienced.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Chris Rock)
about the same


My full set of screencaps for this episode is here


TOMORROW
The fourth of five consecutive episodes hosted by a former cast member. This time, it’s Phil Hartman.

18 Replies to “November 16, 1996 – Robert Downey Jr. / Fiona Apple (S22 E6)”

  1. RDJ (when he was on SNL) always kinda reminded me of Kattan.

    I can’t really think of any other SNL cast member playing that “Norm in West Side Story” role…maaaaybe Sudeikis.

    1. It’s the type of role Mikey Day would play now, although without the hard edge and more of the golly gee persona.

  2. Colin Quinn’s “We’re being cobras!” never fails to crack me up when watching that one.

    Forgot how much I used to love Ferrell and Kattan as the shop at home guys, they were spot-on as Don West and whatever his buddies name was. Kattan probably did his best work this season, I think I he didn’t start to grate on me until the following season.

  3. This is a decent episode episode with an extremely disjointed feel, between the sketches that exist solely for cameos, the Clinton sketch that mostly feels like it was included to pour salt into the wounds over Clinton not doing as well as polls suggested he would (very sharp writing from, I assume, Jim Downey, but not a good fit with Hammond’s Clinton), the noisy recurring characters shoehorned in, the debut of Delicious Dish as a low-key contrast, the meta commentary on RDJ’s drug problems, that incredibly dark piece on spring water (a great piece, and one that lures you in only to throw you right back off [in the best way]), and finally, Chris Kattan shoutfest #9483. The energy veers throughout the night – RDJ is competent but seems zoned out (I wish he’d hosted again about ten years later), which is a big contrast to the downright giggly atmosphere of the cold open and some of the bigger hijinks of most of the featured cast members.

    Under different circumstances, the anti-drug meta sketch would have the same ghoulish feel as the pieces that made fun of Farley’s addictions, but fortunately RDJ has maintained sobriety in the last few decades. The idea was clever, but I think I would have liked this more with about a minute cut off.

    Fortunately, many sketches were perfectly timed, especially the wedding sketch (for some reason the main part of this episode I had remembered) and the excellent West Side Story sketch – one of the best of the “normal man reacts to craziness around him” school of sketchwriting.

    I always loved Delicious Dish; I had no idea it started quite this early in Ana’s tenure. Ana truly did have her comic persona locked in and thankfully she was given the chance to showcase that persona. She is such a necessary balance to all the hysteria, and that will become even more important once Mark and Norm are gone.

    RDJ looks a lot like Beck Bennett in that last sketch.

    The amount of crude jokes from Norm reaching what felt like an all-time level in this Update made the appearance of Dole put this one into the time capsule category. Someone who was seen as a statesman coming on after all those jokes would probably be headline news these days. I’m not sure if they set the Update up that way deliberately, as a contrast, but it was a bit jarring. I did like the end with Dole and Norm. They had a pretty good onscreen rapport.

    I wonder if they ever asked Evander Holyfield to host. The man had charisma, even if he wasn’t much of an actor.

  4. I’m surprised RDJ hasn’t hosted since. He doesn’t have one of those Murphy-style beefs with the show, does he?

    1. It was likely that he seemed to relapse (which also resulted in his losing his role on Ally McBeal- also inadvertently dooming the show, as he was seen as the best part of it, and ratings would promptly plummet), then after he recovered, was likely too busy. It’s odd, too- he could’ve hosted perhaps in ’08 (for Tropic Thunder or Iron Man), or ’09 (Sherlock Holmes), ’13 (Iron Man 3, Sherlock Holmes: A Game of Shadows), or even this past year (aside from Endgame, he could’ve hosted as a tie-in for Comcast to promote Dolittle.) So, yeah, whether he chose not to host or whether he was looked over, it is quite a bit surprising.

  5. I used to love watching the real Don West on some God-forsaken overnight shopping channel touting GEM MINT TEN!!!! sports cards. He alternated hours with the coin collector guys.

    1. It’s funny how much Norm underrated himself as a sketch actor. Don Ohlmeyer was an asshole for firing him from update but he was right about one thing, Norm was great in sketches. Cobras and Panthers is a prime example. What a classic.

    2. So true… I remember when he went on Letterman the day of the demotion/firing, he told Letterman they just wanted him to be in sketches but “I STINK at those.” Meanwhile the best moments from seasons 20-23 (beyond WU and TV Funhouse) were dominated by Norm (and Will). Here’s a list of 4.5-5-star sketches where he was front-and-center, or where I think he was heavily involved in the writing (such as the Newhart postal sketch). And this doesn’t even count all the sketches he may have written in season 19 (except Charles Kuralt, which is obvious since it’s just him). A fascinating collection. I also included sketches from his season 25 return… basically, every sketch including Norm got the highest ratings:
      Sunday Morning with Charles Kuralt (Kelsey Grammer)
      Weekend Update (John Turturro)
      Weekend Update (Roseanne)
      Multiple Personalities (Roseanne)
      Post Office HR (Bob Newhart)
      Weekend Update (Deion Sanders)
      Weekend Update (Courteney Cox)
      Polar Bear Cage (David Duchovny)
      Clara Turley’s Bible Challenge (Quentin Tarantino)
      The Real World (John Goodman)
      Weekend Update (Chevy Chase)
      Weekend Update (Jim Carrey)
      Street Gang (Robert Downey Jr.)
      The Late Show With David Letterman (Kevin Spacey)
      Weekend Update (Robert Downey Jr.)
      Celebrity Jeopardy (Martin Short)
      Weekend Update (Sting)
      Celebrity Jeopardy (John Goodman)
      Weekend Update (John Goodman)
      Accident (Sylvester Stallone)
      Celebrity Jeopardy (Matthew Perry)
      Quentin Tarantino: A Profile (Samuel L. Jackson)
      Who’s More Grizzled?! (Garth Brooks)
      Monologue (Norm Macdonald)
      Great Moments In Yankee History (Norm Macdonald)
      Celebrity Jeopardy (Norm Macdonald)
      Inside the Actors Studio (Norm Macdonald)

  6. I meant to say that every sketch Norm was in during his season 25 episode got the highest ratings. Except the two Larry King’s News & Views (which I’m surprised “only” got 4 stars)

  7. I’ve been rewatching this era and you’re totally right! Norm is often the highlight and though not as prolific as Will or Cheri, is easily the funniest of the group. Will would eventually become the all-timer he’s known today, but I find it fascinating that he didn’t dominate the show right away. Norm unique form of comedy was just a relevant and important in keeping the show afloat.

  8. The version of the Cobras & Panthers sketch I watched was definitely less refined than the one up on Youtube. I’m guessing it was the dress rehearsal version?

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